Category: Dramas

Dramas

Don’t Look Now

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Image credit: Don’t Look Now, 1973

I thought I was through with being scared by Nicolas Roeg after watching Anjelica Huston peel her face off in The Witches, but it turns out, there was one more bit of nightmare fodder waiting for me. Don’t Look Now (Disc/Download) is a gorgeous, moody thriller based on the story by Daphne du Maurier, and perfect for those times when you want a dash of sexy sophistication with your horror.

Although I love the Venice of David Lean’s Summertime, Roeg’s Venice in Don’t Look Now feels much more authentic to the Venice I’ve personally encountered. This is a decaying city, full of narrow dark alleys, crumbling mosaics, and murky water. It’s also the perfect place to stage a horror film because one never knows what’s hiding in the shadows, or what you’ll find around the next corner. Donald Sutherland and Julie Christie are fantastic together, playing a married couple still grieving the death of their young daughter, living in Venice while Sutherland works to restore a church. During a lunch break, they encounter a blind clairvoyant who informs them their dead daughter’s spirit is still with them. Also… danger is imminent. Roeg plays with time in a really interesting way, flashing backwards and forwards to knock the viewer off balance. You aren’t really sure where you are until the thrilling climax makes everything clear. In one second, this ghost story becomes something much more sinister.

Don’t Look Now is filled with flashes of red, usually in the form of a little girl’s raincoat. Let’s make an appropriately macabre Italian cocktail with a splash of Campari and a few grapefruit bitters. While watching Don’t Look Now, I recommend drinking this Death in Venice cocktail.

Death in Venice

½ oz Campari

3-4 dashes Grapefruit Bitters

5 oz Prosecco

Pour Campari and grapefruit bitters into a chilled flute and top with Prosecco.

This film caused a lot of controversy at the time of its release because of its very “aerobic” sex scene, a scene I actually thought was well-constructed. Roeg cuts back and forth from wild passion to the mundane task of getting dressed for a night on the town, from biting and clawing to putting on socks. This scene represents a lot of what I like about this movie—it mixes the terror of death with the everyday business of living. Maybe that makes it even scarier, for that flash of red can appear on even the most ordinary of days. Cheers!

Classic Films · Dramas

The Misfits

LizLocke2 Comments
Image Credit: The Misfits, 1961

They had me at Thelma Ritter. I knew going into The Misfits (Disc/Download) that it would be the most depressing corner of Reno Divorce Month, but I pushed through for Thelma. A pure delight in every picture she graced, this character actress could make even the most difficult watch something to look forward to. She was the shining star who guided us home.

John Huston’s film about the decaying mythology of the west is a tough but important film. It was the last one for both Clark Gable and Marilyn Monroe, and knowing this fact makes every scene seem like a race against the clock. Those mythological creatures, the biggest box office stars of their day, just… gone. The sixties ushered in a period of revolution in cinema, where “dream factories” shuttered their doors and an actor or actress was only as popular as their last role. But then there was Thelma, like a bridge between worlds. She could exist in movies like All About Eve as well as Technicolor confections like Pillow Talk and A New Kind of Love without missing a beat. It made sense that she would be cast in the role of Isabelle Steers, the owner of a Reno boardinghouse, because Thelma was an actress who rolled with the times. Her character was there for the quickie marriages and quickie divorces, just as the actress was there for the rise and demise of the Hollywood studio system. A dependable presence in a world of fleeting dreams.

I love the scene where Thelma calls Nevada the “Leave It” state. As in, “Ya got money you want to gamble? Leave it here. You got a wife you want to get rid of? Get rid of her here. Extra Atom bomb you don’t need? Blow it up here. Nobody’s gonna mind in the slightest.” Taking inspiration from this quote, and the scent of sage as she and Marilyn are rolling through the desert, while watching The Misfits, I recommend drinking a “Leaf-it” State.

