Action/Adventure/Heist · Uncategorized

Raiders of the Lost Ark

Image: Raiders of the Lost Ark, 1981

This week started with a cocktail: a Tiki classic, the Cobra’s Fang. And what’s one of the most iconic cobra scenes in cinema history? Harrison Ford facing off with his slithering, hissing archenemy in Raiders of the Lost Ark (Disc/Download).

Although I’m a Last Crusade girl through and through, I still love aspects of the first installment in Steven Spielberg’s Indiana Jones franchise. Primarily Marion, who is Indy’s true match in terms of courage, gumption, intelligence, and alcohol tolerance. She’s the kind of heroine I love to see in classic films—a woman capable of taking care of herself, but willing to accept help from a handsome leading man when the situation calls for it. Being kidnapped by Nazis is one such situation. But beyond the great and powerful Marion, this is simply a fun adventure flick and perfect vehicle to showcase Harrison Ford’s charisma. I don’t know much about archeology, but I definitely would have claimed a front-row seat in one of Dr. Jones’ classes.

Now back to the cocktail. The Cobra’s Fang packs a bite thanks to the overproof rum, and Don the Beachcomber was right to blend it with crushed ice to dilute it. Don’t drink this one straight up, or you’ll wind up like that monkey. While watching Raiders of the Lost Ark, I recommend drinking a Cobra’s Fang.

Cobra’s Fang

1 ½ oz 151-proof demerara rum

½ oz lime juice

½ oz orange juice

½ oz passion fruit syrup

¼ oz falernum

1 dash Angostura bitters

6 drops absinthe

1 cup crushed ice

Garnish: cinnamon stick and flower

Blend everything together for five seconds in a blender or drink mixer. Pour entire contents into a pilsner glass or tiki mug. Garnish with a cinnamon stick and flower.

I’m fortunate to be married to the proud owner of Geeki Tikis mug replica of the Peruvian Golden Idol stolen in the opening scenes of this movie, which makes the drinking experience even more fun. Tiki purists may scoff at these pop culture-inspired vessels, but I think they’re perfect for a movie/cocktail night. And, blessedly spider-free. Cheers!

Uncategorized

The Maltese Falcon

Image: The Maltese Falcon, 1941

Because I’m planning a trip back to the City by the Bay next month, I’m deep into a San Francisco movie binge. Nothing is off the table, from JLo rom-coms (The Wedding Planner) to Clint Eastwood’s Dirty Harry (a movie I shockingly LOVED). However, there’s one classic film that absolutely can’t be skipped, even if I might have wanted to: The Maltese Falcon (Disc/Download).

It’s not that I don’t appreciate aspects of this noir. Humphrey Bogart is fantastic as private investigator Sam Spade, in a truly genre-defining performance. The cinematography is stunning, with its chiaroscuro lighting and murky dark alleys. Where I get lost is in the script. Maybe I need to read Dashiell Hammett’s original novel, or maybe I just need to watch this in a theatrical setting with absolutely no distractions. But at a certain point, roughly twenty minutes in, my mind starts to wander, and then boom!

I’m lost.

All it takes is a couple of missed lines for me to wonder who’s double crossing whom, who has the precious falcon statue, what happened to the missing sister, and why the jolly actor from Christmas in Connecticut (Sydney Greenstreet) has two equally offensive character names: Gutman and “Fat Man”. Maybe it makes more sense with a drink? Let’s test the theory.

I thought this film would be a great match for the bottle of Bogart’s gin I picked up last summer, but there’s an unfortunate lack of onscreen martinis. However, there is a scene involving a freighter ship called La Paloma, so I’m going to take that cocktail direction and run with it. Research tells me Sam Spade drank copious amounts of Bacardi rum in Hammett’s novel, so I’m swapping out the traditional tequila base for rum. And since La Paloma goes up in flames, we should probably make that rum extra spicy. While watching The Maltese Falcon, I recommend drinking this Firebird cocktail.

