Category: Classic Films

Classic Films · Holiday Films · Musicals

The Umbrellas of Cherbourg

LizLocke2 Comments
Image credit: The Umbrellas of Cherbourg, 1964

During a recent conversation with a friend, the subject of 1960s Christmas movies came up. Trying to list my favorites, I quickly hit a wall. Seems the 1940s and the 1990s pretty much cornered the market on holiday flicks. Maybe that’s why I wrote such a lengthy Christmas section into my novel Follow the Sun—I wanted to create a stylish world of silver tinsel trees, Shiny Brite ornaments, and elaborate teased updos. A world of Henry Mancini albums on the hi-fi, fondue on the buffet table, and structured Saint Laurent evening gowns. Like my novel, Jacques Demy’s The Umbrellas of Cherbourg (Disc/Download) only has a brief stopover at Christmas, but it’s memorable enough for me to consider this a holiday film. And not just any holiday film, but the most glamorous one in existence.

Presented in operatic form, The Umbrellas of Cherbourg has a straightforward (albeit tragic) plot. Geneviève (Catherine Deneuve) and Guy (Nino Castelnuovo) are young, gorgeous, and madly in love. They consummate the relationship shortly before Guy leaves for war, and although Geneviève promises she’ll wait for him, her meddling mother forces her to doubt he’s ever coming back. Pregnant and alone, she marries someone else, leaving the father of her child heartbroken upon his return. Eventually, he moves on too, and years later they share a sad reunion under the backdrop of a snowy gas station. With stunning production design and more color than I’ve ever seen in a movie, Umbrellas manages to make a world papered in pink and orange damask impossibly sad and beautiful. As Catherine Deneueve trudges back to her car on that cold Christmas Eve, your heart just breaks for her. This is the definition of a Blue Christmas.

I covered this movie years ago for Moviejawn with a Crème de Violette cocktail, however this was before Empress 1908 gin came into my life. Distilled with butterfly pea flower, this gin has lately given rise to many colorful cocktail experiments. One of my favorite gin botanicals is cinnamon, so I’ll be using it for a holiday twist on a French ’75. While watching The Umbrellas of Cherbourg, I recommend drinking a Cinnamon ‘75*.

Cinnamon ‘75

1 ½ oz Empress 1908 Gin

¾ oz Lemon Juice

½ oz Cinnamon Syrup

1 tsp. Maple Syrup

Champagne, to top

Cinnamon stick garnish

Combine gin, lemon juice, cinnamon syrup, and maple syrup in a shaker with ice. Shake until chilled, then strain into a coupe glass. Top with champagne, and garnish with a cinnamon stick.

*Recipe adapted from Empress Gin website

I like to think the characters of Follow the Sun would have seen this movie upon its release in 1964, and maybe Caroline, drawn to the emotional music score, would have returned more than once. Perhaps Daphne narrowly missed out on the Catherine Deneuve role because of her lackluster singing voice, and she still holds a grudge against Jacques Demy. Maybe it caused them to realize (as it caused me to realize) that the holidays might be painful as we think about those we’ve loved and lost, but nevertheless, there’s still beauty and glamour all around. Joyeux Noël!

Action/Adventure/Heist · Classic Films

Mogambo

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Image credit: Mogambo, 1953

If you love The Jungle Cruise ride at Disneyland but were disappointed by Disney’s 2021 film adaptation, then put on a classic that gives you all the thrills and animal encounters of a trip through Adventureland. John Ford’s Mogambo (Disc/Download) may be short on puns, but it’s long on danger and melodrama.

Starring Clark Gable as a big game hunter, and Ava Gardner as the cheeky New York socialite who upends his camp and his heart, Mogambo is a stunning Technicolor production shot on location in Africa. It’s wild to me that Ford would subject stars like Gable and Gardner and Grace Kelly to such an intense environment, but the authenticity of the continent shines through. During the course of a safari, Gable finds himself at the center of a love triangle with Gardner and Kelly, who plays the wife of a British anthropologist. Clark may be quite a bit older than both actresses, but he’s still got that twinkle in his eye that makes women of any age susceptible to his charms. Ava Gardner is a breath of fresh air in this movie, and it’s through her eyes that we see the wonder of this amazing place and all its creatures. She acts as the comic relief, to the point where I almost expect her to make a “ginger snaps” joke at the sight of a crocodile. Unfortunately, it’s just me making the lame dad jokes, from my couch.

