Classic Films · Musicals

The Bamboo Blonde

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Image credit: The Bamboo Blonde, 1946

I’ve been looking for an excuse to put a terrific cocktail discovered in The Home Bar Guide to Tropical Cocktails on Cinema Sips, and a recent selection by the 2026 Turner Classic Movies Festival turned me on to the perfect pairing. Had I been able to attend the festival in person, The Bamboo Blonde (Disc/Download) would have definitely been on my watch list. But thanks to this drink, I may have had an even better experience at home!

I can always rely on the programmers at TCM to steer me toward delightful movies that don’t always get a lot of attention, and The Bamboo Blonde is the perfect example. Clocking in at just over an hour long, this film features a fun little romance between a nightclub singer (Frances Langford), and a secretly wealthy WWII bomber pilot (Ralph Edwards). In a lot of ways, it reminds me of the kind of picture Doris Day frequently made, where a (singing) woman falls in love with a man hiding his true identity from her. Langford assumes Edwards is merely a brave pilot she connected with one magical night in New York, but when she discovers he comes from a wealthy Bucks Co. family, she feels like she’ll never be good enough for him. She sabotages their relationship by performing a risqué number for the country club set, not realizing there’s nothing she could do to turn him off. He’s as smitten with the chanteuse as he is with the pin-up version painted on the side of his plane.

The Bamboo Blonde gets her stage name thanks to a bunch of horny sailors who could double as Mad Men. They come up with a catchy moniker for their new mascot, and soon the owner of her nightclub is selling every piece of branded crap he can stamp “Bamboo Blonde” onto. Let’s give her a toast with this Bamboo Splitter cocktail (from The Home Bar Guide to Tropical Cocktails).

Bamboo Splitter

1 ½ oz gin

1 oz honey syrup

½ oz Yellow Chartreuse

1 oz white grapefruit juice

3 muddled mint leaves

1 oz freshly squeezed lemon juice

Extra mint (garnish)

Muddle mint leaves in the bottom of a shaker with gin, honey syrup, Yellow Chartreuse, grapefruit and lemon juices. Add ice and shake to combine. Fill a lowball glass with fresh crushed ice, then strain drink into prepared glass. Garnish with fresh mint.

I’ll be sharing one or two more films I watched during my at-home TCM Fest this month, and though I had a fair bit of FOMO from seeing all my friends posting from Hollywood, it was admittedly great to have cocktails, food, and my dog with me through all these movies. Plus, no lines! If, like me, you’re on a budget, taking a weekend at home to watch a curated list of films is never a bad idea. Cheers!

Comedies

Ed Wood

LizLockeLeave a comment
Image: Ed Wood, 1994

I’m finally recovered after a whirlwind trip to the Ambler 35mm Film Festival at the historic Ambler Theater, which means it’s time to get back to the business of movies and cocktails! I saw a lot of great flicks at the festival, but the one that most surprised me was Tim Burton’s biopic of a cross-dressing 1950s B-movie director, Ed Wood (Disc/Download).

Although I owned a VHS copy of this back in the day, watching it on the beautiful 35mm print provided by the Odyssey Film Institute was like watching it for the first time. Shot in black and white, Burton intended Ed Wood to look like a classic film. The textured graininess of 35mm helps to achieve this, making the audience believe they’re experiencing a strange relic from the 1950s, unearthed like Bela Lugosi from his coffin. If you love movies about the business of movies, then you’ll appreciate this peek at what was happening outside the Hollywood studio system. Ed made quick, gimmicky schlock on a shoestring budget, utilizing flashy hooks and fading stars like Lugosi to sell his product. Did it make him a rich man? Not exactly. Did it make him famous? Still no. But did it make him infamous? Absolutely.

When Ed needs to round up financing for Bride of the Atom, he throws a party for potential investors at the Brown Derby. It’s super fun to see this Hollywood hot-spot recreated for the film, so let’s toast it with its namesake cocktail, the Brown Derby.