Firebird

2 oz jalapeño-infused rhum agricole (chop a few rings of jalapeño pepper, and soak overnight in the liquor. After infused, remove the solids)

1/2 oz lime juice

3 oz Fever Tree grapefruit soda

Lime wheel and jalapeño ring (garnish)

Fill a tumbler with ice and set aside. Combine infused rhum agricole with lime juice in a shaker with fresh ice. Shake to chill, then strain into prepared glass. Top with grapefruit soda, stir gently, then garnish with a lime wheel and jalapeño ring.

The San Francisco setting goes quite nicely with a film noir aesthetic, so much so that the city becomes like another character. It is as steady and calm as Bogey staring down the barrel of a gun, and you know no matter what happens with the dame or the bird statue, the fog will still roll across the Golden Gate bridge, just as Sam Spade will live to sigh and shake his head once more. Cheers!

Classic Films · Uncategorized

Dance, Girl, Dance

Image: Dance, Girl, Dance, 1940

In an effort to watch more of trailblazing female director Dorothy Arzner’s work, I decided to check out the Lucille Ball-Maureen O’Hara showbiz farce Dance, Girl, Dance (Disc/Download). In this movie, there really is no star or stooge; only women trying to use whatever gifts they possess to get ahead in the cutthroat business of entertainment.

Even before the world fell in love with Lucy, Lucille Ball was already well on her way toward being the queen of physical comedy. As burlesque dancer Bubbles (later, Tiger Lily White), she uses her body to simultaneously turn men on and make them laugh. She has something special the other girls in her troupe don’t have, and whether you think her “oomph” should be overly valued or not is irrelevant. Society (read: men) have decided to place a high price on what Bubbles has. Even though Maureen O’Hara’s character Judy is technically more skilled, her skills don’t matter in this world where sex appeal is the currency. The same analogy could be made for all sorts of art forms (literary vs. commercial fiction, prestige drama vs. lowbrow comedy), and that’s how the movie stays relevant today. Creators either have “oomph” or they don’t, and if they don’t, they must carve out a niche where success comes from within, instead of from external validation. As someone who lacks “oomph”, I’ve learned this lesson the hard way.

A prime example of the difference between Ball and O’Hara’s characters occurs during the infamous hula scene. Their dance troupe is auditioning a for a New Jersey nightclub, and let’s just say the two women have very different interpretations of “hula”. The scene makes me want a Tiki beverage, but I can’t ignore the champagne cocktails imbibed throughout the rest of the movie. Let’s combine the two with this Tiny Bubbles cocktail!

Tiny Bubbles

1 sugar cube

6-7 drops Tiki bitters

5-6 oz champagne

Place a sugar cube in a coupe glass and soak with Tiki bitters. Top with Champagne.

Tiny Bubbles champagne cocktail

Maureen O’Hara has a great scene at the end where she finally gets fed up with a dance gig that isn’t bringing her an ounce of joy, and she tells off the leering men shouting during her performance. It’s a rare thing for a film of this time to call out misogyny and sexism, and I have to think this was Arzner’s influence. Surely this was the speech she wished she could give in person to studio heads and general audiences. Lucky for us, she put it on film so generations of women could sit back and applaud. Cheers!

Comedies · Sci Fi · Uncategorized

Men in Black

Image: Men in Black, 1997, Columbia Pictures

The nice thing about the lack of good movies being released in our current cinema death spiral is that I have time to go back and revisit the ones I missed when I was either too young or too cool in the 1990s. One of these is Men in Black (Disc/Download), which basically had its own wall at the local Blockbuster. Now that we have a newly iconic extraterrestrial in Project Hail Mary‘s “Rocky”, it seems like a great time to check out a flick about aliens and humans coexisting under the watchful eye of the MIB.

I’ll admit, I had zero interest in this movie as a teen. But as an adult, I can appreciate the stellar chemistry between alien-enforcers Tommy Lee Jones and Will Smith. Buddy cops (or buddy alien police) need to hone their banter and timing just like all the best rom-com couples, and these two are basically another classic New York love story. Additionally, Men in Black, with its thirty-year-old tech, looks better than most of today’s AI slop , making me wonder why we’re depleting natural resources to make stuff that 1990s audiences would have scoffed at. The premise that aliens are hiding within plain sight under the skin of human hosts allows for some fantastic transformation sequences, as well as some gnarly deaths. Shooting those aliens was akin to being slimed on Double Dare; I feel bad for the production assistants tasked with clean-up.

