Action/Adventure/Heist · Foreign · Uncategorized

Godzilla Minus One

Image: Godzilla Minus One, 2023

I’m super excited for the new Godzilla Minus Zero film releasing in theaters this week, so now seems the perfect time to revisit my favorite chunky-thighed monster in his surprise 2023 hit, Godzilla Minus One (Disc/Download). Seventy years on, this icon of Japanese cinema just keeps getting better and better!

I’ve pondered why I love these enormous movie creatures so much, and I think it’s because they make our world look miniaturized. From King Kong, to the Indominus Rex, to a nuclear-powered Godzilla, these monsters tower over cities and make the people look tiny and insignificant. It’s intriguing to think that humans actually aren’t as important as we think we are; that there’s a whole universe of giants out there willing to put us in our place. In Godzilla Minus One, the creature has been freshly mutated by US nuclear bomb tests, while Japan is still trying to rebuild its infrastructure and national identity in the wake of World War II. A kamikaze pilot struggles with PTSD and shame, and now he views the fight against Godzilla as his chance at redemption. There’s a lot of science thrown at the audience, and a lot of history, so for those reasons, I consider this Godzilla for people who paid attention in high school. But if you’re just here to see a scary monster snap a train in half like it’s a stale breadstick, you won’t be disappointed.

There can only be one drink for this movie, and that’s the Kamikaze. Sometimes served as a shot, it’s equally nice scaled into a proper cocktail. You can serve it up or on the rocks, but I like to make mine with a glowing blue cube to “power up” the drink. While watching Godzilla Minus One, I recommend drinking a Kamikaze.

Kamikaze

2 oz vodka

¾ oz orange liqueur

¾ oz fresh lime juice

Garnish: blue glow cube

Combine vodka, orange liqueur, and lime juice in a shaker with ice. Shake well to chill, then strain into a martini glass, or rocks glass filled with fresh ice. Garnish with a blue glow cube.

Godzilla is one of the few franchises I never tire of, and if you’re a superfan like me, I highly recommend the Criterion Box Set for all those classic iterations of our favorite “monster”. You can’t keep this guy down for long, and you can’t keep me from celebrating each and every reincarnation. Cheers!

Action/Adventure/Heist · Uncategorized

Furiosa: A Mad Max Saga

Image: Furiosa: A Mad Max Saga, 2024

As I wait for peach season to fully hit central Texas, I’m getting a taste of my favorite summertime fruit with a sparkling cocktail and a post-apocalyptic film about maintaining hope in the darkest of times. I have two peach trees that haven’t yielded a single fruit in ten years, but somehow Furiosa can grow one in a dry wasteland whose main crops seem to be gasoline and bullets. Make it make sense!!! Buckle up, fill your tank with gin—we’re watching Furiosa: A Mad Max Saga (Disc/Download).

I’m sure I’ll always regret not watching Fury Road upon its initial release (mostly because my husband still hasn’t forgiven me for abandoning him at the movie theater), so when Furiosa came out several years later, I wasn’t about to make the same mistake twice. This high-octane thriller carries the visual masterpiece torch perfectly, serving as a prequel to Fury Road by focusing on the origin story of that film’s badass female protagonist. We learn how Furiosa’s mother died, we learn how she lost the arm, and we learn what pushed her to finally make her great escape with the Wives. Along the way, we get another unhinged cult leader in the form of Chris Hemsworth’s Dementus, acting as foil to original evil cult leader, Immorten Joe. Anya Taylor-Joy does a fantastic job filling in the blanks left by Charlize Theron’s Furiosa, and I’m still amazed that a movie marketed toward the male populace managed to birth one of our greatest feminist action heroes. Ladies, there’s plenty here for you, too.

Furiosa carries a peach pit from her homeland, “the place of abundance”, as a reminder of what the world could be like without the corrupt leaders of the Citadel. Let’s cool off with a cocktail that might be icy cold, but still has a subtle bit of heat behind it. While watching Furiosa, I recommend drinking this Spicy Peach Spritz.

Spicy Peach Spritz

1 ½ oz gin (I use Engine, which is not only thematically perfect, but also very tasty!)

