Dramas

Rome Adventure

Rome Adventure
Image credit: Rome Adventure, 1962.

I’ll say one thing about Troy Donahue—he’s a unique kisser. Whether it’s on the beaches of California in A Summer Place, or in a carriage pulled through the streets of Rome in this week’s Rome Adventure (Disc/Download), he pretty much swallows his partner whole. I can’t know how it feels to be on the receiving end of one of these melodramatic lip attacks, but if Suzanne Pleshette married him three years after filming wrapped, it must have left an impression. She said arrivederci soon after the wedding vows, but… we won’t get into that.

If you love Roman Holiday and Three Coins in the Fountain, I urge you to check out this romantic drama. Suzanne Pleshette stars as a disgraced librarian Prudence, who flees to Rome in search of love and La Dolce Vita. She lands a sweet gig in an American bookshop just off the Piazza Navona, owned by a funny, sexy ex-pat (Constance Ford in a MUCH more appealing role than the racist mom in A Summer Place). There’s even a cute bookshop dog! Prudence falls for a charming American architect (Donahue), already under the spell of she-wolf Angie Dickinson and her fabulous silk evening gowns. Meanwhile an older man Prudence met on a cruise is still trying to seduce her, and a square student (who bears a remarkable resemblance to Beto O’Rourke) carries an unrequited torch. Let’s just say, this librarian goes looking for love and gets more than she bargained for.

The movie makes a bold case for the Italian aperitif Strega, a new-to-me spirit. As Prudence likes to say, it “turns the world gold”. While watching Rome Adventure, I recommend drinking this Strega Sunrise.

Strega Sunrise

2 oz Strega

1 oz Fresh orange juice

1 oz Lime Juice

1 tsp honey syrup

Orange Bitters

2 oz Club Soda

Orange Twist

Combine first five ingredients in a shaker with ice. Shake until well chilled, then strain into a glass filled with ice. Top with club soda, and a twist of orange.

Strega Sunrise

If you want to make your viewing even more fun, take a drink every time someone says “Arrivederci!”  And now you’ll have to excuse me—I’m off to go fantasize about working in a Roman bookshop with a saucy broad and her sheepdog. Cheers!

Dramas

Farewell to the Summer Light

Farewell to the Summer Light
Image credit: Farewell to the Summer Light, 1968.

For fans of Wong Kar-wai and Richard Linklater, I present to you the 1968 gem, Farewell to the Summer Light (avail. on YouTube). A love story featuring two Japanese expats walking and talking about nothing and everything, this movie hits me right where it matters. Watch it, but be warned- this one will stay with you.

Beautifully shot in Lisbon, Paris, Madrid, Scandinavia, and Rome, Yoshishige Yoshida’s film is a tapestry of European cities. Kawamura is searching for a mythical church when he meets Naoko, a married furniture/art buyer, still traumatized by the loss of her family to the Nagasaki atomic bomb. Kawamura and Naoko relate to one another initially through their heritage and the displaced feeling of being foreigners in a Western world, but eventually, their friendly wandering turns into attraction. In a constant push/pull, we feel the disappointment each time they leave one another, then the heart-lifting triumph when they find each other in a new city. It’s a love grounded in fate, but stymied by circumstance.

This gorgeous film deserves an equally lovely cocktail pairing with Japanese and European influences. While watching Farewell to the Summer Light, I recommend drinking this Low Tide cocktail.

Low Tide

1 ½ oz Sake

3-4 oz Dry Cava

½ oz Lime Juice

½ oz Mint Simple Syrup

Lime Twist

Combine Sake, Lime Juice, and Simple syrup in a shaker over ice. Shake until chilled, then strain into a or flute. Top with Cava, and garnish with a twist of lime.

Low Tide

I’ll admit, my 1960s international film tastes have largely skewed toward the French and Italian, but Farewell to the Summer Light makes me want to learn more about what was happening in Japanese cinema. When Naoko and Kawamura kiss in front of a cathedral built on the beaches of Normandy, you realize what their love truly is—a beautiful sandcastle not meant to last. There’s such poetry in the way it’s shot; a desperation that practically tears through the screen. I may still look the same on the outside, but inside I’ll be carrying that scene with me forever. Cheers!