“Leaf-it” State

2 oz Blood Orange Juice

2-3 Fresh Sage Leaves

2 oz Bourbon

¾ oz Lime Juice

¾ oz Simple Syrup

1 Egg White

Muddle sage leaves with lime juice and simple syrup in a shaker. Add bourbon, blood orange juice, and egg white. Dry shake (without ice) for 30 seconds. Add ice to the shaker, and shake again until well-chilled. Strain into a cocktail glass, and garnish with a sage leaf.

“Leaf-It” State

I can’t let this post go by without mentioning Eli Wallach, my favorite scroodily-doo, who is equal parts sweet and horrible in this movie. Out of the three men Marilyn accompanies on a mustang-hunting expedition, he’s the one I kind of want to rope up and leave in the desert by the end. Montgomery Clift, I just want to hug, and Clark—well, I guess I’d want to ask why his character was sweet on Marilyn when Thelma was there the whole time. Cheers!

Dramas

Desert Hearts

LizLocke2 Comments
Image credit: Desert Hearts, 1985

Most of the time, when weird, arcane laws are created, it’s done to disenfranchise an already vulnerable population. A notable exception, however, were the progressive Nevada divorce laws of the 20th century. Due to the state’s generous list of allowable grounds for the dissolution of a marriage, and a relatively short (six week) period in which a person had to live there to establish residency, an entire industry sprang up in Reno, NV to support the women coming west to seek their freedom. I love seeing the Reno divorce portrayed onscreen because it’s usually an opportunity to showcase a group of fantastic actresses who are so much more than accessories to their male costars. Throughout the month of July I’ll be highlighting some of my favorites, beginning with this week’s groundbreaking Desert Hearts (Disc/Download).

There are three things I love about the Reno divorce, and this movie has them all:

  1. A salty boardinghouse owner
  2. Desert vistas
  3. Women looking extremely comfortable in jeans

Seriously, it’s just so great to watch someone shake off a bad marriage, put on a pair of pants, and get back on the horse- literally! In this case, our main divorcée Vivian (Helen Shaver) finds herself attracted to free-spirited local Cay (the very sexy Patricia Charbonneau), and it’s a relationship that’s explored with tenderness and depth not often seen in movies of this era. Desert Hearts definitely has a Dirty Dancing “1950s in the 1980s” feel, however, the Patsy Cline tracks bring us back to the correct era. Although the movie is centered on Vivian’s growth, I find Cay to be the more interesting character because she doesn’t make apologies for who she is. She proudly claims her sexuality, in an era when not many women were brave enough to do so. Desert Hearts isn’t an “issue” movie, and it doesn’t pit these characters against society. It’s a lovely, intimate film about people and relationships, and how we define freedom.

One thing to keep in mind about these Reno boarding houses is that the liquor flows freely. It was tough to pick a spirit this week, but in the end I had to go with tequila. I can imagine coming in after a hot day of horseback riding to a cold cocktail and a Johnny Cash record. While watching Desert Hearts, I recommend drinking a Desert Bloom cocktail

Desert Bloom

2 oz Silver Tequila

2 oz Pomegranate Juice

3/4 oz Cointreau

3/4 oz Lime Juice

1/2 oz Simple Syrup

Combine all ingredients in a shaker with ice. Shake until chilled, then strain into a tumbler filled with fresh ice. Garnish with a succulent.

If you’re looking for more stories of Reno divorces and strong, outspoken women, then definitely keep an eye on Cinema Sips this month, and pick up a copy of the new novel by Maureen Lee Lenker, It Happened One Fight, available 7/11! I love this romance set in the Golden Age of Hollywood for a lot of reasons, but especially for the way it uses those loosy-goosy Nevada laws to solve a problem that could have only been created by the movies. Cheers, and happy reading!