1 oz St. Germain

2 slices jalapeno pepper, seeds removed

1 basil leaf, plus more for garnish

2 oz peach juice

3 oz Prosecco

2 oz sparkling water

Muddle the jalapeno and basil leaf with St. Germain and gin in the bottom of a shaker. Add peach juice and ice, and shake to combine. Fill a glass with ice, then double strain the contents of shaker into it. Top with Prosecco and sparkling water and stir gently. Garnish with a sprig of basil.

Having watched the original Mad Max, and half of The Road Warrior before I fell asleep, I can say that I absolutely love the new direction George Miller has taken this franchise. No longer are women relegated to side roles, gimmicks, and victimhood; they are the main characters and heroes of these movies. The visuals just get better and better, and so too does the political, sociological, and environmental commentary. I don’t know what’s next for Mad Max (if anything), but if this saga is over, at least it went out in a blaze of glory. Cheers!

Action/Adventure/Heist · Uncategorized

Raiders of the Lost Ark

Image: Raiders of the Lost Ark, 1981

This week started with a cocktail: a Tiki classic, the Cobra’s Fang. And what’s one of the most iconic cobra scenes in cinema history? Harrison Ford facing off with his slithering, hissing archenemy in Raiders of the Lost Ark (Disc/Download).

Although I’m a Last Crusade girl through and through, I still love aspects of the first installment in Steven Spielberg’s Indiana Jones franchise. Primarily Marion, who is Indy’s true match in terms of courage, gumption, intelligence, and alcohol tolerance. She’s the kind of heroine I love to see in classic films—a woman capable of taking care of herself, but willing to accept help from a handsome leading man when the situation calls for it. Being kidnapped by Nazis is one such situation. But beyond the great and powerful Marion, this is simply a fun adventure flick and perfect vehicle to showcase Harrison Ford’s charisma. I don’t know much about archeology, but I definitely would have claimed a front-row seat in one of Dr. Jones’ classes.

Now back to the cocktail. The Cobra’s Fang packs a bite thanks to the overproof rum, and Don the Beachcomber was right to blend it with crushed ice to dilute it. Don’t drink this one straight up, or you’ll wind up like that monkey. While watching Raiders of the Lost Ark, I recommend drinking a Cobra’s Fang.

Cobra’s Fang

1 ½ oz 151-proof demerara rum

½ oz lime juice

½ oz orange juice

½ oz passion fruit syrup

¼ oz falernum

1 dash Angostura bitters

6 drops absinthe

1 cup crushed ice

Garnish: cinnamon stick and flower

Blend everything together for five seconds in a blender or drink mixer. Pour entire contents into a pilsner glass or tiki mug. Garnish with a cinnamon stick and flower.

I’m fortunate to be married to the proud owner of Geeki Tikis mug replica of the Peruvian Golden Idol stolen in the opening scenes of this movie, which makes the drinking experience even more fun. Tiki purists may scoff at these pop culture-inspired vessels, but I think they’re perfect for a movie/cocktail night. And, blessedly spider-free. Cheers!

Uncategorized

The Maltese Falcon

Image: The Maltese Falcon, 1941

Because I’m planning a trip back to the City by the Bay next month, I’m deep into a San Francisco movie binge. Nothing is off the table, from JLo rom-coms (The Wedding Planner) to Clint Eastwood’s Dirty Harry (a movie I shockingly LOVED). However, there’s one classic film that absolutely can’t be skipped, even if I might have wanted to: The Maltese Falcon (Disc/Download).

It’s not that I don’t appreciate aspects of this noir. Humphrey Bogart is fantastic as private investigator Sam Spade, in a truly genre-defining performance. The cinematography is stunning, with its chiaroscuro lighting and murky dark alleys. Where I get lost is in the script. Maybe I need to read Dashiell Hammett’s original novel, or maybe I just need to watch this in a theatrical setting with absolutely no distractions. But at a certain point, roughly twenty minutes in, my mind starts to wander, and then boom!

I’m lost.