Speaking of Gardner, I recently had the pleasure of trying the Ava Gardner Goddess Blend coffee from Breakfast at Dominique’s, and I loved it so much that I decided to use it in a cocktail! Strong and complex, this drink is Ava in a nutshell. While watching Mogambo, I recommend drinking an Espresso Martini.

Espresso Martini

2 oz Vodka

1 oz freshly brewed Espresso, cooled

½ oz Kahlua coffee liqueur

½ oz simple syrup

2-3 dashes Fee Foam (optional)

Coffee beans (garnish)

Combine all ingredients except the beans in a shaker with ice, shaking vigorously for a full minute. Strain into a coupe glass, and garnish with coffee beans.

*Note, I tried making this with cold brew, but I couldn’t achieve that signature foam on top. To get it frothy, I instead made it with a freshly brewed shot of espresso and added a few dashes of Fee Foam.

The quality of the coffee you use in this martini has a big impact on the final flavor. One sip of the Ava Gardner Goddess Blend, and I immediately realized I’d never had great coffee until that moment. Now, I’m drinking it every chance I get! Honestly, the caffeine is probably a good thing out on the safari. You never know when you’ll run into a panther, or a trigger-happy Grace Kelly. Cheers!

Classic Films · Dramas

Black Narcissus

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Image credit: Black Narcissus, 1947

If you like your nuns with a side of murderous melodrama, then strap in for the Technicolor fantasy of Black Narcissus (Disc/Download). A movie brought to my attention by Jenny Hammerton of Silver Screen Suppers, this was my first introduction into the world of Powell & Pressburger. After sinking into their completely immersive setting of a 1940s Himalayan monastery, consider me hooked.

Starring Deborah Kerr as the leader of a group of nuns tasked with setting up a convent on a remote mountaintop, Black Narcissus feels at times like a science fiction film (sample tagline: Trapped in isolation, the inhabitants of a spaceship go a little mad…). Maybe there’s a mysterious illness slowly claiming the lives of the these inhabitants, or maybe it’s all in their heads. Swap in wimples for spacesuits, and you’ve got the general vibe of Black Narcissus. These women are lonely, and it doesn’t help that there’s a handsome caretaker (David Farrar) coming around in his short-shorts to flirt and rile them up. He makes the nuns remember what their lives were like before joining the order, and eventually it all becomes too much for Sister Ruth, played marvelously by Kathleen Byron. Ditching her dreary robes for a smart new dress and dark red lipstick, she is your worst nightmare—a woman pushed to the brink, with nothing to lose.

Because color is such an important element to the production design of this movie, it seems fitting to drink one of the most colorful gins on the market, Empress 1908. The nuns make a big show of dropping a purple powder into some water in an effort to wow the locals at the new infirmary (I’m still not sure what the powder was—quinine?), but you can do the same at home with either your Empress Gin, or a pinch of Butterfly Pea Powder. This is definitely a floral-inspired cocktail because on this depressing mountaintop, we need flowers more than food. While watching Black Narcissus, I recommend drinking a Floral Gin & Tonic.

Floral Gin & Tonic

2 oz Empress 1908 Gin (OR 2 oz London Dry Gin w/ ¼ Teaspoon Butterfly Pea Powder)

4 oz Elderflower Tonic

Dried lime and flower garnish

Build drink over ice, stirring slowly to combine (if using the powder, stir a little more to fully mix). Garnish with a dried lime + flowers.

Floral G&T with Empress 1908 Gin
Floral G&T with London Dry Gin + Butterfly Pea Powder

I’m thrilled to be collaborating this week with Jenny Hammerton over at Silver Screen Suppers because she actually puts together a full meal for her pairings! If you want to craft your own dinner party for Black Narcissus, be sure to subscribe to the Dinner and a Movie Substack and come prepared with an appetite, plus your moodiest purple gin. Cheers!