Classic Films · Dramas

Model Shop

Model Shop
Image credit: Model Shop, 1969

When I found out that two of my favorite movies of last year, Once Upon a Time in Hollywood and Echo in the Canyon, were reportedly influenced by Jacques Demy’s 1969 film Model Shop (Disc/Download), I needed to see what all the fuss was about. If you’re searching for a slice-of-life ride through ‘60s Los Angeles, look no further than this gorgeous film about love, mortality, and the mistakes of youth.

As the sun rises on a rundown LA bungalow, we meet George Matthews, a former architect at a crossroads in his life. His girlfriend’s got one foot out the door, his car’s about to be repossessed, and he doesn’t know what he wants to do ten minutes from now, let alone ten years. But then he spots a mysterious woman (Anouk Aimée) on the Sunset Strip and follows her up into the hills in his little MG. She goes into a house, he looks out over the city that doesn’t feel like home anymore, then turns around and leaves. But fate forces their paths to cross again, and this time he follows her into a Model Shop.  In this strange make-your-own-porn business that could have only existed in the 1960s, men pay to take pictures of women in their underwear, eventually leaving with negatives and a sweaty brow. For George, this sets off a Before Sunrise-esque 24hr love affair, fueled by the looming threat of a Vietnam draft notice which just arrived in the mail. That’s the thing about the ’60s—things happened fast because they had to.

Even though George’s model strips down for his camera, it isn’t until they’re back at her place that she really starts to reveal herself (a good drink will always get you talking well into the night). Equal parts sweet and bitter, while watching Model Shop, I suggest drinking this Sunset Stripped cocktail.

Sunset Stripped

1 oz Brandy

1 oz Lillet Blanc

¼ oz Honey Syrup (Equal parts honey and water boiled together, then cooled).

Dash of Angostura Bitters

Dash of Orange Bitters

Orange peel or dried orange slice

Combine Brandy, Lillet, honey syrup, and bitters in a shaker with ice. Stir until well chilled, then strain into a tumbler with a fresh cube of ice. Garnish with an orange peel or dried orange slice.

Sunset Stripped

For anyone wanting to see what Los Angeles looked like in the late 1960s, this movie is a perfect time capsule. The cars, the signage, the mini-skirts, the tanned pre-cancerous skin—Model Shop places you right in the center of it all. Sure you could watch someone else’s modern interpretation of this time period, but isn’t it more fun to go straight to the source? Cheers!

Dramas

Revolutionary Road

revolutionary road
Image credit: Revolutionary Road, 2008.

There are some on-screen pairings that are so good, so real, you become desperate to believe the chemistry continues off-screen as well. We saw it more recently with Bradley Cooper & Lady Gaga in A Star is Born, but my personal favorite movie couple will always be Leonardo DiCaprio & Kate Winslet. It would shock you to know how much time I’ve spent daydreaming about these two. Fantasizing about a world where they finally, after all these marriages and models, finally end up together IRL. Picturing the secret tears poor Leo must have shed walking Kate down the aisle at her latest wedding, wishing it were him waiting at the altar. It’s true, I have a very active, misguided imagination. Or maybe, they were just too convincing as a married couple in this week’s film Revolutionary Road (Disc/Download).

With any other actors, this film would have been a depressing two-hour slog through 1950s suburbia. Cheating husband, frustrated housewife, unwanted pregnancies—this is what happens when you force people to live in cramped 1950s housing. You think it’ll be all mid-century glamour and kitsch until you realize the bathrooms are the size of a postage stamp. Having to share a tiny pedestal sink—that’s enough to drive any marriage to its breaking point. I say this as someone who lives in a mid-century modern house, and who has actively chosen to remain child-free. Honestly, kids just wouldn’t fit. But Frank and April Wheeler didn’t get the memo. They procreate, and live to regret it. Constantly bickering, trading withering looks and baiting insults, their marriage is a pressure cooker waiting to explode. But the thing is, these two have such great chemistry that even when they’re fighting, you want to watch every second. They may not be a real-life couple, but they’ve managed to generate some of the hottest, most passionate scenes in movie history.