Image: Men in Black, 1997, Columbia Pictures

My favorite Men in Black scene is the emergency squid birth along the side of the New Jersey Turnpike. The parents look normal, but then when the baby pops out, you realize they’re… a little different. While watching Men in Black, I recommend drinking this classic Octopus Tiki cocktail.

Octopus

1 ½ oz orange juice

¾ oz passion fruit syrup

¾ lime juice

1 ½ oz overproof rum

1 ½ chilled club soda

1 dash Angostura bitters

Mix all ingredients except club soda in a shaker with ice. Shake to chill, then strain into a Tiki mug or hurricane glass filled with fresh crushed ice. Top with club soda and stir gently. Garnish with an orange slice and orchid.

I was surprised to see Steven Spielberg’s name in the credits of Men in Black as a producer, though I guess I shouldn’t have been. Are there any major alien encounter movies from the last fifty years this man hasn’t been involved in? In checking my list of possibly-decent 2026 releases, I see I’ve got the next Spielberg flick Disclosure Day highlighted. The premise? Alien encounters. Of course. Cheers!

Classic Films · Comedies · Holiday Films · Uncategorized

We’re No Angels

Image: We’re No Angels, 1955

If you want to get me excited to watch a movie, all you have to do is tack on VistaVision before the opening credits. Paul Thomas Anderson has been bringing the format back into the zeitgeist with his 2025 release One Battle After Another, but there are so many classic films that benefited from its vivid colors and wide aspect ratio. One of these is the 1955 Christmas movie, We’re No Angels (Disc/Download), starring Humphrey Bogart, Peter Ustinov, and Aldo Ray as a trio of escaped convicts on Devil’s Island.

I confess, I had to look up Devil’s Island on a map to see what kind of setting we were dealing with. Turns out, it’s solidly in what I like to call “Rum Country”, off the coast of French Guiana in the Atlantic ocean. In 1895, our three main characters escape from the island’s penal colony and take refuge in a general store. They convince the manager to let them fix the roof, with the intention of robbing him blind. But then, they get sucked into the manager’s family affairs, soon realizing they enjoy selling unnecessary junk to customers, cooking a (stolen) Christmas dinner, and menacing some evil relatives. But the true MVP of this movie is Adolphe the snake, who has no lines, but is the most integral to the plot. An honorary “fourth angel”, he’s judge, jury, and executioner all in one.

Because of the film’s tropical setting, I’m inclined to make a Tiki cocktail. There’s a great scene of a woman buying a bottle of Chartreuse for her Christmas celebration, and if you can find some these days, that’s reason enough to throw a party. While watching We’re No Angels, I recommend drinking A.C. Davidge’s 1949 classic, the Palm Breeze.

Palm Breeze

½ oz lime juice

½ oz dark Jamaican rum

½ oz white crème de cacao

¾ oz yellow Chartreuse

1 tsp grenadine

Gummy snake (suggested garnish)

Combine all ingredients in a shaker with ice. Shake to chill, then strain into a coupe glass. Garnish with a gummy snake.

It’s fun to watch these tough guys get into the holiday spirit on a tropical island, and for that reason, I think We’re No Angels would make a great double feature with Donovan’s Reef. Just remember to keep the rum flowing and watch your wallet…  

Cheers!

Classic Films · Uncategorized

The Night of the Hunter

Image credit: The Night of the Hunter, 1955

Happy Scary Movie Season to all you brave cinemagoers! I like to do a month of spooky, supernatural, and chilling features every October, and this week, we’re starting with a truly nightmarish classic film. Pull the covers all the way up to your chin and leave a light on for this week’s pick, The Night of the Hunter (Disc/Download).