Classic Films

Cat People

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Image credit: Cat People, 1942

I confess: I am not a cat person. Frankly, they terrify me. So when I heard about Jacques Tourneur’s 1942 B-horror film Cat People (Disc/Download), I assumed I’d have to close my eyes through most of it. However, I was delighted to discover that it’s actually the perfect level of spooky, supernatural fun during this Halloween season. Really, the only scary thing is how long I waited to watch this charming classic!

Starring Simone Simon as a Serbian illustrator who believes she’s descended from a line of “cat people”, the movie takes place in a bustling Manhattan where the female characters have a surprising amount of agency for the time period. We see career gals instead of housewives, and indeed, even after Irena marries a nautical engineer, she’s still a fairly independent person (albeit a troubled one, under the care of a psychiatrist). You see, Irena believes that if she becomes aroused with strong emotion, she’ll turn into a jungle cat and attack. This becomes inconvenient for her husband, and it isn’t long before he’s looking at his female co-worker with straying eyes. Here is where the film becomes more domestic soap opera than supernatural horror, and probably why I enjoy it so much. Although we see plenty of zoo cats pacing in their cages, and hear frightening hisses from the shadows, the audience is spared any encounters with gore. The horror is achieved by building tension and fear, much like Rosemary’s Baby would do decades later.

One of my favorite lines is when Irena gets hissed at by a kitten and laments, “Cats just don’t like me.” Same girl, same. However, one “cat” I do get along with is of the cocktail variety! While watching Cat People, I recommend drinking a Black Cat.

Black Cat

1 oz Vodka

1 oz Cherry Brandy

3 oz Cranberry Juice

3 oz Cola

Maraschino cherry (garnish)

Fill a glass with ice, and top with vodka, cherry brandy, cranberry juice, and cola. Stir well to combine, and garnish with a maraschino cherry.

If you’re looking for sexy supernatural fun this week, I’d suggest doing a double feature of Cat People and I Married a Witch, the Veronica Lake classic from the same year. Both feature strong female leads, ancient curses, and glamorous costumes, and as an added bonus, neither one is frightening enough to keep you up at night. Cheers!

Classic Films · Comedies

It Happened to Jane

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Image credit: It Happened to Jane, 1959

In times of uncertainty, I often ask myself—What Would Doris Do? Brought low by the summer doldrums, I recently embarked on a complete Doris Day re-watch, starting with Romance on the High Seas, ending with With Six You Get Eggroll, and covering everything in between. The hope is that her smile will make me smile. Maybe seeing her pluck and tenacity in the workplace will get me back to work. After the publication of my novel Follow the Sun, I’ve been at loose ends, not sure where I go from here. I climbed the mountain, came back down, and… now what? I just start over from scratch? Climb another mountain? Climb every mountain?

In this week’s pick It Happened to Jane (Disc/Download), Doris does just that. Her husband has died, leaving her with two small children and a lobster business to run. She has her best friend Jack Lemmon on hand to lend support, but he’s too scared to admit he harbors romantic feelings for her, and she’s too busy trying to restart her life to see what’s been right in front of her all along.  There’s a great David & Goliath storyline as Lemmon and Day battle the big bad railroad tycoon (Ernie Kovacs) whose budget cuts have resulted in a train full of rotten lobsters, and in our current era of workers facing off against greedy CEOs, the plot feels quite contemporary. As usual, Doris triumphs with her signature mix of talent, strength, and vulnerability, making us believe that everything’s going to be okay in the end. That’s why her movies and her star persona endure—because we’re all looking for that brand of hope. If she can make it through the Warner Brothers years, with terrible parts in terrible movies (ahem, Tea for Two), to get to It Happened to Jane and Pillow Talk, maybe I can make it through this weird time of having a published book on the shelf (admittedly, a book not many have heard of), coupled with a tremendous amount of anxiety about whether there will be a second one someday. If Doris Day can find love with Jack Lemmon and save her lobster business, maybe I can pull myself out of bed and write something bigger than a blog post.