Brown Derby

1 ½ oz bourbon

1 oz grapefruit juice

½ oz honey syrup (1:1 ratio honey to water)

Grapefruit twist (garnish)

Combine bourbon, grapefruit juice, and honey syrup in a shaker with ice. Shake to chill, then strain into a coupe glass. Express the oils of the grapefruit peel over the drink, then drop it in.

Brown Derby Cocktail

Similar to the films of John Waters, Ed Wood is a movie for anyone who has ever felt like they don’t fit. It’s inspiring when Wood declares matter-of-factly that he likes to dress in women’s clothes, just as it’s inspiring to watch him sell his bizarre movie concepts to an unprepared, conservative audience. He has faith in himself, which makes us have faith in him, too. The world wasn’t ready for Ed in 1952, but I like to think he could have found a place in 2026. “Revenge of the AI Ghouls”, perhaps?  Cheers!

Classic Films · Uncategorized

Dance, Girl, Dance

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Image: Dance, Girl, Dance, 1940

In an effort to watch more of trailblazing female director Dorothy Arzner’s work, I decided to check out the Lucille Ball-Maureen O’Hara showbiz farce Dance, Girl, Dance (Disc/Download). In this movie, there really is no star or stooge; only women trying to use whatever gifts they possess to get ahead in the cutthroat business of entertainment.

Even before the world fell in love with Lucy, Lucille Ball was already well on her way toward being the queen of physical comedy. As burlesque dancer Bubbles (later, Tiger Lily White), she uses her body to simultaneously turn men on and make them laugh. She has something special the other girls in her troupe don’t have, and whether you think her “oomph” should be overly valued or not is irrelevant. Society (read: men) have decided to place a high price on what Bubbles has. Even though Maureen O’Hara’s character Judy is technically more skilled, her skills don’t matter in this world where sex appeal is the currency. The same analogy could be made for all sorts of art forms (literary vs. commercial fiction, prestige drama vs. lowbrow comedy), and that’s how the movie stays relevant today. Creators either have “oomph” or they don’t, and if they don’t, they must carve out a niche where success comes from within, instead of from external validation. As someone who lacks “oomph”, I’ve learned this lesson the hard way.

A prime example of the difference between Ball and O’Hara’s characters occurs during the infamous hula scene. Their dance troupe is auditioning a for a New Jersey nightclub, and let’s just say the two women have very different interpretations of “hula”. The scene makes me want a Tiki beverage, but I can’t ignore the champagne cocktails imbibed throughout the rest of the movie. Let’s combine the two with this Tiny Bubbles cocktail!

Tiny Bubbles

1 sugar cube

6-7 drops Tiki bitters

5-6 oz champagne

Place a sugar cube in a coupe glass and soak with Tiki bitters. Top with Champagne.

Tiny Bubbles champagne cocktail

Maureen O’Hara has a great scene at the end where she finally gets fed up with a dance gig that isn’t bringing her an ounce of joy, and she tells off the leering men shouting during her performance. It’s a rare thing for a film of this time to call out misogyny and sexism, and I have to think this was Arzner’s influence. Surely this was the speech she wished she could give in person to studio heads and general audiences. Lucky for us, she put it on film so generations of women could sit back and applaud. Cheers!

Comedies · Sci Fi · Uncategorized

Men in Black

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Image: Men in Black, 1997, Columbia Pictures

The nice thing about the lack of good movies being released in our current cinema death spiral is that I have time to go back and revisit the ones I missed when I was either too young or too cool in the 1990s. One of these is Men in Black (Disc/Download), which basically had its own wall at the local Blockbuster. Now that we have a newly iconic extraterrestrial in Project Hail Mary‘s “Rocky”, it seems like a great time to check out a flick about aliens and humans coexisting under the watchful eye of the MIB.

I’ll admit, I had zero interest in this movie as a teen. But as an adult, I can appreciate the stellar chemistry between alien-enforcers Tommy Lee Jones and Will Smith. Buddy cops (or buddy alien police) need to hone their banter and timing just like all the best rom-com couples, and these two are basically another classic New York love story. Additionally, Men in Black, with its thirty-year-old tech, looks better than most of today’s AI slop , making me wonder why we’re depleting natural resources to make stuff that 1990s audiences would have scoffed at. The premise that aliens are hiding within plain sight under the skin of human hosts allows for some fantastic transformation sequences, as well as some gnarly deaths. Shooting those aliens was akin to being slimed on Double Dare; I feel bad for the production assistants tasked with clean-up.