Classic Films · Dramas

Romeo and Juliet

LizLocke2 Comments
Image credit: Romeo and Juliet, 1968

Picture the scene: it’s the mid-90s, you’re in middle school English class, and the teacher has just wheeled in the bulky cart with the huge TV and VCR. She fiddles with the input, frantically pressing buttons, until finally, miraculously, that swooping Nino Rota score fills the air. Lord, was there anything better than a movie day in school?? Franco Zeffirelli’s Romeo and Juliet (Disc/Download) will always be a fond English class memory for me, even though I happened to watch it the same year Baz Luhrmann’s fantastic fever dream came out. I love both versions, but if you’re looking for true authenticity of time period and setting, you can’t beat this 1960s classic.

Starring Leonard Whiting and Olivia Hussey as our titular star-cross’d lovers, this adaptation is like a sumptuous trip to Renaissance Italy. Shot on location in Tuscan villages, watching it makes you feel like you just stepped into a Botticelli painting. The costumes are incredible, with expertly tailored velvets, brocades, and silks, in addition to sculptural headpieces and masks at the Capulet ball. I also love the “cat-like” hat Michael York wears as Tybalt “Prince of Cats”, in addition to the mere casting of York, who’s always struck me as having a particularly feline face. It’s the visual details that make this movie special, in addition to the theme popularized by Mancini. When that tenor comes out to sing “A Time for Us”, I still get goosebumps. Sure, Luhrmann’s version made the text more accessible to modern audiences, but there’s something to be said for watching this production of Shakespeare’s play the way he probably envisioned it while writing. In fair Verona, where he laid his scene.

Speaking of Verona, I decided to make a cocktail of the same name because it fits quite well with the tone of this movie. Strong, a little sweet, and perfect for sipping slowly. While watching Zeffirelli’s Romeo and Juliet, I recommend drinking a Verona cocktail.

Verona

2 oz Gin

1 oz Amaretto

1/2 oz Sweet Vermouth

1/4 tsp Lemon Juice

Orange slice for garnish

Combine gin, amaretto, sweet vermouth, and lemon juice in a mixing tin with ice. Stir until chilled, then strain into an old-fashioned glass filled with one large ice cube. Garnish with an orange slice.

I love that Zeffirelli cast relatively unknown actors for these roles, and I’m not going to lie- my Jordan Catalano-loving heart definitely swooned over Leonard Whiting the first time I saw him, with his tights and eyelashes-for-days. This movie has a timeless quality to it because these actors will always be impossibly gorgeous, the sets and costumes will always look authentic, and the words of Shakespeare will always be immortal. I’m forever grateful for those English class “movie days”, and only hope that future generations get to experience the thrill of a good adaptation like I did. Cheers!

Classic Films · Dramas

Blow-up

LizLockeLeave a comment
Image credit: Blow-up, 1966

In my 1960s-set novel Follow the Sun, there’s one movie that gets mentioned more than any other: Antonioni’s Blow-up (Disc/Download). This is no accident. For a book that celebrates the style, fashion, photography, and sexual freedoms of the era, this film captures those themes better than any other. It’s a movie about looking without seeing, and one that feels as revelatory now as it probably did then. Movies, and audiences, would never be the same again.

Like an art-house Hitchcock film, Blow-up follows a successful London photographer who inadvertently witnesses a murder in the park, capturing the minutes just before and after the crime with his camera lens. Thomas (David Hemmings) thinks he’s photographing two people in the midst of an afternoon tryst, but after the woman (Vanessa Redgrave) harasses him and then tries to seduce him to get the film back, and a strange man is seen walking around his car, he gets suspicious. Blowing up the negatives, he begins to see what his eyes failed to register in the moment: there was another person there; a person with a gun. After that, Thomas starts to unravel. He doesn’t know what to do with this information, or if it’s even real. He may be witness to a potential murder, but London is still swingin’ all around him. Pencil-thin models are parading around in their colorful, sculptural clothes, Jeff Beck is smashing his guitar, and Jane Birkin shows up for an audition and a three-way tryst amid his purple seamless backdrop. The scenes of Thomas examining his photos are such a contrast to the debauchery of the rest of the film that it creates an incredible tension. Only by standing still can he (and we) start to see what was right in front of him.

