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Top Five Films of 2022

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Wow, it’s been a while since I’ve done one of these end-of-year lists. Two years, to be exact; shortly before the pandemic took away all my cinema joy. During the period I refer to as “the time we couldn’t have nice things,” I used the hours I would have spent sitting in a theater to get caught up on all the classics I’d never had time to watch before. Let’s just say, there was a lot of Cary Grant. But looking back on the last twelve months, and all the great new releases I had the pleasure of watching, I think it’s safe to say: movies are BACK.

As with each of these lists I make, I’m going to throw this caveat out: I like what I like. It’s probably not what most film critics, or the Academy, or probably even most of my readers like, and that’s okay. I have very specific tastes, generally involving beautiful people in beautiful places wearing beautiful things, and for too long, this just didn’t exist within the cinema landscape. But over the past year, Hollywood got back to what it does best- making magic. Making our world look better than reality. So here they are, my Top Five Favorite Films of 2022:

1. Mrs. Harris Goes to Paris

Like a pastel macaron, this pure-hearted confection of a movie feels almost too pretty to consume. Based on the novel by Paul Gallico, the film version sparkles like the beads on a 1950s Dior haute couture gown. With gorgeous production design showcasing 1950s Paris, and an earnest performance by Lesley Manville, this stylish, heartwarming movie makes me believe (for the first time in a long time) that everything’s going to be okay. It’ll all work out the way it’s supposed to.

2. The Lost City

I keep hearing how the rom-com genre is dead, or breathing its last gasp on streaming, but Sandra and Tatum are here to prove the haters wrong. They are perfection together, and this movie is the funniest thing I’ve seen in years. If any programmers decide to bring this adventure/comedy/romance back to the local cinema as a special event, with props and cocktails and cheese plates, I will buy a ticket in a hot second. And wear my sparkliest jumpsuit.

3. Confess, Fletch

2022 was the year I discovered the Fletch franchise, having no idea that a new iteration was already in production. Thus it was a happy surprise when I discovered that my favorite Mad Man would be trying the ole’ Lakers hat on for size, and gosh, what a great fit. Jon Hamm is full of snarky, brilliant one-liners, and obviously, pretty easy on the eyes. Plus, we’ve got cocktails and Italian scenery! Where is Fletch headed next? I can’t wait to find out.

4. Bullet Train

Featuring a terrific ensemble cast, Bullet Train is like a high-octane mash-up of Quentin Tarantino and Guy Ritchie. But what sets it apart from those other directors’ films are its fight scenes. Rather than resorting to long, tedious shootouts, director David Leitch finds clever ways to choreograph deadly combat with very, very minimal gunfire. Honestly, with the rising threat of gun violence in our real lives, I’m totally over seeing bullets fly onscreen. Kudos to a movie that finds more creative methods to off its characters.

5. Three Thousand Years of Longing

George Miller’s latest special effects extravaganza seemed to come and go from the theaters quite quickly over the summer, which is a shame because it’s great! What I love most about this strange and wonderful tale about a scholar who discovers a magic Djinn in a bottle is its reverence for storytelling. Also, Tilda and Idris have terrific chemistry and look adorable in their fluffy white hotel bathrobes. Somebody- put these two in a rom-com!

Honorable Mentions: Elvis, Fire of Love, Marry Me, Fire Island, The Menu

Adaptation

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Image credit: Adaptation, 2002

If you follow me on social media, then you know I’m an orchid mom. That’s right, I enjoy caring for one of the most delicate plants in nature, all for the promise of a few blooms. I like to watch as they die and resurrect themselves, over and over, like a superhero franchise. They’ve been a joy, a distraction, and an inspiration as I revise and write and revise again, hoping maybe this time, the right words will magically fall into place. Thus I can say with absolute certainty, Adaptation (Disc/Download) is a perfect film for the orchid-obsessed, and for anybody who’s ever struggled to make a story “work”.

Loosely based on The Orchid Thief by Susan Orlean, Adaptation is Charlie Kaufman’s wild meta tale of a screenwriter’s quest to turn this book into a movie. Nicolas Cage plays Charlie, and he also plays Charlie’s fictional twin brother Donald, who stumbles into screenwriting like a NaNoWriMo newbie. Charlie writes smart, character-driven stories, while Donald’s are mostly plot-driven, using the formula he learned in a ridiculous workshop. Where things get weird is when the script Charlie is writing (which we see in cuts to Meryl Streep as Susan Orlean and Chris Cooper as John Laroche, subject of The Orchid Thief) slowly morphs into a “Donald script”, going completely off the rails as Charlie loses all sense of his own voice, and what he was originally trying to say. It’s a strange, bizarre twist, showing the audience what happens when people follow the formulas: we get crappy movies that focus more on outlandish plots than character development. One wonders if Nicolas Cage has exclusively been picking “Donald movies” for the past decade, but that’s a discussion for another day.