Speaking of Jack Lemmon, I’m very grateful that his last name lends itself so well to citrus cocktail puns. Plus, I can always count on him to lift my spirits in much the same way Doris does. However bad my day is, however many lemons the universe has served up, Jack can turn it around. Well, Jack Lemmon and a cocktail. While watching It Happened to Jane, I recommend drinking this Lemmon-Drop.

Lemmon-Drop

2 oz Luxardo Limoncello

2 oz Vodka

1 oz Simple Syrup

1 oz Fresh Lemon Juice

Lemon twist for garnish

Combine limoncello, vodka, simple syrup, and lemon juice in a shaker with ice. Shake until chilled, then strain into a martini glass. Garnish with a lemon twist.

By my calculations, I’ll be done with the Doris Day re-watch around January 2024. Hopefully by then, I’ll have absorbed her wisdom and possess a clearer idea about where I’m headed next. Maybe I’ll begin to view starting over as an exciting thing instead of a scary thing. Lord knows, Doris had to do it plenty of times both in her personal life and on the screen. In the end, she was okay. She had a great life full of laughter and dogs and bicycle rides through Beverly Hills. Those early Warner Brothers films were merely a blip in her autobiography. So for now I’ll just say, “Que sera, sera.” What will be, will be.

Classic Films · Comedies

Here Comes Mr. Jordan / Heaven Can Wait / Down to Earth

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This week, I’d like to tell you a story about a really special movie that got remade over and over again. Once upon a time, there was a play called “Heaven Can Wait”. Columbia Pictures decided they wanted to turn this comedy about the afterlife into a feature-length film, but they didn’t have the rights to the title. Those were already snapped up by Twentieth Century-Fox. So they made a picture called Here Comes Mr. Jordan in 1941. Then in 1943, Fox released a movie called Heaven Can Wait (covered here on Cinema Sips), unrelated to the play, but still a comedy about the afterlife. Still with me? Okay, good. Then we skip ahead to 1978, when Warren Beatty decided to make his version for Paramount Pictures, and lucky Warren, he got to use the original play’s title Heaven Can Wait. Fast forward to 2001, when the Weitz Bros. made their version as a vehicle for Chris Rock, giving it the title Down to Earth (which was actually the name of Columbia’s 1947 sequel to Here Comes Mr. Jordan, but let’s not even go there). This week, I’m watching all three movies: Here Comes Mr. Jordan (1941), Heaven Can Wait (1978) and Down to Earth (2001). What is it about this story that has Hollywood reincarnating it every thirty years or so? Let’s pour a drink and find out.

The basic plot shared by all three films is that a guy on the cusp of success suddenly dies in a freak accident. When he gets to Heaven, he protests, saying his time wasn’t up yet. The angels check their records, and… yeah- he’s right! His time wasn’t up! The grim reaper made a mistake. So, they send the soul back down, but unfortunately his body has already been destroyed. That means he has to find a new body, one that hasn’t been discovered as deceased yet. The best candidate they find is a wealthy jerk, notorious for screwing over the less-fortunate. At first the soul wants nothing to do with this body, but then he sees a beautiful woman who’s been harmed by the millionaire. By taking this body, he can help her. Hilarity ensues when the millionaire suddenly turns into a kindhearted philanthropist and decides to pivot his career toward the original soul’s chosen one. In Here Comes Mr. Jordan it’s a boxer, in Heaven Can Wait it’s an NFL quarterback, and in Down to Earth it’s a comedian. The only problem is that this millionaire has a target on his back, so the original soul has to jump again into another body, after he’s already made the girl of his dreams fall in love with body #2. Will she still know him? Will destiny prevail? Can this soul have the future it was always meant to have, in whatever body it inhabits? Are the loved ones we’ve lost still out there somewhere, even though it seems impossible? These are the big questions being posed by this story, and they’re questions I personally find fascinating. It’s no wonder Hollywood does too.