Image: Men in Black, 1997, Columbia Pictures

My favorite Men in Black scene is the emergency squid birth along the side of the New Jersey Turnpike. The parents look normal, but then when the baby pops out, you realize they’re… a little different. While watching Men in Black, I recommend drinking this classic Octopus Tiki cocktail.

Octopus

1 ½ oz orange juice

¾ oz passion fruit syrup

¾ lime juice

1 ½ oz overproof rum

1 ½ chilled club soda

1 dash Angostura bitters

Mix all ingredients except club soda in a shaker with ice. Shake to chill, then strain into a Tiki mug or hurricane glass filled with fresh crushed ice. Top with club soda and stir gently. Garnish with an orange slice and orchid.

I was surprised to see Steven Spielberg’s name in the credits of Men in Black as a producer, though I guess I shouldn’t have been. Are there any major alien encounter movies from the last fifty years this man hasn’t been involved in? In checking my list of possibly-decent 2026 releases, I see I’ve got the next Spielberg flick Disclosure Day highlighted. The premise? Alien encounters. Of course. Cheers!

Classic Films

Heaven Knows, Mr. Allison

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Image: Heaven Knows, Mr. Allison, 1957

The latest issue of MovieJawn has just hit my mailbox, and praise the lord, it’s all about nuns! Inside, you’ll find my cocktail pairing for The Trouble with Angels, but here on Cinema Sips, I wanted to celebrate one of my other favorite nun pictures: Heaven Knows, Mr. Allison (Disc/Download).

Thanks to its WWII South Pacific setting, this movie lends itself perfectly to a Tiki cocktail. Robert Mitchum plays Marine Corporal Allison, who washes up on a deserted island after being separated from his unit. Turns out, the island isn’t completely deserted because Sister Angela (Deborah Kerr) got there days before on a failed rescue mission. Her accompanying priest died, and now the marine and the nun are all alone. Just like Adam and Eve, as Mr. Allison drunkenly points out. There’s something about Deborah Kerr in a nun’s habit that tends to drive men wild (see also: Black Narcissus), and it doesn’t take long for Mr. Allison to fall hard. He professes his love for her, while she professes her love for Jesus. The kicker: she hasn’t even taken her final vows! She could chuck that purity ring off and get busy in the cave with Mitchum whenever she wants. I’m not religious (which perhaps makes me a biased heathen), but to me, there is no contest: I’d choose Mitchum, every time.

Watching Heaven Knows, Mr. Allison means getting swept up in all the “will they/won’t they” tension. Will Mr. Allison be this missionary’s downfall? Or will she resist? If you think it’s getting hot in that cave, better cool off with this Don the Beachcomber original, the Missionary’s Downfall.

Missionary’s Downfall

1 oz light rum

½ oz peach schnapps

½ oz fresh lime juice

1 oz honey syrup

¼ cup diced pineapple (I used frozen)

¼ cup fresh mint leaves, packed

¾ cup crushed ice

Combine all the ingredients in a blender. Blend until smooth, then pour into a coupe. Top with more fresh mint.

MovieJawn Spring 2026 issue w/ Missionary’s Downfall

Shot in Technicolor with a jaunty soundtrack, this John Huston picture would make a great double feature with Father Goose. It takes a heavy topic like war and shows us it’s possible to find love, friendship, and connection amid untold atrocities. I laugh when Mitchum keeps calling Sister Angela “ma’am”, but I also clutch my heart when he risks death to steal a few cans of food from the Japanese. Heaven Knows, Mr. Allison is exactly the kind of movie I want for a Tiki pairing because there’s nothing better than a frosty cocktail and a hot man on this mid-century version of Temptation Island. Cheers!

