Classic Films · Dramas

Lolita

Image credit:  Lolita 1997 (left), Lolita 1962 (right)
Image credit: Lolita 1997 (left), Lolita 1962 (right)

Although it probably won’t ever make the required reading lists of any high school, I’m going to go out on a limb and say that Lolita by Vladimir Nabokov is one of the best books ever written. There, I said it. It was my favorite book as an adolescent, still my favorite in my 20’s, and even upon a recent re-reading, it remains a superb example of English prose. The sexual deviancy of the narrator (a man who preys upon teenage girls) would probably turn many people off, but they’d be missing the gorgeous linguistic skills of the author. “She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks. She was Dolly at school. She was Dolores on the dotted line. But in my arms she was always Lolita.” Sentences like this are what have kept me championing this book for decades, and what keep me going as a writer. I’ll never be Nabokov, but one should always have a distant level of genius to aspire toward.

This book is so great in fact, that it took two film adaptations to really tell the story. Most people know of Stanley Kubrick’s 1962 Lolita (DVD/Download) with James Mason as the sophisticated, depraved Humbert Humbert, and I’m certainly a fan. I think it’s beautifully shot, with symbolic close-ups standing in for more gruesome scenes (I’m thinking particularly of the final showdown with Quilty) but it isn’t exactly an accurate adaptation of the book. It’s playful and light, almost a comedy. It captures the spirit of America that I think Nabokov was striving for, but it leaves out most of the emotion and depravity of the book. In contrast, Adrian Lyne’s 1997 version of Lolita (DVD/Download), was a very accurate adaptation plot-wise, nearly to the point of being too much to handle. I’m thinking again of the final showdown with Quilty, which in this version becomes a bloody, gory, gruesome mess- think Tarantino without the humor. However, Jeremy Irons is AMAZING as Humbert. Unfortunately I don’t think either Sue Lyons or Dominique Swain were altogether fantastic as Lolita, but both versions have wonderful Quilty’s, played by Peter Sellers and Frank Langella, respectively.

Whichever version of Lolita you prefer (and I really do suggest watching them both), I recommend harkening back to the novel for cocktail inspiration.  Humbert mentions his preferred drink, the Pin (pineapple juice and gin), so I’ll be enjoying that combination, with an added flirtation of champagne. While watching Lolita, I recommend drinking a Nymphette.

Nymphette

1 oz Gin

2 oz Pineapple Juice

1 oz Champagne

Lemon sugar for rimming

Rim a coupe glass with lemon sugar.  Combine Gin and Pineapple Juice over ice in a shaker.  Shake until chilled, then strain into prepared glass.  Top with Champagne.

Nymphette

You may notice in the above photo that I’ve got a copy of the Lolita audio book as read by Jeremy Irons.  If you’ve never heard it, go find it today (don’t worry if you already threw out your Walkman- it’s available on Audible or CD too).  That velvet voice is a perfect complement to Nabokov’s words, and I find myself getting lost in the beautifully crafted sentences. As poor, tortured Humbert Humbert admits, “You can always count on a murderer for a fancy prose style.” Cheers!

Top 5 Lists

Five Times Anne Bancroft was EVERYTHING

I’ve featured Anne Bancroft films a couple of times on Cinema Sips recently, and it’s made me realize that the woman is just amazing. Her style, her sense of humor, her way of elevating even the worst script- she’s a legend for a reason. In my 20’s I idolized Audrey Hepburn (doesn’t every girl have an Audrey phase?) but now that I’m a little older, I’m all about Anne Bancroft. Here are my five picks for when she was EVERYTHING.

  1. Mrs. Robinson, The Graduate
Anne Bancroft The Graduate
Image credit:  The Graduate, 1967

Leopard print for days. Those tanned, toned legs. That withering stare. How could Benjamin Braddock ever resist?

  1. Adele Larson, Home for the Holidays
Image credit: Home for the Holidays, 1995
Image credit: Home for the Holidays, 1995

Sure she wears unflattering winter coats and chain smokes in the pantry, but she’s still the mom that makes us want to come home for the holidays. And the bunion sneakers! I die.

  1. Glady Joe, How to Make an American Quilt
Anne Bancroft How to Make an American Quilt
Image Credit: How to Make an American Quilt, 1995

In the grand tradition of Anne Bancroft being the best thing about literally every crappy movie she’s in, Aunt Glady makes me smile as she sings along to Neil Diamond and gets high on the porch. And eats an astonishing amount of ice cream.