In Here Comes Mr. Jordan, boxer Joe Pendleton complains about being taken out right when he was “in the pink”. Meaning, his physical form was tip-top, and exactly where it needed to be for him to win a championship. This seems like as good an excuse as any to crack open a bottle of my new favorite gin, Beefeater Pink Strawberry. I’m not normally a fan of fruity flavored spirits, but this one is something special. I love it mixed with grapefruit tonic and a splash of grapefruit juice, which actually pairs pretty well with the “Gin and Juice” scene in Down to Earth! While watching these “Heaven Can Wait” adaptations, I recommend drinking this In the Pink cocktail.

In the Pink

2 oz Beefeater Pink Strawberry Gin

4 oz Pink Grapefruit Tonic (I like Fentimans)

1 oz Grapefruit Juice

½ oz Lime Juice

Fresh Strawberry, Mint, Lime Twist for garnish

Build drink in a tumbler with ice, stirring gently to combine. Garnish with fresh mint, strawberry, and lime twist.

Research tells me this story was adapted again into a made-for-TV movie starring Tara Lipinski, but sadly Ice Angel seems to have vanished into the television ether. If I had to pick my favorite version, it’s an extremely tough choice, but I supposed I’d go with 1978’s Heaven Can Wait. The cast is a who’s who of beloved stars (Warren Beatty, Julie Christie, James Mason, Dyan Cannon, Charles Grodin, even screenwriter Buck Henry!), and the understated comedic script co-written by Elaine May speaks to me slightly more than the others. However, you really can’t go wrong with any of these movies. If you worry we’ve come to the end of the road, don’t be scared—I’m sure we’ll get another version in approximately five to ten years. Cheers!

*If you feel like going on your own movie binge, here’s a link to all three on Amazon:

Here Comes Mr. Jordan (Disc/Download)

Heaven Can Wait (Disc/Download)

Down to Earth (Disc/Download)

Classic Films

One Way Passage

LizLocke2 Comments
Image credit: One Way Passage, 1932

I’ve died and gone to movie-cocktail heaven. This week, I had the pleasure of watching One Way Passage (Disc), a stylish drama about doomed lovers aboard an ocean liner. Made during the brief but wonderful Pre-Code Era, it features stunning gowns, a short runtime, and plentiful cocktails. We really did have everything, didn’t we?

Starring a dashing William Powell as escaped death-row inmate Dan, and Kay Francis as the terminally ill Joan, these two strangers meet at a bar in Hong Kong and share cocktails, both breaking their glasses over the bartop once they’re through (a move that was equal parts charming and horrifying to a barware collector like myself). Shortly after, Dan gets arrested and dragged onto a ship headed to San Francisco, where he reunites with Joan. They’re both on borrowed time, though neither one suspects it of the other. Dan has multiple opportunities to escape again, but he gives them all up for a chance to better know this woman who has captured his heart. As they share more classic cocktails and kisses, and Kay wears yet another fabulous Orry Kelly creation, I am equal parts excited and heartsick. Excited I found a movie that integrates cocktails so fully into a love story, and heartsick that it can seemingly only end in tragedy.

The drink ordered in this movie is the Paradise cocktail, and although the onscreen version is different from the classic recipe that appeared in Harry Craddock’s Savoy Cocktail Book in 1930, both use popular ingredients of the time period. Dan and Joan’s Hong Kong bartender is almost like a chemist, measuring out ingredients and twisting orange peels as he makes the catalyst that sets this whole story in motion. While watching One Way Passage, I recommend drinking a Paradise cocktail.

Paradise

1 ½ oz Gin

1 oz Apricot Brandy or Liqueur

2 oz Orange Juice (fresh squeezed)

Orange Twist

Chill a glass by filling with ice, and set aside. Combine gin, apricot brandy, and orange juice in a shaker with ice. Shake until chilled. Dump the ice out of the glass, then strain the cocktail into it. Twist an orange peel over the cocktail to express the oils, then drop in.

I won’t ruin the ending, but let’s just say that the way barware is utilized had me grinning from ear-to-ear. This film manages to take what should have been a maudlin finale and turns it into something happy and whimsical. That’s the power of cocktails, and that’s the power of good storytelling. Cheers!