Midway through the film, in a desperate attempt to break them out of their suburban prison, April hatches a plan to move the family to Paris. With her little white gloves and expertly tailored dress, she’s a lady on a mission at the passport office. [Spoiler Alert] She never makes it to Paris, but you sure can with this classic beverage. While watching Revolutionary Road, I recommend drinking a Parisian martini.

Parisian

2 oz Gin

3/4 oz Dry Vermouth

3/4 oz Crème de Cassis

Combine all ingredients in a shaker over ice. Shake until chilled, then strain into a coupe glass. Garnish with a twist of lemon.

parisian

As with most Sam Mendes films, the cinematography and level of acting achievement are unparalleled. Watching Revolutionary Road, you feel transported to 1955 through the costumes, the styling, and yes, those tiny rooms. It’s claustrophobic and electric all at once, making you feel like an uncomfortable participant in the marriage. This may not be a happily-ever-after love story, but I’m still madly in love with it. Cheers!

Dramas · Uncategorized

The Departed

The Departed
Image credit: The Departed, 2006

Sometimes, a movie comes along that seems outside your typical genre comfort zone, but is so good you can’t help but love it. I’ve never been big on gangster pictures or cop dramas, however Martin Scorsese’s The Departed (Disc/Download) is in a class of its own. This film is the twisty-turny, double-crossing magnum opus that would finally win our beloved auteur an Oscar; it’s also just the kind of immersive thriller I need right now.

Loosely based on real-life Boston crime boss Whitey Bulger, The Departed stars Jack Nicholson as the depraved head honcho, Matt Damon as the mobster infiltrating the police force, and Leonardo DiCaprio as the police officer infiltrating the mob. The story is complex, yet told in a way that there’s never a question of who’s betraying whom. We know Damon’s character is a sleaze, just as we know Leo’s doing bad things for the right reasons. Nicholson pulls off one of the best performances of his career, giving us a smart, egotistical villain who erases all fond memories of Melvin Udall in my mind. And then there’s Mark Wahlburg, who disappears halfway through the film, only to re-emerge in a final shocking twist. It’s a cornucopia of New England accents and Celtic punk music that puts me right into the world of underground Boston crime, with nary a friendly Dunkin’ Donuts in sight.

Undercover cop Leo has to constantly prove his loyalty to the criminal world, never letting any of his associates sense his fear and anxiety. Someone makes fun of him for drinking cranberry juice? Beat the guy’s ass and move on. While watching The Departed, I recommend drinking this Cranberry-Beet Down.

Cranberry Beet-Down

2 oz Frankly® Pomegranate vodka

¾ oz Cointreau

¼ oz Beet Juice

¼ oz Cranberry Juice

½ oz Lime Juice

Fresh Cranberries

Blood orange slice

Combine all ingredients in a shaker over ice. Shake until chilled, then strain into a coupe glass. Garnish with cranberries and blood orange slice.

Cranberry Beet Down

When you think about the kind of career Martin Scorsese has had, and continues to have, it’s remarkable that his pictures only get richer and deeper as the years go on. The Irishman wasn’t my favorite, but I admire that he continues to challenge himself and his storytelling capabilities. If the last two decades brought us The Departed and Hugo, I can’t wait to see what he does in the Roaring ‘20s. Cheers!

Dramas

Sliding Doors

Sliding Doors
Image credit: Sliding Doors, 1998

On the cusp of a new year and a new decade, it’s natural to think about the choices we’ve made over the last twelve months. Did we pick the right mate or perhaps dodge a bullet? Are we where we expected to be in our careers, or could we have done something a little bit different to change the trajectory? In the film Sliding Doors (Disc/Download), Gwyneth Paltrow gets to experience both sides of life’s coin to see what a difference one tiny twist of fate can make.