In Charles Laughton’s single, brilliant directorial outing, Robert Mitchum stars as a murderous preacher who targets women in rural communities. After getting locked up and hearing his cellmate talk about some stolen money, he makes his way to the death-row inmate’s family under the guise of spiritual counsel. Shelley Winters plays yet another gullible lady taken in by a handsome face (see also: A Place in the Sun), while her two kids remain more suspicious of the charismatic preacher.  They alone hold the knowledge of where their father hid the money, and after their new stepdad disposes of their mom with a knife to the throat, they must outrun this psycho before he kills them next. The children set off down the Ohio river in an old rowboat, barely eating or sleeping as they try to stay one step ahead of Mitchum. Finally, they wash up on Lillian Gish’s property, and she takes the orphans in, protecting them as only a feisty old woman with a shotgun can do. Mitchum’s tattooed hands spell the words “Love” and “Hate”, and the movie’s suspense builds as we wait to see which one will triumph. Will it be the monster in the basement, clawing at their ankles, or will it be the strong maternal figure who walks with them in the sunlight?

The movie’s river journey is incredibly haunting, due to the scale of the woodland creatures in the foreground of the frame, and the melancholy song sung by the little girl, Pearl. This variation on a French Pearl cocktail evokes the American South through its inclusion of Herbsaint, an anise-flavored New Orleans liqueur popular in many spooky cocktails. While watching The Night of the Hunter, I recommend drinking a Pearl River.

Pearl River

2 oz Gin

¼ oz Herbsaint

¾ oz Lime Juice

¾ oz Simple Syrup

Fresh Mint

Lime and mint sprig (garnish)

Muddle a few leaves of mint with lime juice and simple syrup in the bottom of a shaker. Add Herbsaint, Gin, and ice to the shaker, and shake to chill and combine. Double strain into a coupe glass and garnish with a lime wheel and mint sprig.

The reason this film feels so powerful to me is that we all remember the feeling of being kid, and realizing the adults couldn’t always protect you. I’ve relived it again this year, as those I once turned to for comfort have fallen prey to the fearmongering, false prophecy, and grift of a dangerous charlatan. I want to scream, and cry, and ask:

“Why don’t you believe he’s hurting me?”

“Why won’t you protect me?”

“Why can’t you see through the lies?”

But the scary thing is (and this is really scary): I don’t think anyone is coming to save me. I don’t know if there’s a Lillian Gish out there, pure of heart and brave beyond measure, waiting at the end of the river. I’m starting to feel like the one of the kids in the rowboat, tired and afraid.

Uncategorized

Psycho Beach Party

Image credit: Psycho Beach Party, 2000

Because I’ve spent the last three months immersed in 1950s-60s beach movies, it feels appropriate to end the best summer ever with a spoof of the genre. Psycho Beach Party (Disc/Download) is the perfect transition film for this particular time of year when it’s still hot, but you’re itching to break out the whiskey and horror.

Psycho Beach Party is the brainchild of drag performer Charles Busch, who wrote another favorite of mine, Die, Mommie, Die!. But where that film was a parody of 1950s/60s melodramas, Psycho Beach Party is a parody of 1950s/60s beach romps and B-movie slashers. Instead of Gidget, we have “Chicklet”, perfectly played by Lauren Ambrose. She combines the innocence of Sandra Dee with the unpredictability of Norman Bates, using her off-beat comedy style to portray a surfer girl with multiple personality disorder. Amy Adams also appears in one of her earliest roles as bikini-clad mean girl Marvel Ann, and she’s so committed to her character that I almost didn’t realize this is the same six-time academy award nominee I’m used to seeing on a red carpet. And speaking of bikinis, every outfit is a feast for the eyes—a riot of color and fun patterns that can sometimes make Chicklet go a little bit insane. Who knew polka dots could be deadly?

While the dismembered body parts are piling up, Chicklet is still out there trying to prove she’s old enough and cool enough to surf with the guys and attend Kanaka’s big luau. Let’s mix up one last Tiki beverage for summer, as we say farewell to the rums and coconut, and hello to whiskey and bitters. While watching Psycho Beach Party, I recommend drinking a Surf Liner.

Surf Liner

¾ oz Orgeat

2 oz Rye Whiskey

1 oz Pineapple Juice

¾ oz Lemon Juice

2 dashes Peychaud’s Bitters

Pineapple Leaf (suggested garnish)

Combine ingredients in a shaker with ice. Shake to chill, then strain into a Tiki mug or glass filled with fresh crushed ice. Garnish with a pineapple leaf.

Although slasher films aren’t in my typical wheelhouse, I’m glad I took a chance on Chicklet and the gang. If you’re the kind of person who likes Scream, but also Beach Blanket Bingo, Psycho Beach Party will become your newest obsession. Cheers!