Now, back to the orchids. I love watching John Laroche wax poetic about the beauty and struggle of his obsession, and Orlean’s look of wonder at all the rare varieties mirrors my own. While watching Adaptation, I recommend drinking a Flower Show cocktail.

Flower Show

1 Egg White

2 oz Gin

1/2 oz Crème de Violette

1/2 oz Cointreau

1 oz Fresh Lemon Juice

Fill a shaker with ice. Add all ingredients and shake until frothy. Strain into a cocktail glass.

One thing the movie never discusses (and I wish it did) is the rebirth of this plant. An orchid can appear completely dead, stripped of all its beautiful blooms, but with enough care and attention, it’ll start to grow again. There’s something comforting in this, knowing that even when all hope seems lost, the thing you loved might not be gone forever. Maybe, like a writer huddled over a keyboard, it can just be… temporarily blocked. Cheers!

Beauty and the Beast

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Image credit: Beauty and the Beast, 2017

Ask any female bookworm who grew up in the ’90s what her favorite Disney movie was, and you’d probably get the same answer- Beauty and the Beast (Disc/Download). Smart, shy girl doesn’t fit in with the people in her small town, longs for the type of adventure she’s only read about in stories, but feels resigned to a quiet life with her dad and his gadgets. Then, a gruff hero comes into her life and woos her with a library and fancy soup. To say that I idolized this character in 1991 would be an understatement. I had Belle dolls, Belle posters, Belle Halloween costumes, and even a prized Belle Trapper Keeper gracing my desk. I also had a Beast doll you could pull the head off of to make him magically transform into a human (which, looking back on it, was a little creepy). In short, I was A FAN. I was skeptical that a live action version of this tale could ever work, but I should have known Disney would make all my adult Belle dreams come true too.

I remember the first time I saw this adaptation in the theater a few years ago. Emma Watson opened her mouth to sing “Little town, it’s a quiet village….” and reader, I got goosebumps. These songs were so ingrained in my memory that I could recall every word and note with perfect precision. It was like a trip back to childhood, where movies seemed completely wondrous, and characters lived in your head in a way they simply don’t when you’re an adult. I loved A Star Is Born, but let’s just say I don’t have Jackson or Ally dolls in my bedroom. But hey, if Disney wants to make a Dan Stevens “Beast” doll, or even a Luke Evans “Gaston” doll with that show-stopping baritone voice recorded on a pull string, they’ve still got a buyer in me.

Taking place in a small French village, and featuring a magic rose that slowly drops its petals, this movie deserves the kind of cocktail you could enjoy sipping for hours in a gigantic library by the light of a talking candelabra. While watching Beauty and the Beast, I recommend drinking a Rosewater Gimlet.

Rosewater Gimlet

2 oz Gin

1 oz Lime Juice

¾ oz Simple Syrup

½ oz St. Germain Elderflower Liqueur

3 drops Rosewater

Rose Petal garnish

Combine all ingredients in a shaker with ice. Shake until chilled, then strain into a coupe glass containing an ice ball. Garnish with a rose petal.

Although there are some new tunes added to this version, the standout song is still “Tale as Old as Time”, sung here by Emma Thompson instead of Angela Lansbury. Really, this is the perfect anthem, for what’s more classic than an enemies-to-lovers story featuring a plucky girl and a gruff hero with a heart of gold? Thirty years later and it’s still bringing me as much joy as it did when I was eight. Cheers!

Mildred Pierce

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Image credit: Mildred Pierce, 1945

This week, we’re taking a step back to 1940s Hollywood to examine one of the most iconic onscreen mother/daughter duos, Mildred and Veda in the classic Mildred Pierce (Disc/Download). Maybe, like me, you grew up with the Joan Crawford NO WIRE HANGERS image seared into your brain. Thus it might be jarring to see her playing a part like Mildred, a fabulous working mom saddled with a spoiled hellion of a daughter. If Joan was an abomination in real life, watching her play this patient, loving character only proves that she’s one of the greatest actresses of any generation.