*To find out more about MovieJawn, including subscription and Patreon options, visit: MovieJawn.com

Dramas

One Battle After Another

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Image: One Battle After Another, 2025

Another Oscar season in the books means another Best Picture winner crowned, and this year, the honor went to One Battle After Another (Disc/Download). It’s been a long time since I felt like the recipient of this award actually was the best picture of a given year, but leave it to Paul Thomas Anderson to deliver a movie critics, voters, and this jaded moviegoer can all agree on. This calls for a celebratory cocktail.

I’ve been a superfan of PT Anderson since Boogie Nights, and while Magnolia remains my favorite of his films, One Battle After Another is a worthy addition to the California canon. In this tense thriller/drama, Leonardo DiCaprio plays a stoned revolutionary who must balance fighting the forces of evil with raising his teenage daughter. He sacrifices the excitement of the cause, along with his libido, to be the stay-at-home dad she needs, until the day his peace is threatened by the vengeful Colonel Lockjaw (Sean Penn, quite obviously playing Greg Bovino). This sets off a chain reaction of good guys on the run, bad guys in Patagonia vests calmly plotting the next Holocaust, and great teachers like Sensei Sergio just trying to help the people of his community.

As soon as I heard the phrase “The French 75”, I knew I loved this movie. A bunch of badass female fighters named after my favorite cocktail? Heck yes! I’ve already done the gin version of this drink on the blog, but a recent trip to New Orleans proved to me that the classic cognac version is where it’s at. While watching One Battle After Another, I recommend drinking this Classic French ’75.

Classic French ‘75

1 ½ oz cognac

½ oz simple syrup

½ oz lemon juice

2-3 oz champagne

Lemon twist

Combine cognac, simple syrup, and lemon juice in a shaker with ice. Shake to chill, then strain into a cocktail glass. Top with champagne, and garnish with a lemon twist.

Screenshot

It’s pretty amazing when script development, shooting schedules, and studio timelines all align to give us the movie we need at the exact moment we need it. Who could have predicted that all the chaos and horror of the last fifteen months would be happening right when One Battle After Another releases and sweeps award shows? I guess many people knew; perhaps people smarter or more cynical than me. Hollywood tends to reward movies that project a certain image of what the film community wants to believe of itself, and by awarding the Best Picture Oscar to One Battle After Another, Hollywood has sent a clear message that they do not stand with ICE. They’re telling us to have faith that this regime will be defeated, by The French 75s, or The Whiskey Sours, or whatever mocktail name sober Gen Z wants to give their coming revolution. I’ll be ready with the shaker. Cheers!

Classic Films · horror

The Birds

LizLockeLeave a comment
Image: The Birds, 1963

I used to think my biggest fear in life was birds. The claws, the beaks, the unpredictability: all of it nightmare fodder.

Then came Birdfy.

Thanks to this incredible technological advancement, I now have a tiny camera in our backyard owl house which produces content more interesting and engaging than most of the Best Picture nominees. Have I officially entered my birding era?? One final test remains: watching Alfred Hitchcock’s The Birds (Disc/Download) without covering my eyes or hiding under a blanket.

Without Tippi Hedren’s iconic green suit, I might not have given The Birds a fair shot. But the Edith Head design is pure 1960s perfection, so I guess I can suffer through avian attacks in the name of fashion. Thankfully, Hedren doesn’t change her wardrobe for basically the entire movie. Don’t get me started on what kind of wacko buys a pair of lovebirds for a man she just met in a pet store, drives them sixty miles to his house on the coast, BREAKS INTO THE HOUSE to leave the birds, then decides to stay in his ex-girlfriend’s guest room without so much as a change of underwear. Like, what was the plan here??? This woman is wild. I’m not sure if her mere presence sends the local birds into a tizzy, or if it was the adorable green lovebirds (were they jealous of the flamboyance? mad about the gilded cage?), but something makes them want to commit murder. Hitchcock does a great job of building tension before each attack, starting with one bird, then two, then ten, then suddenly fifty or a hundred. They arrive faster than anyone expects, leaving the humans utterly defenseless. Tippi and her doomed green suit never stood a chance.