Purple is such a prominent color in this movie that I naturally had to make a purple cocktail. This drink is made with one of my favorite British botanical gins (Plymouth), along with violet liqueur to give it a nice coloring. You could also use Empress 1908 Gin if you want to go full purple. While watching Blow-up, I recommend drinking an Aperture cocktail.

Aperture

2 oz Plymouth Gin

1/2 oz Velvet Falernum

1/2 oz Creme de Violette

3/4 oz Pink Lemon Juice

Lemon Twist (for garnish)

Mint (for garnish)

Combine all ingredients in a shaker with ice. Shake until chilled, then strain into a coupe glass. Garnish with a lemon twist and mint.

If you appreciate sixties fashion, then you’ll love this film as much as I do. Watching Verushka slide across the screen in her slinky sequined black dress that leaves almost nothing to the imagination captures the sexual freedom of the era every bit as much as later scenes that were much more explicit in nature. When I decided to make one of my Follow the Sun characters a minor player in this cinematic masterpiece, it was done with reverence for both the film and the beautiful women populating it. Part of the fun of writing a book set in another time period is imagining what it was like to exist in that era. Blow-up, with its mod clothes, strange, dreamlike plot, and haunting jazz score by Herbie Hancock, is a movie that lets the imagination run wild. Cheers!

Dramas

A Room With a View

LizLocke3 Comments
Image credit: A Room With a View, 1985

Spring has sprung, my orchid is blooming, and you know what that means—it’s time to watch a gorgeous movie about travel. I get the itch to watch beautiful people gallivant through Europe around the same time every year, and while this normally takes the form of yet another Talented Mr. Ripley viewing, this week I decided to abandon Mongibello to venture up the coast and inland to Firenze. A Room With a View (Disc/Download) is a Merchant Ivory masterpiece that will have you longing for sun-soaked days staring at the Duomo and passionate kisses among the flowers.

Like Helena Bonham Carter as Lucy Honeychurch, I was nineteen the summer I lived in Florence, Italy. I still remember laying on my lumpy twin bed in a tiny, rented flat, reading E.M. Forster’s classic novel, swatting mosquitos and waiting for my George to appear. My view was not of the Arno, but of terracotta rooftops and other peoples’ laundry. Still, at the time it felt romantic.  The thing I loved about the book then, and still love about the movie now, is how it portrays the emotions of frustration, desire, and indecision. Lucy wants to rebel against the life prescribed for her, but she doesn’t have the faintest idea how to do that, or what she wants as an alternative. Then somebody comes along to shake things up, providing the catalyst for the fire inside her. I love angsty stories about women in their late-teens/early-twenties because it’s such a fraught but important time. This is when the big decisions get made, when the forks in the road appear. I love the direction this story eventually takes because although Lucy does choose one of her suitors, she chooses herself first. Isn’t that how every great love story should begin?

If you’re looking for a cinema vacation, this film provides a perfect one. From crowded Florentine squares, to the rolling hills of Fiesole, to the bucolic villages of England, this whole movie is a sun-dappled work of art. However, my favorite scenes are the ones set in Florence, which is why I’m pouring a refreshing spritz cocktail, perfect for sipping on a balcony of the Pensione Bertolini. While watching A Room With a View, I recommend drinking this Elderflower Spritz.

Elderflower Spritz

½ oz St. Germain Elderflower Liqueur

Fresh Mint

4 oz Prosecco

2 oz Club Soda

Muddle mint with St. Germain in the bottom of a glass. Let it sit for a few minutes, then add ice. Top with Prosecco and club soda, stirring gently to combine.

Speaking of elder, Maggie Smith does a terrific job in this as Lucy’s spinster-cousin and chaperone Charlotte, and I adore Judi Dench as the saucy romance novelist they meet in Italy. A Room With a View is a movie world to get lost in, and that feels pretty good right now. Summer, and all its adventures, will be here before we know it. Cheers!