Classic Films · Dramas

The Misfits

LizLocke2 Comments
Image Credit: The Misfits, 1961

They had me at Thelma Ritter. I knew going into The Misfits (Disc/Download) that it would be the most depressing corner of Reno Divorce Month, but I pushed through for Thelma. A pure delight in every picture she graced, this character actress could make even the most difficult watch something to look forward to. She was the shining star who guided us home.

John Huston’s film about the decaying mythology of the west is a tough but important film. It was the last one for both Clark Gable and Marilyn Monroe, and knowing this fact makes every scene seem like a race against the clock. Those mythological creatures, the biggest box office stars of their day, just… gone. The sixties ushered in a period of revolution in cinema, where “dream factories” shuttered their doors and an actor or actress was only as popular as their last role. But then there was Thelma, like a bridge between worlds. She could exist in movies like All About Eve as well as Technicolor confections like Pillow Talk and A New Kind of Love without missing a beat. It made sense that she would be cast in the role of Isabelle Steers, the owner of a Reno boardinghouse, because Thelma was an actress who rolled with the times. Her character was there for the quickie marriages and quickie divorces, just as the actress was there for the rise and demise of the Hollywood studio system. A dependable presence in a world of fleeting dreams.

I love the scene where Thelma calls Nevada the “Leave It” state. As in, “Ya got money you want to gamble? Leave it here. You got a wife you want to get rid of? Get rid of her here. Extra Atom bomb you don’t need? Blow it up here. Nobody’s gonna mind in the slightest.” Taking inspiration from this quote, and the scent of sage as she and Marilyn are rolling through the desert, while watching The Misfits, I recommend drinking a “Leaf-it” State.

“Leaf-it” State

2 oz Blood Orange Juice

2-3 Fresh Sage Leaves

2 oz Bourbon

¾ oz Lime Juice

¾ oz Simple Syrup

1 Egg White

Muddle sage leaves with lime juice and simple syrup in a shaker. Add bourbon, blood orange juice, and egg white. Dry shake (without ice) for 30 seconds. Add ice to the shaker, and shake again until well-chilled. Strain into a cocktail glass, and garnish with a sage leaf.

“Leaf-It” State

I can’t let this post go by without mentioning Eli Wallach, my favorite scroodily-doo, who is equal parts sweet and horrible in this movie. Out of the three men Marilyn accompanies on a mustang-hunting expedition, he’s the one I kind of want to rope up and leave in the desert by the end. Montgomery Clift, I just want to hug, and Clark—well, I guess I’d want to ask why his character was sweet on Marilyn when Thelma was there the whole time. Cheers!

Classic Films · Comedies

The Women

LizLocke2 Comments
Image credit: The Women, 1939

The d-i-v-o-r-c-e train chugs along this week with one of my all-time favorite classic film comedies, George Cukor’s The Women (Disc/Download)! Featuring an entirely female cast and adapted by screenwriters Anita Loos and Jane Murfin from Clare Boothe Luce’s play, this film is an incredibly clever take on the upper echelons of New York society. From the nail salon to the Reno boardinghouse, these ladies come with sharp claws, sharper tongues, and fabulous clothes. When “Gowns and Fashion Show by Adrian” appears in the opening credits, you know you’re in for a good time.

If you’re looking for a shining example of Golden Age star-power, look no further than The Women. The entire cast reads like a who’s who of the Max Factor appointment book. Frequent Cinema Sips readers know I love a soap opera, so naturally I adore this tale of unfaithful spouses and society gossip. Norma Shearer brings a tough elegance to the character of Mary, who finds herself at the center of a cheating scandal involving her husband and a perfume counter girl (Joan Crawford), but it’s the fast-talking Rosalind Russell who gets the great lines and even greater fashions. From a blouse covered in glittery eyes to headpieces that defy gravity, she’s the one to watch. Oddly, this black & white movie is interrupted by a long Technicolor fashion show sequence, which is jarring and fantastic all at the same time. I love the clothes, I just… don’t know what they’re doing there? I probably would have cut the scene in favor of more Reno time because Mary gains a terrific group of gal pals on the train to Nevada. I wanted more time with them, more lazy days on the ranch, more Marjorie Main as the salty boardinghouse owner- just more!