When we meet Anna, she’s a successful PR exec with a boyfriend and very few cares in the world. But when she gets fired for “borrowing” vodka from the company stash, she retreats to the London Underground to catch a train home.  Here’s where the film splits- in one narrative she catches the train, and in the other she doesn’t. If she catches it, she arrives home in time to find her boyfriend cheating on her, setting off a domino effect of smart, brave career choices, a new Scottish love interest, and a fetching short haircut. If she doesn’t, she’s stuck with the philandering boyfriend, multiple crappy waitress jobs, and a long brunette ‘do that does absolutely nothing for her skin tone. But just when it seems like life is just a game of random luck and misfortune, the filmmakers throw us a curve ball and Anna finds herself in exactly the same situation in both narratives. You can miss the train, but you can’t escape fate.

I applaud Sliding Doors for giving us a lot of great alcohol moments. Getting fired will drive anybody to drink, bad boyfriend or not. But my favorite scene is when Gwyneth plays detective with a brandy glass she finds in the laundry basket. Let’s ring in the new year with a festive brandy cocktail, perfect for celebrations and sorrow-drowning alike. While watching Sliding Doors, I recommend drinking a classic Between the Sheets.

Between the Sheets

1 oz Brandy

1 oz Light Rum

1 oz Cointreau

1/2 oz Lemon Juice

Lemon Twist

Combine all ingredients in a cocktail shaker with ice.  Shake until chilled, then strain into a coupe glass.  Garnish with a lemon twist.

Between the Sheets

No matter what your opinion is on Ms. Goop, you have to admit that she gives us one of the greatest hair moments since Audrey chopped her locks off in Roman Holiday. When her stylist spins the chair around and we see blonde, bright-eyed Gwyneth with the short cut, you instantly know this girl is going to pick herself up from whatever dragged her down. I’ve had two haircuts like this in my life (one just six months ago), and I’m sure I’ll have more in the future. But for right now, on the eve of 2020, my hair is short, and my gaze is hopeful. Cheers!

Classic Films · Dramas

Guess Who’s Coming to Dinner

Guess Who's Coming to Dinner
Image credit: Guess Who’s Coming to Dinner, 1967.

This week marks yet another Thanksgiving for Cinema Sips, and although in the past we’ve covered cinema feasts such as those in The Godfather and Giant, I really don’t feel like cooking this year. Luckily, Guess Who’s Coming to Dinner (Disc/Download) features no actual dinner; only cocktails.  In other words, my kind of party!

Made in 1967 during the height of the civil rights movement, this final Katharine Hepburn/Spencer Tracy film collaboration features Sidney Poitier as the fiancé of a white, upper-class daughter of two liberals who have difficulty practicing what they preach.  Sure, they proudly proclaim that African Americans should have equal rights, but when their daughter gets off a plane from Hawaii with a handsome black doctor, those beliefs become complicated.  Directed by Stanley Kramer, this richly drawn film presents all sides to the debate of love vs. societal prejudice.  The daughter (played by Hepburn’s niece Katharine Houghton) comes across as naïve, but with a pure heart untouched by prejudice and hate.  And isn’t that what we all wish for?  That kids would never have to hear ugly racist words, and never be faced with a “pigmentation problem” as Tracy puts it. This girl has found the perfect man, one who’s handsome, smart, and respectful, and looks ever-so-charming with a daisy behind his ear.  I’d say that’s worth fighting a few bigots for.

As this dinner party at a San Francisco mansion grows to include the bride’s parents, the groom’s parents, the central couple, and a priest, the bar cart gets some heavy use. Meanwhile, the maid is hiding in the kitchen with her cauldron of turtle soup, wondering why these crazy people won’t sit down and eat something.  Let’s take our lead from the moms in this movie, those sensible moms with a preference for sherry and young love.  While watching Guess Who’s Coming to Dinner, I recommend drinking a Sherry Cobbler.