Michael Curtiz’s suspenseful noir has a lot of things going for it: murder mystery, non-linear storytelling, beautiful clothing, a gorgeous beach house, and cocktails in just about every scene. And pie! Lots and lots of pies. In flashbacks, we learn that Mildred started out as a housewife who was just trying her best to give her children everything she never had. She sells baked goods to the neighbors, and after her husband leaves her for that simpering homewrecker Mrs. Biederhof, Mildred waits tables in a busy restaurant to make ends meet. Eventually, she learns enough about the business to start her own restaurant, which quickly becomes a smash hit. But is this good enough for eldest daughter Veda? Oh, no. She can’t stand the fact that her mother works for a living. No, Veda would rather earn her fortune through blackmailing and pregnancy scares. It can be frustrating to watch Mildred defend her child’s evil actions, but she’s a mom. She can’t help wanting to see the best in her daughter, even when that daughter seduces mom’s playboy husband for herself. Talk about a soap opera!

As I said, there are a ton of cocktails in this. Martinis, straight bourbon, scotch & soda—you name it, they drank it. One beverage in particular caught my attention during a scene where Mildred and her ex have a drink in a California tiki bar. I can’t transplant myself there, but I can mix up this simple, delicious cocktail. While watching Mildred Pierce, I recommend drinking a Rum Collins.

Rum Collins

2 oz Vida Caña 2-yr Aged Rum

1 oz Lime Juice

1 oz Simple Syrup

Topo Chico sparkling water

Lime Garnish

Combine Rum, lime juice, and simple syrup in a shaker with ice. Shake until chilled, then strain into a Collins glass filled with ice. Top with Topo Chico, and stir to combine. Garnish with Lime.

If you want to catch a glimpse of my dream abode, look no further than the opening scene at Monte’s beach house. Steps from the ocean, it features multiple bars, a glassed-in patio, spiral staircase, and plenty of lounge spaces, perfect for either entertaining or murder. I guess it depends on whether or not you made the mistake of procreating. Cheers!

To Catch a Thief

To Catch a Thief

Image credit: To Catch a Thief, 1955

I’ve taken a lot of cinema travels this summer, so it’s fitting that I end the season with one last trip to the French Riviera. Alfred Hitchcock’s classic To Catch a Thief (Disc/Download) will make you feel like you’re sipping champagne at the Carlton Hotel in Cannes, before meeting your lover for a sexy rendezvous. This week, say bonjour to style, suspense, and sun-drenched 1950s beaches.

This is one of those movies I could watch with the sound off and still feel like I got my money’s worth. To see Grace Kelly slink across the screen in her gorgeous Edith Head costumes is such a treat, but then Hitch had to go and add the Mediterranean Sea. And champagne. And Cary Grant in a lovely French farmhouse. Is he TRYING to make me swoon? If you like the Ocean’s Eleven trilogy, you’ll really enjoy this plot involving a retired cat burglar trying to clear his name after a string of “copycat” jewel thefts. Cary latches on to Grace Kelly’s jet set heiress, using her to draw the real thief out. But somewhere between sunbathing, picnicking, and enjoying the fireworks from a luxury hotel room, she falls for him. Can Cary catch the thief? Can Grace catch Cary? Can the world stop catching coronavirus so I can go to the French Riviera for real???

As previously mentioned, this is a champagne-heavy movie. For my cocktail pairing this week, I’m adapting the classic French Riviera cocktail into something a little more bubbly, and a little more American, in a nod to Grace Kelly’s roots. While watching To Catch a Thief, I recommend drinking this Copycat cocktail.

Copycat

1 ½ oz Bourbon

½ oz Rum

1 tsp Apricot Jam

½ oz Lemon Juice

1 oz Honey Syrup (2 to 1 ratio, honey to water, boiled then cooled)

3 oz Champagne

Combine Bourbon, rum, apricot jam, lemon juice, and honey syrup in a shaker with ice. Shake until chilled, then strain into a glass filled with fresh ice. Top with champagne, and stir gently.

Copycat

This spritz cocktail is perfect for lounging near the beach or pool in your couture, as I know we’re all doing during quarantine. Maybe just me? No matter your plans this Labor Day, I hope you get to take a day off, and I hope that day off involves a fabulous movie or two. Cheers!

Broadcast News

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Broadcast News

Image credit: Broadcast News, 1987.

I just finished the stellar new season of one of my favorite podcasts, You Must Remember This, which takes listeners on a journey through the career of one of the great unsung heroes of Hollywood, Production Designer/Screenwriter/Producer Polly Platt. I knew of Polly before Karina Longworth’s deep dive, having seen her name in the credits of so many of my favorite films, but the show has opened me up to even more great flicks, like this week’s Cinema Sips pick, Broadcast News (Disc/Download).

