Sometimes, a movie comes along that seems outside your typical genre comfort zone, but is so good you can’t help but love it. I’ve never been big on gangster pictures or cop dramas, however Martin Scorsese’s The Departed (Disc/Download) is in a class of its own. This film is the twisty-turny, double-crossing magnum opus that would finally win our beloved auteur an Oscar; it’s also just the kind of immersive thriller I need right now.
Loosely based on real-life Boston crime boss Whitey Bulger, The Departed stars Jack Nicholson as the depraved head honcho, Matt Damon as the mobster infiltrating the police force, and Leonardo DiCaprio as the police officer infiltrating the mob. The story is complex, yet told in a way that there’s never a question of who’s betraying whom. We know Damon’s character is a sleaze, just as we know Leo’s doing bad things for the right reasons. Nicholson pulls off one of the best performances of his career, giving us a smart, egotistical villain who erases all fond memories of Melvin Udall in my mind. And then there’s Mark Wahlburg, who disappears halfway through the film, only to re-emerge in a final shocking twist. It’s a cornucopia of New England accents and Celtic punk music that puts me right into the world of underground Boston crime, with nary a friendly Dunkin’ Donuts in sight.
Undercover cop Leo has to constantly prove his loyalty to the criminal world, never letting any of his associates sense his fear and anxiety. Someone makes fun of him for drinking cranberry juice? Beat the guy’s ass and move on. While watching The Departed, I recommend drinking this Cranberry-Beet Down.
2 oz Frankly® Pomegranate vodka
¾ oz Cointreau
¼ oz Beet Juice
¼ oz Cranberry Juice
½ oz Lime Juice
Blood orange slice
Combine all ingredients in a shaker over ice. Shake until chilled, then strain into a coupe glass. Garnish with cranberries and blood orange slice.
When you think about the kind of career Martin Scorsese has had, and continues to have, it’s remarkable that his pictures only get richer and deeper as the years go on. The Irishman wasn’t my favorite, but I admire that he continues to challenge himself and his storytelling capabilities. If the last two decades brought us The Departed and Hugo, I can’t wait to see what he does in the Roaring ‘20s. Cheers!