Sherry Cobbler

3 ½ oz Sherry

½ oz simple syrup

2 orange slices

2 lemon slices

Cranberries for garnish

Combine simple syrup and one slice each of orange and lemon in the bottom of a shaker.  Muddle oranges, then add sherry and ice.  Shake well, until chilled.  Strain into a Collins glass filled with crushed ice, then garnish with a fresh orange slice, lemon slice and fresh cranberries.

Sherry Cobbler

As I write this post, many dinner tables across America are still deeply divided.  There is a chasm between young and old, liberal and conservative, much as there was over fifty years ago in this movie.  Equal rights are still a dream we’re fighting for, but as this movie shows us, it’s worth fighting for.  It’s worth it to stand up to your elders and say love is all that matters; hate has no place at the table.  Cheers!

Dramas

Zodiac

Zodiac
Image credit: Zodiac, 2007.

I’ve already discussed my love of true crime on Cinema Sips, but in case you missed it, I have a thing for serial killers.  Especially serial killers of the 1960s-70s.  While I’m still awaiting that big-budget Richard Speck biopic (somebody PLEEEEAAAASE make this movie), I have to tide myself over with David Fincher’s Zodiac (Disc/Download).

After watching Fincher’s recent television project Mindhunter, it’s very clear that Zodiac should have been a mini-series. I personally split it up into two nights of viewing, because let’s face it, two hours and thirty-seven straight minutes of police procedurals can be a bit fatiguing.  But even with this lengthy run-time, it still felt like crucial details were missing. With crimes taking place over several years, the film often skips ahead, which is great for the case, but not so great for character development.  Jake Gyllenhaal is married after one bad date?  Robert Downey Jr.  went from ace reporter to alcoholic houseboat dweller?  When did all this happen?  But where the film truly shines is in the actual murder depictions, and in the questioning of potential suspects.  Fincher amps up the tension like a pro, making you wonder what sort of sick turn he’ll take next.  Will the couple make it out of this picnic alive?  Will Ione Skye and her baby escape from the car?  Is Jake Gyllenhaal about to be murdered in the basement of a San Francisco cinephile?  Is the weapon of choice an old Buster Keaton reel??  I CAN’T LOOK AWAY.

I’m a sucker for good production design, and it’s clear that this film was painstakingly researched. When Jake Gyllenhaal and Robert Downey Jr. settle into a leather booth in a dim San Francisco joint, you can almost smell the cigarettes and aftershave.  Gyllenhaal’s character orders an Aqua Velva cocktail, so let’s stay movie-appropriate and follow his lead.

Aqua Velva

1 oz Vodka

1 oz Gin

½ oz Blue Curacao

Sprite

Lemon Slice, Maraschino Cherry for garnish

Combine vodka, gin, and blue curacao in a shaker with ice. Shake until chilled, then strain into a rocks-filled glass.  Top with Sprite, and garnish with a lemon slice, maraschino cherry, and drink umbrella.

Aqua Velva

While this film certainly has its flaws, it’s still a thrilling step back in time to a frightening period of American history.  The term serial killer hadn’t even been invented yet, but nevertheless, they were out there.  Taunting us. Watching us. Waiting for their lives to be immortalized on celluloid…

Dramas

Monster

Monster
Image credit: Monster, 2003

It’s Halloween this week, and perhaps you were expecting a monster movie—the kind with Boris Karloff in heavy makeup, maybe some weird lighting and a spooky soundtrack.  But I’ve got something even scarier for you: Charlize Theron, sans eyebrows, in a film about a woman on the edge.  Monster (Disc/Download) isn’t for the faint of heart, but if you can handle the intense drama, it offers a rare glimpse into the fear and violence of life on the streets.

