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Tag Archives: 1960s cinema

The Jungle Book

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Image credit: The Jungle Book, 1967

As I conclude my brief journey through 1967, I want to feature a movie from the 2022 Turner Classic Movies Festival (which I was very pleased to attend for the first time this year!!!), Walt Disney’s animated The Jungle Book (Disc/Download). As often happens in the world of film criticism, we tend to forget about children’s fare, but artistically, this movie takes animation in an exciting new direction. Revolution by dancing animals (and not the live ones that peed all over the Doctor Dolittle sets).

Based on the stories by Rudyard Kipling, The Jungle Book is one of the more visually exciting classic Disney films, similar to The Sword and the Stone with its sketchy style. Although not one of my favorite movies plot-wise, this is still a joy to watch at any age because it’s akin to seeing a painting come to life. And while we now recognize some of the harmful racial coding in several scenes, it still feels like an important transitional film for Disney in many ways. In reality, it would be the final animated film of Walt Disney’s life, the great innovator having died during production. With The Jungle Book, the Disney studio would leave tales of western royals and little-girl fantasies behind, in favor of stories that depicted a wide world of adventure. The romantic in me is glad they returned to their happily-ever-after’s with the movies of the early-1990s, but the curious animal lover in me is pretty excited to see a bear scratch his back with a palm tree. And boy, that Louis Prima track on the soundtrack still slaps.

Although tempted to defer to one of my top-five favorite cocktails (the Jungle Bird) for this movie, I decided to switch it up the flavor with Pimm’s No. 1. Plus, the addition of Ginger Beer gives it a fiery kick, perfect for swingin’ jungle VIPs. While watching The Jungle Book, I recommend drinking this Feathered Friend.

Feathered Friend

1 oz Pimm’s No. 1

1 oz Campari

½ oz Dark Rum

½ oz Lime Juice

½ oz Simple Syrup

1 oz Pineapple Juice

1 fresh strawberry

2 oz Ginger Beer

Muddle strawberry at the bottom of a shaker with lime juice and simple syrup. Add ice, Pimm’s, Campari, Rum, and Pineapple juice, and shake until chilled. Double strain into a glass with fresh ice, and top with Ginger Beer.

Thinking about the year 1967, the main word that comes to mind is change. Yes, the films were all over the place that year, and the studio system was disappearing before our eyes. But in looking at what came after, part of me thinks that this needed to happen, like a slash-and-burn of crops. The stuff that grew before was undeniably beautiful and impressive; however, we didn’t experience the truly wild, interesting flavors until new things emerged from the ashes. Cheers!

Jules and Jim

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Jules and Jim

Image credit: Jules and Jim, 1962.

Leave it to the French to shock me. Here I was, thinking of polyamory as a concept not fully embraced until the swingin’ ‘70s, but as Jules and Jim (Disc/Download) would suggest, throuples have been around long before Bob and Carol and Ted and Alice; long before that “groundbreaking” episode of House Hunters. Apparently, Paris was a hotbed of free love, even before the Great War.

Directed by Francois Truffaut, Jules and Jim is really about Jules and Jim and Catherine—the free-spirited girl at the center of this complicated love triangle. When we meet them, Jules and Jim are carefree writers who share good times and the occasional woman. But Catherine is something different. Jules stakes a claim early on, even though we can see there’s a strong attraction from Jim as well. She flirts, Jim pines, then Jules marries her and everyone goes off to war. Jules fights on the Austrian side, Jim for the French, and both are afraid of inadvertently killing their best friend on the battlefield. Coming home, Jules settles into an unhappy marriage with Catherine, though both realize something is missing. Eventually, Jim steps in to help right the balance. Despite turbulent times ahead, for a short while in the Black Forest, this throuple is undeniably, unexpectedly happy.

Watching this gorgeous movie at home makes me wish I were instead watching it on the big screen at one of my favorite cinemas, the Austin Film Society* . They have a special gin & tonic on their lobby menu that pairs perfectly with this angsty French love story. While watching Jules and Jim, I recommend drinking the AFS Gin & Tonic.

AFS Gin & Tonic

2 oz Dry Gin

¼ oz Lillet Rose

½ oz Lime Juice

4 oz Elderflower Tonic (I use Fever Tree)

Lime Wheel/Juniper berries for garnish

Combine Gin, Lillet, and lime juice in a shaker filled with ice. Stir to combine and chill, then strain into a glass filled with ice. Top with Elderflower tonic, garnish with lime wheel and juniper berries.

Lillet Gin & Tonic

As with most French New Wave films, lead actress Jeanne Moreau is sexy, cool, funny, and real. Jules and Jim are somewhat forgettable, but Catherine is a woman ahead of her time. This film was made in the 1960s, takes place in 1914-1920s, but feels completely relevant to the 2020s. Let’s touch toes and toast to this unconventional, enduring masterpiece. Cheers!

*If you’re a supporter of indie film, please consider donating to the Austin Film Society so we can all enjoy films and cocktails after the COVID-19 pandemic is behind us.

Irma la Douce

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Irma la Douce

Image credit: Irma la Douce, 1963

If you love the colorful costumes and sets of classic Hollywood musicals, but can’t abide characters spontaneously bursting into song, then Irma la Douce (Disc/Download) is your movie.  Starring Jack Lemmon as a police officer-turned-pimp and Shirley MacLaine as his prostitute love, this sixties gem is a Billy Wilder film on steroids.  Big visuals, big acting, big run-time—it’s a massive commitment.  But once you give into the world of the Hotel Casanova, you’re in for a real cinematic treat.

When we first see Irma, slouching against a doorway with that little dog under her arm, you instantly know—this is a woman who has seen it all, and just doesn’t give a sh*t anymore.  She views her profession for what it is (a job), and would never allow herself to be swept away by a sappy romance. Even when she “falls” for down-on-his-luck Nestor Patou, it’s with an eye-roll and a shrug.  I see glimpses of this character in Maggie Gyllenhaal’s fabulous work on HBO’s The Deuce, and at times Irma seems almost feminist in her attitudes.  She may have a boyfriend, but that doesn’t mean she’s ready to stop working.  And thus, her boyfriend has to come up with an asinine scheme, pretending to be an English lord, wearing a silly disguise, working multiple jobs so he can afford to pay  for her time, all so she doesn’t sleep with other men.  This relationship seems doomed from the start, but with a sparkling script by Wilder and winning performances by Apartment co-stars Lemmon and MacLaine, somehow it just works.

Included within the elaborate sets built for this film is a charming bar Chez Moustache, where the pimps come for their union meetings and working gals pop in for a pastis between clients.  You could certainly join them in a straight shot of this herbal spirit diluted with a little water, but I prefer mine in a cocktail.  While watching Irma la Douce, I recommend drinking this Cocktail X.

Cocktail X

1 ½ oz Calvados apple brandy

1 oz Cointreau

½ oz Pastis

1 ½  oz Pineapple Juice

Combine all ingredients in a shaker with ice.  Shake until chilled, then strain into a chilled coupe glass.

Cocktail X

Yes, this film is long. Yes, it’s absurd.  But it’s fun to see the intersection of classic MGM musical and 1960s visual style.  There’s teased hair, plastic heart sunglasses, and movie streets too beautiful to be real, but there is also a heartfelt message about the changing social attitudes within the time period Irma la Douce was made.  As wise Moustache says of the business of sex work, “Love is illegal – but not hate. That you can do anywhere, anytime, to anybody. But if you want a little warmth, a little tenderness, a shoulder to cry on, a smile to cuddle up with, you have to hide in dark corners, like a criminal.”  Leave it to a bartender to speak the truth. Cheers!