As Olga the loose-lipped manicurist will attest, Jungle Red is the color for nails. I decided to make a Spritz twist on the classic Jungle Bird cocktail because it’s appropriately named, appropriately colored, and good for those hot Reno days spent waiting for Buck Winston to call. While watching The Women, I recommend drinking a Jungle Cat.

Jungle Cat

1 ½ oz Campari

¾ oz Pineapple Gum Syrup

3 oz Sparkling Wine

1 oz Soda Water

Lime Slices

Combine Campari and pineapple syrup in a shaker without ice. Shake well to combine, then pour into a glass filled with ice. Top with sparkling wine and soda water, and garnish with lime slices.

I love that this movie includes several different reasons for the Reno Divorce because it shows how complicated marriages (and their dissolutions) can be. There’s the reluctant divorce, the resigned divorce, even the aborted divorce! But in the end, I don’t even care what happens to the men in their lives- I just want these women to get the good apartment, maybe get a new Adrian gown, and most of all, get revenge. Cheers!

Classic Films

It Started in Naples

LizLocke1 Comment
Image credit: It Started in Naples, 1960

By the time anyone reads this, I’ll already be gone. That’s right- I’m pulling a Clark Gable (and a Jack Lemmon, and a Richard Burton, and an Elizabeth Taylor, and a Matt Damon) by heading to the Campania region of Italy for some much needed R&R. This week’s movie might be called It Started In Naples (Disc/Download), but for me, it finishes there too. Lucky for you Cinema Sips readers, you don’t need a passport to come along if you watch this charming romp.

In the second-to-last movie he ever made (and the final one released in theaters before his death), Clark Gable stars as a buttoned-up American tasked with collecting his orphaned nephew in Italy. The sunshine foil to his grumpy curmudgeon? The boy’s cabaret singer aunt, played by the always-delightful Sophia Loren. She lives a bohemian life on the island of Capri and is more than happy to let this little rascal skip school, shill for her on the street, and generally never take a bath. Also the cute old landlord from Roman Holiday hangs out in her kitchen eating spaghetti all day, and if I were this kid, I wouldn’t want to trade such a fun life for a trip to Philadelphia either (no offense, Philly). Clark has some great one-liners, Sophia reverts to her zany, sexy Houseboat persona, and there are several scenes in tourist hotspots like The Blue Grotto, the Faraglioni rocks, and the Mount Solaro chairlift. Although I’m skipping Capri in favor of Ischia on my trip (I’m more of an Avanti! / Cleopatra / Talented Mr. Ripley gal), I feel like I got to see the highlights thanks to this movie.

If you want to really want the experience of an Italian vacation at home, then I highly recommend picking up a bottle of Campari to make this sour variation on the classic Americano cocktail. Refreshing on a hot day, you can almost picture the Bay of Naples sparkling below you. While watching It Started in Naples, I recommend drinking a Campania Spritz.

Campania Spritz

2 oz Campari

1 oz Sweet Vermouth

3/4 oz Lemon Juice

3/4 oz Simple Syrup

2 oz Sparkling Water

Pour sparkling water into a Collins glass and fill with crushed ice. Set aside. Combine Campari, Vermouth, lemon juice, and simple syrup in a shaker with ice. Shake until chilled, then strain into prepared glass. Stir gently to combine.

I can’t help but marvel at how much Clark Gable looks like my late father in this film, and it’s kind of spooky given that I planned my trip to Naples and Ischia in the wake of my dad’s death two years ago. Now that I’m finally taking it, it feels (in many ways) like both a beginning and an end: an end to my 30s, an end to dealing with the aftermath of death and all its entanglements, and an end to being too fearful to really live. But it’s also the beginning of what I hope will be an exciting chapter in my new life as a published author, and the beginning of living more fully in the present, appreciating each day as the gift that it is. Gable didn’t know when he went to Naples that his time was almost up, but that’s what makes this movie even more poignant to me. It’s about finding joy and connection in unexpected places, and that’s just what I intend to do on this long-awaited trip. Cheers, and I’ll see ya in a few weeks!