Newscasters love to talk about how rare the female serial killer is, like a strange unicorn in a world of Dahmer’s and Gacy’s.  But similar to some of these higher-profile men, Aileen Wuornos has been abused most of her life, driven to a kind of madness that makes her actions almost inevitable. Her first killing is in self-defense, but the rest are portrayed by Theron as a sort of PTSD.  Like the collective trauma of being a woman in a world dominated by depraved men is simply too much to handle.  In contrast to all the other films of prostitute-as-“Party Girl/Model/Call Girl”, with their impeccable grooming and charming romantic subplots, Monster takes a hard look at the reality of prostitution.   Maybe she was always a cold-blooded killer, maybe she became one out of necessity. But when Aileen snaps, she SNAPS. Honestly, I wish she’d snapped a little more and killed her annoying, lazy girlfriend (played by Christina Ricci), but that’s a complaint for another day.

Before the blood spatter, the film showcases the tender romance between Aileen and Selby, two women both looking for a little comfort in a cold, hard world.  All they want is some beer, maybe a little whiskey, and a warm place to sleep that’s free of judgement.  While you’re watching Monster, pretend it’s ladies night at the local dive bar and cozy up with this Blood Orange Shandy.

Blood Orange Shandy

6 oz Budweiser beer

2 oz Ginger beer

1 oz Pomegranate juice

1 oz Blood Orange juice

Orange Twist

Combine ingredients in a chilled glass.  Stir gently to combine, and garnish with an orange twist.

Blood Orange Shandy

The thing that makes Monster so scary is that this story could conceivably happen to anyone.  Maybe I have some devastating medical expenses, my husband dies, parents are gone, I lose my house, my job, my skin cream, and I’m on the streets.  What would I do to survive?  It’s this thought sending shivers up my spine because the simple answer is: I don’t know (cue spooky music).  Cheers!

Classic Films · Dramas

BUtterfield 8

Liz Taylor Butterfield 8
Image credit: BUtterfield 8, 1960.

The 1960s were an interesting time for the subject of sex workers in cinema.  The words ‘party girl’, ‘call girl’, and sometimes even ‘model wink-wink’, got thrown around, leaving modern audiences to decipher what was really going on when Holly Golightly received $50 for the powder room, or when Liz Taylor had that mysterious answering service in this week’s film BUtterfield 8 (Disc/Download).  Was there a grey area when it came to sex work vs. relationships?  According to the tragically wild Gloria Wandrous, the answer is yes.

Earning Elizabeth Taylor her first academy award, BUtterfield 8 is the story of a promiscuous Manhattan “party girl” who falls in love with a feckless married man. The story opens with Gloria waking in his apartment to find $250 on the nightstand, but instead of taking the money, she scrawls “no sale” on his mirror in pink lipstick, steals his wife’s mink coat, and walks out with a bottle of scotch.  I love her instantly.  Taylor brings such depth to the role, forcing the audience to empathize with this woman who seems strong and confident on the outside, but inside is struggling with the trauma of childhood sexual abuse and the fear that she’ll never be loved.  She has some chaste scenes with  real life husband-of-the-moment Eddie Fisher, but ultimately can’t move on from rich lover Weston (played by Ewan McGregor look-a-like Laurence Harvey). There are moments where you think maybe, just maybe, this will turn into a Pretty Woman situation, where he’ll rescue Gloria and she’ll rescue him right back, but fair warning:  BUtterfield 8 is no fairy tale.

There’s a lot of booze in this movie, but one of my favorite lines is when Elizabeth Taylor claims she was “soaked through with gin.”  Been there, doll.  While watching BUtterfield 8, pour yourself this gin-based Honey Trap cocktail.

Honey Trap

2 oz Gin

1 oz Lime Juice

¾ oz Honey syrup (3tbsp honey + 1 tbsp water)

Lime twist

In a saucepan over medium heat, combine honey and water. Once it’s just barely boiling, remove from heat and let cool.  In a shaker with ice, combine gin, lime juice, and honey syrup.  Shake until chilled, then strain into a coupe glass. Garnish with a twist of lime.

In a weird way, this film feels almost Hitchcockian.  Like Gloria is a mystery we’re trying to unravel within this world of dim lighting, stylish sets, and lush orchestral scores.  Is she a prostitute, or just a girl who got her heart broken one too many times?  And does it even matter?  You be the judge.  Cheers!