All it takes is a couple of missed lines for me to wonder who’s double crossing whom, who has the precious falcon statue, what happened to the missing sister, and why the jolly actor from Christmas in Connecticut (Sydney Greenstreet) has two equally offensive character names: Gutman and “Fat Man”. Maybe it makes more sense with a drink? Let’s test the theory.

I thought this film would be a great match for the bottle of Bogart’s gin I picked up last summer, but there’s an unfortunate lack of onscreen martinis. However, there is a scene involving a freighter ship called La Paloma, so I’m going to take that cocktail direction and run with it. Research tells me Sam Spade drank copious amounts of Bacardi rum in Hammett’s novel, so I’m swapping out the traditional tequila base for rum. And since La Paloma goes up in flames, we should probably make that rum extra spicy. While watching The Maltese Falcon, I recommend drinking this Firebird cocktail.

Firebird

2 oz jalapeño-infused rhum agricole (chop a few rings of jalapeño pepper, and soak overnight in the liquor. After infused, remove the solids)

1/2 oz lime juice

3 oz Fever Tree grapefruit soda

Lime wheel and jalapeño ring (garnish)

Fill a tumbler with ice and set aside. Combine infused rhum agricole with lime juice in a shaker with fresh ice. Shake to chill, then strain into prepared glass. Top with grapefruit soda, stir gently, then garnish with a lime wheel and jalapeño ring.

The San Francisco setting goes quite nicely with a film noir aesthetic, so much so that the city becomes like another character. It is as steady and calm as Bogey staring down the barrel of a gun, and you know no matter what happens with the dame or the bird statue, the fog will still roll across the Golden Gate bridge, just as Sam Spade will live to sigh and shake his head once more. Cheers!

Classic Films · Uncategorized

Dance, Girl, Dance

Image: Dance, Girl, Dance, 1940

In an effort to watch more of trailblazing female director Dorothy Arzner’s work, I decided to check out the Lucille Ball-Maureen O’Hara showbiz farce Dance, Girl, Dance (Disc/Download). In this movie, there really is no star or stooge; only women trying to use whatever gifts they possess to get ahead in the cutthroat business of entertainment.

Even before the world fell in love with Lucy, Lucille Ball was already well on her way toward being the queen of physical comedy. As burlesque dancer Bubbles (later, Tiger Lily White), she uses her body to simultaneously turn men on and make them laugh. She has something special the other girls in her troupe don’t have, and whether you think her “oomph” should be overly valued or not is irrelevant. Society (read: men) have decided to place a high price on what Bubbles has. Even though Maureen O’Hara’s character Judy is technically more skilled, her skills don’t matter in this world where sex appeal is the currency. The same analogy could be made for all sorts of art forms (literary vs. commercial fiction, prestige drama vs. lowbrow comedy), and that’s how the movie stays relevant today. Creators either have “oomph” or they don’t, and if they don’t, they must carve out a niche where success comes from within, instead of from external validation. As someone who lacks “oomph”, I’ve learned this lesson the hard way.

A prime example of the difference between Ball and O’Hara’s characters occurs during the infamous hula scene. Their dance troupe is auditioning a for a New Jersey nightclub, and let’s just say the two women have very different interpretations of “hula”. The scene makes me want a Tiki beverage, but I can’t ignore the champagne cocktails imbibed throughout the rest of the movie. Let’s combine the two with this Tiny Bubbles cocktail!

Tiny Bubbles

1 sugar cube

6-7 drops Tiki bitters

5-6 oz champagne

Place a sugar cube in a coupe glass and soak with Tiki bitters. Top with Champagne.

Tiny Bubbles champagne cocktail

Maureen O’Hara has a great scene at the end where she finally gets fed up with a dance gig that isn’t bringing her an ounce of joy, and she tells off the leering men shouting during her performance. It’s a rare thing for a film of this time to call out misogyny and sexism, and I have to think this was Arzner’s influence. Surely this was the speech she wished she could give in person to studio heads and general audiences. Lucky for us, she put it on film so generations of women could sit back and applaud. Cheers!