I’ve seen Broadcast News classified as a rom-com before, but I have to say, I disagree with that label. Yes, there’s a love triangle set within the world of television news, and there’s certainly comedy (thanks in large part to scene stealer Albert Brooks), but I wouldn’t say the film leaves me with a happy, buoyant feeling. Perhaps that’s because so much of the script is a warning of what’s to come in the world of journalism; a doomsday prediction that has actually come true. It warns of a distrust of information, brought about by flashy salesmen instead of real, credible journalists. The news as entertainment instead of vital public service. Albert Brooks’ character Aaron has the smarts and dedication for the job of newscaster, but lacks the right packaging. And then there’s William Hurt’s Tom, who has the looks but not the brains, or any shred of journalistic ethics. Naturally, he’s given prime screen time. Placed in the middle is Holly Hunter’s Jane, a thinly-veiled Polly Platt stand-in, the producer who’s smarter than all the men in her life, but will never get the recognition or personal happiness she deserves. To be a woman in this industry is to make sacrifices, and nobody knew that better than Polly. If you’ve ever allowed yourself the five-minute cry (*raises hand*) you get it. So much of this film is funny and relatable, but sadly it’s all things you wish you didn‘t relate to.

My favorite scene in Broadcast News is one where Albert Brooks is home alone on his day off, drinking and haunting the sofa in a ragged pair of sweats. He’s slightly inebriated, yelling at the news, wondering when the hell everyone got so stupid. Been there, buddy. Let’s join Aaron in his ennui with this Journalist cocktail!

Journalist

2 oz Gin

¼ oz Cointreau

½ oz Dry Vermouth

½ oz Sweet Vermouth

¼ oz Lemon Juice

2 dashes Angostura Bitters

Luxardo Cherry and citrus wheel for garnish

Combine ingredients in a shaker with ice. Shake until chilled, then strain into a chilled coupe glass. Drop in a Luxardo Maraschino cherry and garnish with a dried citrus wheel.

Journalist

If you’re looking for answers as to how we got where we’re at right now in America, look no further than Broadcast News. The question now is, where do we go from here? Can journalism be saved? It’s a question the film fails to answer definitively, and maybe it’s because the answer is up to us. It’s up to all of us to demand that substance win out over style. Cheers!

Summertime

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Summertime

Image credit: Summertime, 1955

It’s official- the summer doldrums are here. Every July, I become a thoroughly unpleasant person to be around as I slog through a Groundhog Day existence of air conditioning and double showers. But this year, I made the wise choice to take a short jaunt to Venice with Katharine Hepburn in the lush 1950s drama Summertime (Disc/Download). And cookie, I’m glad I did.

When this film begins, Hepburn’s character Jane is excited about her trip to Venice. She’s saved up for it, made all the arrangements, and idealized the Italian city in her mind. She knows it’s a place for romance, but she doesn’t even dare hope for that. She’s been single a long time, and well…it’s enough just to see the beautiful canals. That’s what she tells herself, anyway. But then she actually arrives and discovers that Venice is THE WORST place to go if you’re single. I should know—I went there alone in 2002 and it was the loneliest trip of my life. Thankfully, she meets a charming antiques dealer, who may or may not be trustworthy, but still manages to pull her out of her shell and turn this trip from depressing to romantic. It’s here that Hepburn makes you feel what it is to fall for someone. To hope, but not let yourself hope too much, then to take that first tentative step before rushing in with open arms and saying “I love you” on the first date. She may get her heart broken, but oh, that first, initial joy is worth it. To truly live, is worth it.

Aside from my admiration for this character’s wardrobe (an enviable mix of shirt dresses and plucky hair bows), I also love that Jane travels with her own bourbon. You just can’t count on a foreign country to have all the comforts of home. Lucky for Jane, her pensione has all the ingredients on hand to turn that bourbon into a classic Boulevardier.

Boulevardier

1.5 oz Bourbon

1 oz Campari

1 oz Cinzano Sweet Red Vermouth

Orange Twist and Cherry garnish

Combine first three ingredients in a shaker with ice. Stir until chilled and combined, then strain into a glass filled with a large ice cube. Garnish with a twist of orange and Luxardo cherry.

Boulevardier

Cousin to the more popular Negroni, I actually prefer a Boulevardier if I’m going to commit to a heavier, alcohol-forward cocktail. And really, that’s what this movie needs. Something a little bitter, a little sweet, and very strong, just like Jane’s heart. Cheers!