Brandy seems to be the liquor of choice for the shell-shocked residents of Bodega Bay, and there’s something lovely about the idea of snuggling up next to a fireplace in Northern California with a warming glass of spirits… as long as that fireplace doesn’t become an entry point for hundreds of murderous sparrows. While watching The Birds, I recommend drinking this riff on the Jungle Bird, the Bodega Bay Bird.

Bodega Bay Bird

2 oz brandy

¾ oz Campari

¾ oz simple syrup

1 oz lime juice

1 oz pineapple juice

Pineapple leaves (garnish)

Combine all ingredients except leaves in a shaker with ice. Shake well to chill, then strain into a glass filled with fresh ice. Garnish with more crushed ice on top, and pineapple leaves.

Bodega Bay Bird

I’m happy to report that my eyes remained open throughout this entire movie, even during the horrific scene where Tippi is pecked and scratched by live crows. Maybe it’s the fact that my nervous system has already been completely destroyed and desensitized after fifteen months (and counting) of American fascism, but somehow, a bunch of birds doesn’t seem that scary anymore. The owls picked a perfect time to move in. Cheers!

NOTE: If you’re a fan of physical media, I highly recommend this Alfred Hitchcock box set. It’s a great collection at a very reasonable price, and you’ll never again have to rely on the whims of tech oligarchs to watch your favorite Hitch flicks!

Classic Films · Musicals

Carmen Jones

LizLockeLeave a comment
Image: Carmen Jones, 1954

Sometimes, a movie couple is so electric, you don’t even need to hear what they’re saying in order to feel the chemistry. It happened for me this week with Dorothy Dandridge and Harry Belafonte in the Otto Preminger film Carmen Jones (Disc/Download), and although I admit to being left cold by the music and thin plot, these two actors started a five-alarm fire on that CinemaScope screen.

I’ve long been a fan of Harry Belafonte’s “Calypso” album, so don’t get me started about what a disappointment it was that his Carmen Jones singing voice was dubbed. In an alternate universe, he and Dorothy Dandridge put out a normal, non-operatic soundtrack album that matched the tone and setting of the film, and that soundtrack would have been a hit. Perhaps I need to put this movie on, turn the sound off, and crank up “Calypso” on the Hi-Fi? It certainly wouldn’t interfere with my love of the DeLuxe color costumes, or the sexy way Dandridge “untwists” Belafonte’s belt, or the way these two make even the worst flophouses look like romantic love shacks. She may not want to see this ex-fly boy cooped up, but I don’t mind it if he’s cooped up with her.

The thing I enjoy most about this movie is that it takes the French opera Carmen and plops it into the American South circa WWII. Not only is it great to see so much Black representation onscreen, but it also highlights women’s contributions to the war effort. Carmen works at a North Carolina parachute factory, so let’s toast her and Joe with this Caribbean Parachute cocktail.

Caribbean Parachute

1 1/2 oz light rum

1/2 oz Amaro Montenegro

3/4 oz lime juice

1/2 oz simple syrup

1 egg white

4 oz chilled tonic water

Add all ingredients except tonic water to a shaker. Shake vigorously until combined and frothy, then add ice. Shake again until chilled. Pour three ounces of tonic water into a Collins glass, then strain the contents of the shaker into the glass. Top with the rest of the tonic water, until the mixture foams up just past the rim of the glass. Garnish with a pineapple leaf (optional).

This is a gorgeous, fun cocktail, and perfect for those times when you’re running low on ice! I can absolutely picture Carmen drinking a few of these in that ramshackle nightclub with Husky Miller, dancing the night away in a pink dress and big gold hoops… while a Harry Belafonte album plays in the jukebox (just let me have my fantasy). Cheers!

Classic Films · Comedies

My Man Godfrey

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Image: My Man Godfrey, 1936

I don’t know about you, but I could really use a Godfrey: a charming, steadying presence who brings me breakfast in the morning, makes me cocktails at night, does the dishes, and generally takes care of all life’s pesky details so I can focus on being fabulous. Because I’m not wealthy enough to afford a real-life Godfrey, I must make do with the fictional one in My Man Godfrey (Disc/Download).

