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Say Anything

say anything

Image credit: Say Anything, 1989


This past week I had the pleasure of celebrating Valentine’s Day a little early at my local drive-in movie theater with a screening of Say Anything (DVD/Download). Without being tacky, I’ll just say that this movie is best watched from the backseat. It’s not really a movie that celebrates cocktails in any way, but it DOES feature one of the greatest romantic leads in cinematic history, Lloyd Dobbler.

What can be said about Lloyd Dobbler that hasn’t already been shouted from the rooftops by every teenage girl? As Lloyd, John Cusack is a guy so great that he could only ever exist in the movies. I feel almost bad for him that he’s lovesick over Diane Court “whoa”, a smart, pretty girl who will never truly appreciate what she has (he gave her his heart and she gave him a pen.  I rest my case).  This is a guy who will stand outside your house with a boombox blasting Peter Gabriel, with no hint of embarrassment. This is a guy who will not comment on the fact that you are WAY overdressed for a high school keg party, then end the night by being a dependable designated driver.  Who is this guy? He’s Lloyd Dobbler. And goddamn it he doesn’t want to sell, buy, or process anything.

Lurking over the love story of Lloyd and Diane (besides her father’s IRS troubles) is brainy Diane’s eventual move to England on a scholastic fellowship. Lloyd, being a well-travelled army brat, offers to give her tips- English tips (whatever that means). I’m assuming those tips would include the knowledge that Pimm’s No. 1 is an amazing British liquor export and should be drunk whenever possible. Plus, for a Valentine’s Day cocktail, you can’t get much more festive than this one. While watching Say Anything, I recommend drinking a Pimm’s Royale.

Pimm’s Royale

1.5 oz Pimm’s No. 1

4 oz pink champagne

Strawberry for garnish

Pour Pimms into a champagne flute, then top with champagne. Garnish with a strawberry.

Pimms Royale

Written and directed by Cameron Crowe, Say Anything features amazingly astute dialogue, great music, and above all, teen angst. To me, it’s his greatest achievement as a filmmaker, and Lloyd his greatest character. Sometimes, it just takes the simple courage to pick up a phone and call the girl up. Lloyd gives us all hope. Cheers!

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