Comedies · Sci Fi · Uncategorized

Men in Black

Image: Men in Black, 1997, Columbia Pictures

The nice thing about the lack of good movies being released in our current cinema death spiral is that I have time to go back and revisit the ones I missed when I was either too young or too cool in the 1990s. One of these is Men in Black (Disc/Download), which basically had its own wall at the local Blockbuster. Now that we have a newly iconic extraterrestrial in Project Hail Mary‘s “Rocky”, it seems like a great time to check out a flick about aliens and humans coexisting under the watchful eye of the MIB.

I’ll admit, I had zero interest in this movie as a teen. But as an adult, I can appreciate the stellar chemistry between alien-enforcers Tommy Lee Jones and Will Smith. Buddy cops (or buddy alien police) need to hone their banter and timing just like all the best rom-com couples, and these two are basically another classic New York love story. Additionally, Men in Black, with its thirty-year-old tech, looks better than most of today’s AI slop , making me wonder why we’re depleting natural resources to make stuff that 1990s audiences would have scoffed at. The premise that aliens are hiding within plain sight under the skin of human hosts allows for some fantastic transformation sequences, as well as some gnarly deaths. Shooting those aliens was akin to being slimed on Double Dare; I feel bad for the production assistants tasked with clean-up.

Image: Men in Black, 1997, Columbia Pictures

My favorite Men in Black scene is the emergency squid birth along the side of the New Jersey Turnpike. The parents look normal, but then when the baby pops out, you realize they’re… a little different. While watching Men in Black, I recommend drinking this classic Octopus Tiki cocktail.

Octopus

1 ½ oz orange juice

¾ oz passion fruit syrup

¾ lime juice

1 ½ oz overproof rum

1 ½ chilled club soda

1 dash Angostura bitters

Mix all ingredients except club soda in a shaker with ice. Shake to chill, then strain into a Tiki mug or hurricane glass filled with fresh crushed ice. Top with club soda and stir gently. Garnish with an orange slice and orchid.

I was surprised to see Steven Spielberg’s name in the credits of Men in Black as a producer, though I guess I shouldn’t have been. Are there any major alien encounter movies from the last fifty years this man hasn’t been involved in? In checking my list of possibly-decent 2026 releases, I see I’ve got the next Spielberg flick Disclosure Day highlighted. The premise? Alien encounters. Of course. Cheers!

Classic Films · Comedies · Holiday Films · Uncategorized

We’re No Angels

Image: We’re No Angels, 1955

If you want to get me excited to watch a movie, all you have to do is tack on VistaVision before the opening credits. Paul Thomas Anderson has been bringing the format back into the zeitgeist with his 2025 release One Battle After Another, but there are so many classic films that benefited from its vivid colors and wide aspect ratio. One of these is the 1955 Christmas movie, We’re No Angels (Disc/Download), starring Humphrey Bogart, Peter Ustinov, and Aldo Ray as a trio of escaped convicts on Devil’s Island.

I confess, I had to look up Devil’s Island on a map to see what kind of setting we were dealing with. Turns out, it’s solidly in what I like to call “Rum Country”, off the coast of French Guiana in the Atlantic ocean. In 1895, our three main characters escape from the island’s penal colony and take refuge in a general store. They convince the manager to let them fix the roof, with the intention of robbing him blind. But then, they get sucked into the manager’s family affairs, soon realizing they enjoy selling unnecessary junk to customers, cooking a (stolen) Christmas dinner, and menacing some evil relatives. But the true MVP of this movie is Adolphe the snake, who has no lines, but is the most integral to the plot. An honorary “fourth angel”, he’s judge, jury, and executioner all in one.

Because of the film’s tropical setting, I’m inclined to make a Tiki cocktail. There’s a great scene of a woman buying a bottle of Chartreuse for her Christmas celebration, and if you can find some these days, that’s reason enough to throw a party. While watching We’re No Angels, I recommend drinking A.C. Davidge’s 1949 classic, the Palm Breeze.

Palm Breeze

½ oz lime juice

½ oz dark Jamaican rum

½ oz white crème de cacao

¾ oz yellow Chartreuse

1 tsp grenadine

Gummy snake (suggested garnish)

Combine all ingredients in a shaker with ice. Shake to chill, then strain into a coupe glass. Garnish with a gummy snake.