As one of the most iconic screwball comedies of the 1930s, My Man Godfrey plays the grumpy/sunshine romance trope to perfection. William Powell stars as Godfrey, a “forgotten man” (read: homeless) who is plucked off an East River garbage dump as part of a gross high-society scavenger hunt. At first he resists the idea of going to a fancy soiree at the Ritz as someone’s “prize”, but then, when he realizes he could ensure the ditsy, pretty Irene Bullock (Carole Lombard) triumphs over her awful sister Cornelia, he relents. It’s an opportunity to tell off the 1%, but it’s also a chance to help a stranger. And Godfrey, it turns out, thrives on being helpful. After winning the trophy, Irene hires him to be the new Bullock family butler, a task not for the sensitive or soft. Godfrey runs the gauntlet of spoiled, hysterical women, and manages to come out the other side with his dignity intact. What the women who order him around don’t realize, however, is that Godfrey is one of them! He’s secretly a wealthy trust-fund baby who’s already rejected the life of the rich and idle. And this is how Godfrey stays one step ahead of everyone throughout the whole movie—he knows their game, and he’s already won it.

A great butler is one who anticipates your every need before it even enters your head. Morning coffee? Check. Stock tips? Check. Scathing comeback for your bitchy sister? Check. Let’s toast Godfrey with this Prohibition-era cocktail that’s perfect for a man born to serve, the Leave It to Me.

Leave It to Me

1 ½ oz gin

1 tsp raspberry syrup

1 tsp lemon juice

¼ tsp maraschino liqueur

Fresh raspberry (garnish)

Combine gin, raspberry syrup, lemon juice, and maraschino liqueur in a shaker with ice. Shake to chill, then strain into a cocktail glass. Garnish with a fresh raspberry.

After Godfrey leaves the Bullock family, he opens a swinging nightclub called The Dump. Not only does it give jobs to other “forgotten men”, but it also provides housing for them! Now that’s what I call true service (and possibly, the greatest name for a bar, ever). Cheers!

Dramas

The Cutting Edge

LizLocke2 Comments
Image: The Cutting Edge, 1992

The Winter Olympics may have snuck up on me this year, but that doesn’t mean I’m not fully prepared with the perfect watch. The Cutting Edge (Disc/Download) has everything I want from a figure skating competition, without the constant commentary and commercial breaks. These non-negotiables include: sequined costumes, sexual tension, and laughably terrible music. Who needs NBC?

Starring Moira Kelly as a bratty figure skater and D.B. Sweeney as her cocky partner, The Cutting Edge has all the hallmarks of a great enemies-to-lovers romance novel: snarky banter, characters who are somehow both the best in their respective fields, drunken confessions, and an impossible goal. Kate has clashed with every partner she’s ever had, so now she needs an arrogant hockey player to come in and upset her perfect world. He teaches her to relax a little, she makes him rediscover his competitive spirit, and together, they manage to pull off a flawless Pamchenko Twist. Do they win the gold? Who knows? Who cares! The kiss is the payoff, not the medal (although, I actually would like to know if they won the gold medal).

During Kate’s first Olympics attempt, her partner drops her flat on the ice. Moira Kelly’s butt must have been so sore making this movie! Let’s sooth those aches and pains with a drink best served ice cold, the Tequila Lemon Drop.

Tequila Lemon Drop

2 oz blanco tequila

¾ oz lemon juice

½ oz simple syrup

Sugar (rim)

Lemon Twist

Run a lemon wedge around the rim of a coupe glass, and dip in sugar. Set aside. Combine blanco tequila, lemon juice, and simple syrup in a shaker with ice. Shake to chill, then strain into prepared glass. Garnish with a lemon twist.

I don’t typically watch the Olympics, but I always enjoy movies set in this world. The drama, the rivalries, the grudges, the hook-ups—all the stuff you don’t get on TV. Plus, thanks to The Cutting Edge, I’m now familiar with what a toe pick is. Perhaps, a little too familiar… Cheers!