  1. Ms. Dinsmore, Great Expectations
Image credit: Great Expecations, 1998
Image credit: Great Expecations, 1998

She had me with the crazy eye liner and predilection for martinis. And then she went red. Even though her bedroom smells like cat piss, I still want to move in.

  1. Herself, Curb Your Enthusiasm
Image Credit: Curb Your Enthusiasm, Season 4, Episode 10, 2004
Image Credit: Curb Your Enthusiasm, Season 4, Episode 10, 2004

Iconic and chic right up until the end, it seems fitting that one of Anne Bancroft’s final performances was alongside her devoted husband Mel Brooks. Because love and laughter are the best accessories a woman can have. Although her pink gloves are pretty fabulous….

Dramas

Great Expectations

great expecatations dinsmore
Image credit: Great Expectations, 1998

I’ve thus far featured a couple of films during Literary Adaptation Month that have stayed pretty close to the source material.  This week however, I’ll be watching an adaptation that uses the original book as inspiration, but then veers wildly, excitingly off course.  A long-time favorite film of mine is Alfonso Cuarón’s 1998 version of Great Expectations (DVD/Download). Based on the novel by Charles Dickens, this film captures the classic Dickensian struggles of wealth vs. poverty and good vs. evil, while updating it for the modern era.

In the Cuarón version of Great Expectations, Pip is renamed Finn, and played by Ethan Hawke. A very bored Gwyneth Paltrow plays Estella, the focus of his unrequited love. Robert DeNiro’s portrayal of convict Lustig (Magwitch) is still a career highlight to me, and Anne Bancroft shines as Ms. Dinsmoor (aka Miss Havisham). I absolutely want to be Ms. Dinsmoor when I get old, sitting in a Florida mansion, drinking martinis, wearing crazy wigs and listening to Bossa Nova records. Strike that- can I just start that life now?? In this version, Finn becomes an artist (side note: I’m madly in love with the Francesco Clemente paintings and drawings done for the film), and Lustig’s secret patronage lures him to New York, and Estella. Great Expectations relies on visuals a great deal, and it’s this beauty (and the lovely words written by David Mamet in the voiceover narrations) that keep me coming back time and again.

A common visual motif in several of Alfonso Cuarón’s films is the color green. It’s been characterized as the color of hope, and in this film that could not be more true. Finn is always hopeful, even when he shouldn’t be. Cuarón seamlessly weaves the color into nearly every scene, through the lush tropical backdrops, Finn’s paintings, the costumes, and most notably in Gwyneth Paltrow’s TO DIE FOR Donna Karan dress. It’s so fabulous, I just have to share:

Great Expecations donna karan

For my drink this week, I’m picking up on that green motif and mixing up a martini that Ms. Dinsmore would surely be sipping in her gilded bedroom. While watching Great Expectations, I recommend drinking a Paradiso Perduto.

Paradiso Perduto

1 oz Midori

1 oz vodka

1 oz lemon juice

¼ oz simple syrup

Mix all ingredients in a cocktail shaker filled with ice. Shake until chilled. Strain into a chilled martini glass. 

Paradiso Perduto

I’m not usually one for radioactive-looking cocktails, but this one is actually quite tasty.  And with such a visually-focused film, why not match it?  There have been other Great Expectations adaptations, and I expect there will be several more in the future, but this one will always be special to me.  Modern art, martinis, and Donna Karan-  what’s not to love?  Chicka-boom!

Dramas

The Outsiders

Image credit: The Outsiders, 1983
Image credit: The Outsiders, 1983

I was shocked to learn recently that The Outsiders is STILL being taught in middle school classrooms. With the intense boom of YA literature over the last decade, I would have thought that S.E. Hinton’s classic tale of greasers and soc’s had since been edged out by John Green or Stephen Chbosky- but no. Apparently Ponyboy lives on. Part of what made reading The Outsiders so great back in middle school was the inevitable arrival of the clunky TV cart hauled in on a rainy day, long after we’d finished our discussion of what the heck Robert Frost meant with that poem. The lights would dim, as 25 seventh graders focused their attention on Francis Ford Coppola’s iconic film adaptation of the novel. Even now, the opening notes of the theme song conjure up sensory memories of dry air, mildewed backpacks, and the smell of sharpened pencils. Ah youth.