Dramas

Apollo 13

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Image credit: Apollo 13, 1995

If you’ve been looking for an excuse to use up that jar of Tang you’ve had sitting in the back of your pantry, then today’s your lucky day because Cinema Sips is headed to the moon with Apollo 13 (Disc/Download)!  Part disaster flick, part character drama, part ode to late 1960s patterned wallpaper, this movie is about working the problem, one roll of duct tape at a time.

I remember watching this as a tween, right around the time that our school took a field trip to the National Air and Space Museum. Very quickly, I became obsessed with all things astronaut. The freeze-dried ice cream! The Corvette Stingrays! The crew cuts! The tape decks populated by Norman Greenbaum and Jefferson Airplane! What a time to be alive. Modern spaceflight feels almost dull; a status symbol for aging bald men and their billions of dollars. But back in the sixties, it was brave test pilots up above the atmosphere, trying to stay alive in broken down hunks of metal with heat shields held on by an old belt. The Apollo 13 disaster will always be a riveting story because it’s about humans trying to stay alive under impossible conditions. Everything that could have gone wrong did go wrong, but somehow, this ship made it home. We didn’t have the internet, we didn’t have fancy gadgets, and back then, computers took up an entire room. But we didn’t need any of that- all it took was good old engineering and a whole lot of courage.

Although it existed before the Gemini missions, Tang became popular after it was marketed as the astronaut’s drink-of-choice. A powdered mix, it gave a semblance of orange juice up in space where supplies (and fresh produce stands) were limited. I think it works quite well in a margarita, so while you’re watching Apollo 13, I recommend drinking a Moonshot Margarita.

Moonshot Margarita

2 oz Reposado Tequila

1 oz Cointreau

1 oz Lime Juice

1 Tsp Tang

Orange garnish

Combine all ingredients in a shaker with ice. Shake to chill, then strain into a glass filled with ice. Garnish with a dehydrated orange.

The cast of this movie is great, and it certainly cemented Tom Hanks as the actor you’d most like to have with you in a crisis. But for me, the unsung hero of Apollo 13 is Bill Paxton as Fred Haise. Suffering from a UTI, eating frozen hot dogs, listening to his Hank Williams tape slowly die—you really feel the misery of space travel through his performance. I shall think of him every time I gaze upon the constellation Urinus. Cheers!

Comedies · Dramas

Let Them All Talk

LizLocke1 Comment
Image credit: Let Them All Talk, 2020

I often lament that the years 2020 and 2021 were a movie desert. And I get it; we were in a pandemic, most of us were too scared to go to a theater, so naturally studios put everything decent on hold. But there was one incredible 2020 release that was my shining exception: Steven Soderbergh’s poignant, humorous, wonderfully female-centric film Let Them All Talk (Disc/Download).

I lament the pandemic years, but frankly, my problem with new releases started long before the word “coronavirus” entered our lexicon. For some time, I’ve felt like nobody’s making movies for me. Movies rich in storytelling and character development, low on special effects, featuring fascinating female characters. Thank heaven for Steven Soderbergh, Meryl Streep, Dianne Wiest, and Candice Bergen, who gave me just what I wanted in this tale about a literary icon crossing the Atlantic on the Queen Mary 2 with her college friends. Her nephew (Lucas Hedges) is also along for the trip, and though he’s certainly the odd man out in terms of gender and age, watching him interact with this group of complex mature women is a true joy. As these characters rehash old wounds and old times, trying to connect after decades of separation, their individual personalities create more drama than an explosion or gun fight ever could. It’s a travesty that Candice Bergen didn’t score an Oscar nom for her salty gold digger character Roberta, but frankly, Dianne and Meryl were robbed too. These women are all fantastic. I could watch them talk for hours, and the fact that they’re doing it on a beautiful cruise ship with elegant cocktail lounges and a library to die for? This is a movie for me.