It’s fun to watch these tough guys get into the holiday spirit on a tropical island, and for that reason, I think We’re No Angels would make a great double feature with Donovan’s Reef. Just remember to keep the rum flowing and watch your wallet…  

Cheers!

Classic Films · Uncategorized

The Night of the Hunter

Image credit: The Night of the Hunter, 1955

Happy Scary Movie Season to all you brave cinemagoers! I like to do a month of spooky, supernatural, and chilling features every October, and this week, we’re starting with a truly nightmarish classic film. Pull the covers all the way up to your chin and leave a light on for this week’s pick, The Night of the Hunter (Disc/Download).

In Charles Laughton’s single, brilliant directorial outing, Robert Mitchum stars as a murderous preacher who targets women in rural communities. After getting locked up and hearing his cellmate talk about some stolen money, he makes his way to the death-row inmate’s family under the guise of spiritual counsel. Shelley Winters plays yet another gullible lady taken in by a handsome face (see also: A Place in the Sun), while her two kids remain more suspicious of the charismatic preacher.  They alone hold the knowledge of where their father hid the money, and after their new stepdad disposes of their mom with a knife to the throat, they must outrun this psycho before he kills them next. The children set off down the Ohio river in an old rowboat, barely eating or sleeping as they try to stay one step ahead of Mitchum. Finally, they wash up on Lillian Gish’s property, and she takes the orphans in, protecting them as only a feisty old woman with a shotgun can do. Mitchum’s tattooed hands spell the words “Love” and “Hate”, and the movie’s suspense builds as we wait to see which one will triumph. Will it be the monster in the basement, clawing at their ankles, or will it be the strong maternal figure who walks with them in the sunlight?

The movie’s river journey is incredibly haunting, due to the scale of the woodland creatures in the foreground of the frame, and the melancholy song sung by the little girl, Pearl. This variation on a French Pearl cocktail evokes the American South through its inclusion of Herbsaint, an anise-flavored New Orleans liqueur popular in many spooky cocktails. While watching The Night of the Hunter, I recommend drinking a Pearl River.

Pearl River

2 oz Gin

¼ oz Herbsaint

¾ oz Lime Juice

¾ oz Simple Syrup

Fresh Mint

Lime and mint sprig (garnish)

Muddle a few leaves of mint with lime juice and simple syrup in the bottom of a shaker. Add Herbsaint, Gin, and ice to the shaker, and shake to chill and combine. Double strain into a coupe glass and garnish with a lime wheel and mint sprig.

The reason this film feels so powerful to me is that we all remember the feeling of being kid, and realizing the adults couldn’t always protect you. I’ve relived it again this year, as those I once turned to for comfort have fallen prey to the fearmongering, false prophecy, and grift of a dangerous charlatan. I want to scream, and cry, and ask:

“Why don’t you believe he’s hurting me?”

“Why won’t you protect me?”

“Why can’t you see through the lies?”

But the scary thing is (and this is really scary): I don’t think anyone is coming to save me. I don’t know if there’s a Lillian Gish out there, pure of heart and brave beyond measure, waiting at the end of the river. I’m starting to feel like the one of the kids in the rowboat, tired and afraid.

Uncategorized

Psycho Beach Party

Image credit: Psycho Beach Party, 2000

Because I’ve spent the last three months immersed in 1950s-60s beach movies, it feels appropriate to end the best summer ever with a spoof of the genre. Psycho Beach Party (Disc/Download) is the perfect transition film for this particular time of year when it’s still hot, but you’re itching to break out the whiskey and horror.