Uncategorized

The Right Stuff

Image credit: The Right Stuff, 1983

No matter how old I get (truth: I got a little older today), the history of space travel will always be fascinating to me. The fact that there were people brave enough to strap themselves to a bomb and hope for the best, all in the name of scientific progress and patriotic bragging rights, is truly wild. This week’s film The Right Stuff (Disc/Download) was the first film to ignite my interest in the 1960s Space Race, and I still carry the torch.

At over three hours long, this movie has always felt more like a miniseries than a feature film. It has a mostly “Hey, it’s that guy!” cast, with the exceptions of Ed Harris as John Glenn, Dennis Quaid as Gordon Cooper, and a dreamy Sam Shepard as sound barrier-breaker Chuck Yeager. I like that it takes us from the early days of post-WWII test pilots to the original Mercury astronaut program at Cape Canaveral, and finally to the formation of the Johnson Space Center in Houston. Apollo 13 picks up where this film leaves off, and that’s as it should be. There’s enough material with the Mercury Seven, and the strange reality show they inhabited, to warrant the narrower focus. The movie may not be 100% historically accurate, but it tells a compelling story of man and country striving for greatness. The word “great” has certainly lost its meaning over the last ten years, but I think pushing against the bounds of technology, science, and even the atmosphere itself qualifies.

I’ve already featured a classic Saturn cocktail on Cinema Sips for the sci-fi fantasy Logan’s Run, however I’ve been wanting to play around with this drink for a while. Though traditionally made with gin, I’m trying it with vodka today, since the Soviet Union played such a pivotal role in nudging our American space program to fruition. Nothing like a little competition between petty bureaucrats to get things done. While watching The Right Stuff, I recommend drinking a Sputnik.

Sputnik

1 ½ oz Vodka

½ oz Lemon Juice

½ oz Passion Fruit Syrup

¼ oz Velvet Falernum

¼ oz Orgeat

1 oz Sparkling Wine

Lemon Twist + Cherry (garnish)

Combine vodka, lemon juice, passion fruit syrup, falernum, and orgeat in a shaker with ice. Shake to chill, then strain into a martini glass. Top with sparkling wine, and garnish with lemon twist and cherry.

Although I have mixed feelings about the current space program (I don’t love that we’re sending billionaires and pop stars up there for ten minute larks, and I also don’t love the environmental impacts this has wrought on my state), I do think it’s essential to keep striving for new knowledge. As I conclude this trip around the sun and prepare to start the next one, I can’t help but think of John Glenn orbiting the Earth, eyes full of wonder. I hope this next trip brings a little of that magic and hope back. Cheers! 

Uncategorized

SPECIAL REPORT: Arizona Tiki Oasis 2025

Liz Locke at Arizona Tiki Oasis 2025

Aloha to all you Cinema Sips readers! I’ve just returned from my first trip to the Arizona Tiki Oasis festival, and gosh does real life seem dull by comparison. No elaborate tropical headpieces at the grocery store. No parasols on the morning dog walks. No elaborate drinks prepared for me by the nation’s top mixologists. Take me back to the desert!!!!

As many of you know, April is also the month of the Turner Classic Movies festival, but due to scheduling conflicts and the rising cost of passes (and a rising annoyance at standing in long lines while premium passholders breeze right into packed screenings), I decided to devote my vacation time to cocktails instead of movies this year. I like that pretty much everything at Tiki Oasis is a la carte, particularly since my husband and traveling partner is a non-drinker. I could attend mixology seminars while he met mug makers and Hawaiian shirt vendors, and we only had to buy as many cocktails or mocktails as we wanted. An ideal couples trip for us!

AZ Tiki Oasis batch cocktail + mocktail in the former Scottsdale Trader Vic’s

The first night, we lucked out when a fellow Polynesiac handed us two unused tickets to the VIP party. Whoever you are, bless you. Thanks to this generosity, I was able to discover a new favorite gin: Rangoni Spirits’ Brando Motu Gin. That’s right, Marlon Brando has a gin! This might just inspire me to watch Apocalypse Now again—a movie that has thrice put me to sleep. But maybe with a Tiki cocktail like the “Colonel Kurtz’s Downfall”, I’ll have better luck.