Speaking of elegant cocktail lounges, a lot of champagne gets served on this ship. It definitely makes me want to enjoy a sparkling beverage while I watch, and why not celebrate my favorite feisty Texan Roberta with a margarita version of a French ’75? While watching Let Them All Talk, I recommend drinking a Champagne Margarita.

Champagne Margarita

1 ½ oz Tequila

¾ oz Orange Liqueur

¾ oz Lime Juice

4 oz Champagne

Coarse Salt

Lime Twist

Rub a lime wedge around the rim of a champagne flute. Dip the rim in salt, then set aside. In a shaker with ice, combine tequila, orange liqueur, and lime juice. Shake until chilled, then strain into prepared flute. Top with champagne. Garnish with lime twist.

Naturally, I love the literary aspect to this film, particularly the contrast between Meryl Streep’s Pulitzer Prize-winning character and a commercial mystery writer also on the ship. I can only dream of a future where people are so eager for my next manuscript my agent would tag along on an ocean voyage to spy on my progress, but you never know what the next thirty years will bring. Maybe I’ll be wrapped up in shawls and ego soon enough. Cheers!

Dramas

Before Sunrise

LizLockeLeave a comment
Image credit: Before Sunrise, 1995

I have to apologize. There’s just no excuse for the bizarre oversight of excluding Before Sunrise (Disc/Download) from this blog for so many years. Sure, I’ve mentioned the trilogy as a whole. I’ve written about it in my favorite film zine Moviejawn. I’ve recorded a podcast episode about it (releasing in a few days from the folks who brought you Dazed and Confused 33 1/3!). I even wrote a novel inspired by the concept of two lovers meeting in a faraway place, never knowing how or when they’ll see each other again (Follow the Sun, coming out June 6th 2023 from Random House Canada). In short, I love this movie. I’m obsessed with this movie. And finally, at long last, I’m ready to talk about it over a cocktail!

In looking at the Before trilogy as a whole, my current favorite film out of the three is Before Sunset. I say “current” because I believe these films grow and change as their viewers do. That’s what’s so magical about them. Now that I’m smack dab in the middle of my life’s journey, some triumphs and setbacks under my belt, but still a vast unknown up ahead, it feels comforting to watch a film about a writer who’s still trying to make sense of the past while figuring out how he wants to move forward into the future. Boy, do I get that. But back when I was seventeen, watching Before Sunrise for the first time, there was no “past” to reckon with; there was only anticipation. It was all in front of me: love, career, passion, a home. Watching Jesse (Ethan Hawke) meet Céline (Julie Delpy) on a train to Vienna felt like the answer to life’s great puzzle. Connection was the root of happiness, even more so than love. We connect with cities and occupations just as we do with people. I connected with this movie because it conveyed so much of what I was feeling at the time, and I connect with it still because of the memories of what those “firsts” felt like. The first time you felt a mutual attraction. The first time you kissed someone new. The first time you understood how big a role fate and timing play in our lives. The first time you truly didn’t want the sun to rise after one perfect night. Maybe I’ll never have some of those “firsts” again, but this movie reminds me that I did, once. And I’ll have other ones, in time.

If you’re going to spend all night walking around a foreign city, talking about philosophical theories and encountering a random collection of poets, palm readers, and players (I still want to know how things ended up for Wilmington’s cow!), then you’re going to need some caffeine. While watching Before Sunrise, I recommend drinking the popular Viennese sipper, the Café Maria Theresia.

Café Maria Theresia

1 Tbsp. Sugar

3 Tbsp. Cointreau

8 oz Fresh-brewed Coffee

Whipped cream

Orange Zest

Combine sugar and Cointreau in a cup, stirring until sugar is dissolved. Add coffee and stir gently to combine. Top with whipped cream and orange zest.

If you’d asked me prior to 2004 whether Jesse and Céline really met up again in Vienna six months after they said goodbye, I would have said yes. Unequivocally, yes. You see, I believe in happily ever after’s, and I don’t want to live in a world where these two people can’t make it work. We may have come to the end of their onscreen journey with Before Midnight (unless Linklater decides to pull another rabbit out of his hat), but my views on this couple are unchanged. They may find themselves separated over and over again by fate and circumstance, but in my mind they will always make their way back to each other.