Psycho Beach Party is the brainchild of drag performer Charles Busch, who wrote another favorite of mine, Die, Mommie, Die!. But where that film was a parody of 1950s/60s melodramas, Psycho Beach Party is a parody of 1950s/60s beach romps and B-movie slashers. Instead of Gidget, we have “Chicklet”, perfectly played by Lauren Ambrose. She combines the innocence of Sandra Dee with the unpredictability of Norman Bates, using her off-beat comedy style to portray a surfer girl with multiple personality disorder. Amy Adams also appears in one of her earliest roles as bikini-clad mean girl Marvel Ann, and she’s so committed to her character that I almost didn’t realize this is the same six-time academy award nominee I’m used to seeing on a red carpet. And speaking of bikinis, every outfit is a feast for the eyes—a riot of color and fun patterns that can sometimes make Chicklet go a little bit insane. Who knew polka dots could be deadly?

While the dismembered body parts are piling up, Chicklet is still out there trying to prove she’s old enough and cool enough to surf with the guys and attend Kanaka’s big luau. Let’s mix up one last Tiki beverage for summer, as we say farewell to the rums and coconut, and hello to whiskey and bitters. While watching Psycho Beach Party, I recommend drinking a Surf Liner.

Surf Liner

¾ oz Orgeat

2 oz Rye Whiskey

1 oz Pineapple Juice

¾ oz Lemon Juice

2 dashes Peychaud’s Bitters

Pineapple Leaf (suggested garnish)

Combine ingredients in a shaker with ice. Shake to chill, then strain into a Tiki mug or glass filled with fresh crushed ice. Garnish with a pineapple leaf.

Although slasher films aren’t in my typical wheelhouse, I’m glad I took a chance on Chicklet and the gang. If you’re the kind of person who likes Scream, but also Beach Blanket Bingo, Psycho Beach Party will become your newest obsession. Cheers!

Uncategorized

The Right Stuff

Image credit: The Right Stuff, 1983

No matter how old I get (truth: I got a little older today), the history of space travel will always be fascinating to me. The fact that there were people brave enough to strap themselves to a bomb and hope for the best, all in the name of scientific progress and patriotic bragging rights, is truly wild. This week’s film The Right Stuff (Disc/Download) was the first film to ignite my interest in the 1960s Space Race, and I still carry the torch.

At over three hours long, this movie has always felt more like a miniseries than a feature film. It has a mostly “Hey, it’s that guy!” cast, with the exceptions of Ed Harris as John Glenn, Dennis Quaid as Gordon Cooper, and a dreamy Sam Shepard as sound barrier-breaker Chuck Yeager. I like that it takes us from the early days of post-WWII test pilots to the original Mercury astronaut program at Cape Canaveral, and finally to the formation of the Johnson Space Center in Houston. Apollo 13 picks up where this film leaves off, and that’s as it should be. There’s enough material with the Mercury Seven, and the strange reality show they inhabited, to warrant the narrower focus. The movie may not be 100% historically accurate, but it tells a compelling story of man and country striving for greatness. The word “great” has certainly lost its meaning over the last ten years, but I think pushing against the bounds of technology, science, and even the atmosphere itself qualifies.

I’ve already featured a classic Saturn cocktail on Cinema Sips for the sci-fi fantasy Logan’s Run, however I’ve been wanting to play around with this drink for a while. Though traditionally made with gin, I’m trying it with vodka today, since the Soviet Union played such a pivotal role in nudging our American space program to fruition. Nothing like a little competition between petty bureaucrats to get things done. While watching The Right Stuff, I recommend drinking a Sputnik.

Sputnik

1 ½ oz Vodka

½ oz Lemon Juice

½ oz Passion Fruit Syrup

¼ oz Velvet Falernum

¼ oz Orgeat

1 oz Sparkling Wine

Lemon Twist + Cherry (garnish)

Combine vodka, lemon juice, passion fruit syrup, falernum, and orgeat in a shaker with ice. Shake to chill, then strain into a martini glass. Top with sparkling wine, and garnish with lemon twist and cherry.

Although I have mixed feelings about the current space program (I don’t love that we’re sending billionaires and pop stars up there for ten minute larks, and I also don’t love the environmental impacts this has wrought on my state), I do think it’s essential to keep striving for new knowledge. As I conclude this trip around the sun and prepare to start the next one, I can’t help but think of John Glenn orbiting the Earth, eyes full of wonder. I hope this next trip brings a little of that magic and hope back. Cheers!