Day 2 was largely spent away from the festival sightseeing around Phoenix, though we did return for a Sunset Soiree with lovely views of Camelback Mountain. The Hotel Valley Ho is a perfect host for the fest, with tons of scenic overlooks and mid-century modern styling. Speaking of, if you are a lover of 1960s fashion, then you’ll definitely find a hive of mod fashionistas at Tiki Oasis. I thought I was the only one who loved caftans and weird hats—not so! Walking into any party was easy and fun because no matter what, you could strike up a conversation about someone’s outfit. Finally, I’d found my people.

My new hat! Very “Sandra Dee in A Summer Place

The next two days were largely taken up by seminars, including a great one by Jeff “Beachbum Berry” himself, whose recipes I’ve featured here on Cinema Sips. A natural storyteller, he had some fascinating tales of how the Tiki movement got started and where it’s headed in the future. I also got to learn about the “Lost Rides of Disneyland”, and take a tour of the Hotel Valley Ho- site of Natalie Wood and Robert Wagner’s first wedding ceremony, and refuge to many stars over the decades. This made the Valley Ho the perfect complement to AZ Tiki Oasis, due to huge role Hollywood played in the popularization of Tiki during the 1930s and ’40s.

All in all, it was inspiring to see how passionate the Tiki community continues to be. This was a smaller festival compared to the main Tiki Oasis that happens in San Diego every August, but it was perfect for a first-timer like me. I can’t wait to share some of the recipes I discovered as we go through more movies this summer, but in the meantime, here’s one I particularly enjoyed: the Mister Bali Hai. Cheers!

Mister Bali Hai

1 oz Lemon Juice

½ oz Simple Syrup

1 oz Pineapple Juice

½ oz Coffee Brandy

1 oz Myers Dark Rum

¾ oz Tanduay Silver Rum

Combine all ingredients with 12 oz crushed ice in a shaker. Shake to chill, then pour entire contents of shaker into a double old-fashioned glass or tiki mug. Top with more crushed ice, and garnish with dried lemon and swizzle stick.

Mr. Bali Hai

Uncategorized

To Have and Have Not

Image credit: To Have and Have Not, 1944

If you’ve already seen Casablanca and find yourself longing for more Bogey, more romance, more resistance fighters, and more cocktails in a foreign piano bar, then you’ll definitely want to check out this week’s pick To Have and Have Not (Disc/Download). With a main character named Captain Morgan, this movie practically begs you to watch it with a drink!

In her star-making turn, Lauren Bacall explodes onto the silver screen as the smart, sultry “Slim”, a jet-setting American pickpocket who’s landed on the French colony of Martinique. Bogart’s Steve Morgan is a salty fisherman who can’t take his eyes off the beautiful dame in the hotel bar, a task that proves even more difficult after she starts flirting with him. Their romance becomes dangerous once Steve gets embroiled in a scheme to transport resistance fighters in his boat, landing him in hot water with the Vichy authorities. Political intrigue aside, this movie is worth watching for the electric chemistry between Bogey and Bacall, as well as Bacall and a movie camera. With one little shake of her hips in the film’s final moments, a star is born.

Because this movie is loosely based on an Ernest Hemingway novel (very loosely), it seems like a great time to revive the Hemingway Daiquiri. This on-the-rocks iteration is lighter than the traditional version that’s served up, but it still has the same wonderful flavors. While watching To Have and Have Not, I recommend drinking a Hemingway Highball.

Hemingway Highball

1 ½ oz White Rum

1 Barspoon Maraschino Liqueur

1 Barspoon Lime Juice

3 oz Fever Tree Grapefruit Soda

Cherry and Lime Wheel (garnish)

Combine rum, maraschino liqueur, and lime juice in a glass with ice. Top with grapefruit soda, and stir gently to combine. Garnish with a cherry and lime wheel.

Bacall’s wardrobe is absolutely stunning in this film, her menswear-inspired suits both powerful and feminine at the same time (a trademark of many of Howard Hawks’ leading ladies). One look at her singing next to Hogey Carmichael on the piano, and I get the immediate urge to whistle. Cheers!