On that note, I’d like to give a quick plug once again for Follow the Sun because if you like the anticipation and romance of Before Sunrise, you’ll probably enjoy these elements in my book. To read an early copy, be sure and sign up to receive the Cinema Sips weekly posts via email before March 1st 2023 (you’ll find the sign-up field on the right-hand side of the screen on the Cinemasips.com desktop site, and if you’re a mobile user, scroll up/down until the “Follow” button appears at the bottom). My publisher has graciously agreed to send NetGalley links for an advance copy of the e-book to my loyal followers since so many of you have told me how excited you are to read it. Of course, if you’d rather wait and throw the final print version in your beach bag this summer, pre-orders are always an option, and deeply appreciated!! Cheers, and thanks to all my current and future readers for getting off the train with me 😊.

Classic Films · Dramas

From Here to Eternity

LizLocke1 Comment
Image credit: From Here to Eternity, 1953

We’ve all seen this shot. Deborah Kerr locked in a passionate embrace with Burt Lancaster on a Hawaiian beach, waves crashing around them as they kiss in the sand. You’d think this would be indicative of the romance in the movie as a whole, but if you’ve ever sat down and actually watched From Here to Eternity (Disc/Download), then you know- there are no happy endings to be found. I see the image, and I just want to scream: “False advertising!!!”

In fact, the love story subplots of this classic film only receive the bare minimum of screentime. This is a movie about military power trips, not trips down the aisle. I’d equate it more to Cool Hand Luke than Casablanca. Burt Lancaster, Montgomery Clift, and Frank Sinatra are terrific in their roles as three conflicted army soldiers on the eve of the Pearl Harbor attack, while Deborah Kerr and Donna Reed are magnetic as their love interests. Where the plot drags and meanders, the actors soar. It’s funny to me that the famous beach scene gets vaulted as one of the most romantic movie images because the truth of that scene is far different. Burt Lancaster wants to see how far his boss’s wife will go with him, believing she’s already been “loose” with soldiers in the past. When he mentions her reputation, it’s like a needle scrape across the record. Suddenly, that beach gets very, very cold. It’s a great moment, and there’s certainly a lot of drama when she explains her situation, but… “romantic” it is not. I guess we were all too mesmerized by Burt’s muscles to notice. By “we”, I mean myself.

One thing these characters do frequently is drink. Clearly, the army is a very stressful environment, even in paradise. Legend has it, one of Frank Sinatra’s favorite cocktails was the Navy Grog, a delicious tiki concoction that’s fallen by the wayside due to its complicated preparation. The drink was meant to be garnished and sipped through an ice cone, which required a special mold to make, and… yeah. I’m not doing that. So let’s keep the drink recipe and alter the prep for the modern home bar enthusiast. While watching From Here to Eternity, I recommend drinking an Army Grog.

Army Grog

1 oz Dark Rum

1 oz Gold Rum

1 oz White Rum (I used Koloa Rum, in a nod to Hawaii!)

1 oz Honey Syrup (1:1 ratio honey to water)

¾ oz Club Soda

¾ oz Grapefruit Juice

¾ oz Lime Juice

Lime Wheel garnish

Combine rums, honey syrup, club soda, grapefruit, and lime juices in a shaker with ice. Shake until chilled, then strain into a glass filled with crushed ice. Garnish with a lime wheel.

With a slew of Oscars to its credit (including one for Ol’ Blue Eyes), From Here to Eternity manages the tricky task of being a war picture with mass appeal. Maybe the key is that there’s very little actual war depicted. We all know it’s coming, which provides even more tension for the fate of these characters, but we’re not bogged down with fighter jets and explosions. So go ahead, call it a great movie. Just don’t call it a romance. Cheers!