The Outsiders (DVD/Download) is actually a fairly accurate adaptation of the book.  We still get the same retro S.E. Hinton dialogue, the same wacky character names, and the same great lines like “Do it for Johnny!” and “Stay Gold, Ponyboy”. The casting is pretty perfect, featuring a who’s who of 80’s stars like C Thomas Howell, Matt Dillon, Tom Cruise (pre-dental work), Rob Lowe, Diane Lane, Leif Garrett, Emilio Estevez, Ralph Macchio, and the late great Patrick Swayze (rocking his signature too tight black t-shirt). Let me say, as a 14 year old girl watching this for the first time, I finally understood where all the cute boys were. Certainly, not at my school.

How fortunate we all are that Hinton gave her characters such unusual names. Cherry, Sodapop- I can do a lot with those beverage-wise. If you’re watching this with an actual middle schooler, you can just serve up an ice cold Cherry Coke. But if you’re of legal drinking age, desperate to enhance your teenage memories, I recommend drinking a Spiked Cherry Soda.

Spiked Cherry Soda

1 tablespoon maraschino cherry juice

1.5 oz white rum

8 oz Cherry Coca-Cola

1 maraschino cherry

Build drink over ice in a tumbler. Top with maraschino cherries.  Bonus points for a gold rimmed glass!

spiked cherry coke

After enough cocktails, you may find yourself giggling hysterically at Matt Damon’s big crescendo, “DO IT FOR JOHNNY!” Or maybe weeping when Ponyboy leaves his copy of Gone With the Wind for a bandaged and burnt Ralph Macchio. Robert Frost says nothing gold can stay, but the fact that we’re still reading this book and enjoying the movie so many years later is proof otherwise. Cheers!

Dramas

Sense and Sensibility

Image credit: Sense and Sensibility, 1995
Image credit: Sense and Sensibility, 1995

Before there were films, there were books. And in fact, before there were good films, good books usually proceeded them. Throughout the month of September, I’ll be paying tribute to my favorite literary adaptations in cinema. I know my readers must think I spend most of my time watching movies and drinking cocktails, and while those activities are certainly a part of my weekly routine, most of my spare time is actually spent reading. Because I consider myself first and foremost a lover of books, it pains me to see filmmakers get a literary adaptation wrong (I’m looking at you Simon Birch!). Conversely, when they get it right, it can be pretty magical (hip hip hooray The Door in the Floor!). Although there have been a lot of contemporary adaptations lately, I’m adhering to the classics this month. School just started again, so if you’re stuck explaining Jane Austen or Charles Dickens to your middle or high-school age child, don’t worry- Cinema Sips to the rescue!

This week I’ll be watching my favorite Jane Austen adaptation, Sense and Sensibility (DVD/Download). I am a functioning, breathing female, so yes, I love all things Austen. I even love all things about loving all things Austen (ie. the wonderfully charming film Austenland). By far I think Sense & Sensibility does the best job of depicting a classic Austen tale featuring two unlucky-in-love sisters- one pragmatic, the other a dreamer. Emma Thompson’s screenplay perfectly captures the rich language of Austen’s novel, while making it understandable to modern audiences. The cast is superb, featuring Emma Thompson, Kate Winslet, Hugh Grant, Alan Rickman, and Hugh Laurie, along with the usual cavalcade of minor British character actors who seem to be in every film coming out of the UK. It was an unusual choice to hire Ang Lee as the director, but he fills the movie with so many simple, quiet moments and beautiful costumes and scenery that one feels almost transported to Austen’s world.

Because the Dashwood sisters are forced into simple country living upon the death of their father, I decided to choose a British cocktail that evokes summertime country flavors. I can almost picture one of the Dashwood sisters getting her dress caught in a bramble bush, relying on Willoughby or Edward to come rescue her. While watching Sense and Sensibility, I recommend drinking a Gin Bramble.

Gin Bramble

2 oz Gin

1 oz lemon juice

1 oz simple syrup

Drizzle of Blackberry Liqueur (crème de Mure)

Fresh Blackberries

Combine gin, lemon juice, and simple syrup in a shaker, shake until well mixed, then pour into a tumbler or mason jar filled with crushed ice. Drizzle blackberry liqueur over the top, and garnish with a fresh blackberry.

Gin Bramble

My favorite part in Sense and Sensibility is when Colonel Brandon (Alan Rickman) sees Marianne Dashwood (Kate Winslet) for the first time as she’s singing a song at the piano. He enters the room, and you can just see the waves of attraction and obsession wash over him. It’s moments like this that make the film a wonderful complement to the words on the page, and a rare case of a screen reality being even better than my imagination. Cheers!