Classic Films · Dramas

Bonjour Tristesse

With nearly everyone I know getting a head start on their summer travels, I decided why wait for June or July to watch one of the best vacation movies? You know Cécile wouldn’t. This girl was over her schoolwork back in September! This week, I’m revisiting the Otto Preminger classic melodrama, Bonjour Tristesse (Download).

Starring Jean Seberg as a free-spirited teen and David Niven as her indulgent father, Bonjour Tristesse is an interesting example of both color and black & white being used simultaneously in a classic film. As Cécile’s empty present-day life gives way to a vibrant color flashback of the summer she spent on the French Riviera, one immediately senses she was alive before, and now something inside her has died. And don’t we all feel like that, thinking of vacations past? Not for the same tragic reasons as these characters, but sometimes I’ll be sitting at my desk, depressed because yesterday was the same as today, and tomorrow will probably be yet another repeat, and as the song says, I live with melancholy. But then I’ll think back to floating in the Mediterranean Sea, and how very orange the Aperol was in my spritz that summer, and how blue the water. And suddenly, life seems chic and fun again. Well, maybe just 53.5% fun.

One of my favorite scenes in this film is when Cécile makes a list of all the important qualities she thinks a woman should have, comparing herself to her dad’s new girlfriend (played by the elegant Deborah Kerr) with numerical rankings. “Possessiveness” and “Intelligence” are right above “Dancing” and “Drinking”, and honestly, this list is a pretty accurate character study. Why would I want to hang out with someone who’s only 4% skilled in “Conversation”? Speaking of percentages, I’ve recently taken a journey through lower-alcohol cocktails in the lead-up to summer*, and this seems like the perfect time to make a drink that’s as bright and gorgeous as one of Cécile’s many swimwear choices. While watching Bonjour Tristesse, I recommend drinking this 11% Spritz.

11% Spritz

2 oz Dry French Vermouth

½ oz Aperol

½ oz Lemon Juice

½ oz Blood Orange Syrup (I prefer Liber & Co)

4 oz Soda Water

Orange Slice (Garnish)

Combine vermouth, Aperol, lemon juice, and blood orange syrup in a shaker with ice. Shake until chilled, then strain into a glass filled with fresh ice. Top with soda water and garnish with an orange slice.

Although Bonjour Tristesse was a new-to-me watch a couple of years ago, it’s one of those movies that feels like it’s always been a favorite, whether I knew about it or not. Somehow, I set my book Follow the Sun in this same rarefied world of jet-setters in beautiful locales without even realizing it. Maybe I just needed a vacation when I was drafting the story; maybe I still need one. If you’re struggling through a black & white world right now, I urge you to spend some time with this movie and breathe deep- let’s smell the day together. Cheers!

*If you’re looking for more low-ABV cocktails this summer, I highly recommend the book Session Cocktails: Low-Alcohol Drinks for Any Occasion by Drew Lazor.

Dramas · Foreign

Cinema Paradiso

Image credit: Cinema Paradiso, 1988
Image credit: Cinema Paradiso, 1988

It’s no secret that I love movies. Why else would I write this blog, week after week? It’s not just for the drinks- I swear. What I love most of all are movies about movies. This brings me to the Italian component of Foreign Cinema Month, Cinema Paradiso (DVD). I’m not ashamed to admit that this schmaltzy, idealistic movie about the power of cinema tugs at my heartstrings every time, turning me into a weeping mess on the sofa. If you’re not affected even a little bit by the final montage, well then, I can’t help you.

Cinema Paradiso is at its core a love story between a boy and the art of cinema. Cute little Salvatore (`Toto’) pesters Alfredo (the projectionist at his local small-town cinema) into letting him help out in the projection room. Alfredo becomes a father figure, teaching Toto life lessons through movies, and encouraging him to follow his dreams of becoming a filmmaker. There’s a tepid love story that weaves itself through Toto’s adolescent years, but it can’t compare to the love stories we see on the screen of the tiny Italian movie theater. The film touches on religious censorship within Italian cinema, thus setting up the big finale. I feel like the Italians are the only ones who could have done this story justice, and their beautiful language only adds to the romance of the film as a whole.

Because this movie is a celebration of cinema, I think it deserves a prosecco toast. Pair it with the Italian aperitif Aperol, and you’ve got yourself a pretty, sparkly beverage evoking the Italian sunset. While watching Cinema Paradiso, I recommend drinking an Aperol Spritz.

Aperol Spritz

3 oz Prosecco

2 oz Aperol

1 oz club soda

Orange twist (optional)

Pour Aperol into a chilled flute or wine glass, and top with prosecco and club soda.  Garnish with an orange twist if desired. Toast to il cinema italiano!

aperol spritz

There have been a handful of other films about cinephiles (The Dreamers, Hugo, etc.) but Cinema Paradiso will always be my favorite. I first saw it as a teenager in a small town in Pennsylvania, and at the time it made me feel a little less alone. Like maybe, just maybe, I wasn’t crazy for wanting to barricade myself in my room with a stack of VHS tapes from Blockbuster. Toto ended up alright, anyway.  In many ways this blog, and the wonderful comments it receives, does the same thing for me as an adult. Here’s to Italy, and amore. Cin Cin!