The Departed

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The Departed

Image credit: The Departed, 2006

Sometimes, a movie comes along that seems outside your typical genre comfort zone, but is so good you can’t help but love it. I’ve never been big on gangster pictures or cop dramas, however Martin Scorsese’s The Departed (Disc/Download) is in a class of its own. This film is the twisty-turny, double-crossing magnum opus that would finally win our beloved auteur an Oscar; it’s also just the kind of immersive thriller I need right now.

Loosely based on real-life Boston crime boss Whitey Bulger, The Departed stars Jack Nicholson as the depraved head honcho, Matt Damon as the mobster infiltrating the police force, and Leonardo DiCaprio as the police officer infiltrating the mob. The story is complex, yet told in a way that there’s never a question of who’s betraying whom. We know Damon’s character is a sleaze, just as we know Leo’s doing bad things for the right reasons. Nicholson pulls off one of the best performances of his career, giving us a smart, egotistical villain who erases all fond memories of Melvin Udall in my mind. And then there’s Mark Wahlburg, who disappears halfway through the film, only to re-emerge in a final shocking twist. It’s a cornucopia of New England accents and Celtic punk music that puts me right into the world of underground Boston crime, with nary a friendly Dunkin’ Donuts in sight.

Undercover cop Leo has to constantly prove his loyalty to the criminal world, never letting any of his associates sense his fear and anxiety. Someone makes fun of him for drinking cranberry juice? Beat the guy’s ass and move on. While watching The Departed, I recommend drinking this Cranberry-Beet Down.

Cranberry Beet-Down

2 oz Frankly® Pomegranate vodka

¾ oz Cointreau

¼ oz Beet Juice

¼ oz Cranberry Juice

½ oz Lime Juice

Fresh Cranberries

Blood orange slice

Combine all ingredients in a shaker over ice. Shake until chilled, then strain into a coupe glass. Garnish with cranberries and blood orange slice.

Cranberry Beet Down

When you think about the kind of career Martin Scorsese has had, and continues to have, it’s remarkable that his pictures only get richer and deeper as the years go on. The Irishman wasn’t my favorite, but I admire that he continues to challenge himself and his storytelling capabilities. If the last two decades brought us The Departed and Hugo, I can’t wait to see what he does in the Roaring ‘20s. Cheers!

2019 Holiday Gift Guide

Still searching for the perfect gift for a movie/cocktail-lover? Or maybe you just want to treat yourself? Check out my picks below, and get shopping.*  Cheers!

1) Diamond Drinking Glasses

Perfect for the next time you watch Uncut Gems, your favorite jewel heist movie, or Gentlemen Prefer Blondes.  Marilyn said it best: “Diamonds are a girl’s best friend.”

2) Traveling Cocktail Case

This goes with me on every road trip because nothing beats a well-crafted cocktail after a long day in the car. I also break it out any time I watch Two For the Road!

3. Waiting for Tom Hanks

This delightful book by Kerry Winfrey is the perfect gift for fans of romantic comedies. If you can quote every line from You’ve Got Mail and have a thing for houseboats, you will love this novel too!

4. Echo in the Canyon Soundtrack

Echo in the Canyon was my top documentary of the year, and the soundtrack does not disappoint! Songs of the 1960s Laurel Canyon music scene sung by an amazing roster of current artists- you need this for your next party.

5. Moviejawn Subscription

MovieJawn

If you wish you had more Cinema Sips content in your life, then consider subscribing to this quarterly zine! In it, you’ll find bonus movie/cocktail pairings, wonderful articles on your favorite films from talented critics, and lots of fun goodies. It’s a very happy day when this arrives in the mailbox!

*Cinema Sips is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com.

Top Five ’90s Throwbacks in ‘Swingers’

1.  Answering Machines

Swingers answering machine

Hands up if you ever felt that wave of disappointment when the blinking light yielded just one “Hi, it’s Grandma” message.

2.  Wallet Chains

Just… why??

3.  Swing Music

big bad voodoo daddy

Admit it, you had a Big Bad Voodoo Daddy CD in your collection.  But just one.

4.  Grainy Video Games

hockey

How did we even see what was happening??  A Sixth-Sega Sense?

5.  The Club

 

Honestly, this thing did a pretty good job of protecting our crappy Toyota Corolla on the mean streets of Washington DC.  However it did nothing to prevent my Bill Withers CD from being stolen.