Classic Films · Dramas

The Man Who Knew Too Much

I don’t know about you, but I’m in dire need of a good Day. Doris Day, that is. When anxiety, hopelessness, rage, and disappointment threaten to overtake me, it always helps to watch a star who faced tremendous struggles onscreen and off. One who came through these battles with her grace, dignity, and empathy intact. It seems fitting then, that Doris Day’s iconic song from The Man Who Knew Too Much (Disc/Download) would feel tailored to this most uncertain of times we’re living in: “Que sera, sera; whatever will be, will be. The future’s not ours to see; que sera, sera.”

The fact that Alfred Hitchcock made a perfectly great version of The Man Who Knew Too Much in 1934, then decided to do it again in 1956 is a pretty wild concept. Nevertheless, if he had to fulfill a studio obligation for one more picture, I’m glad he decided to dust this story off because 1950s Man has a lot more heart and emotional depth. Much of that comes from Doris Day and Jimmy Stewart, who have always felt like America’s parents. If you happened to be kidnapped by terrorists, you could feel confident they would be clever and determined enough to rescue you. Doris gets a lot more material to work with than Edna Best did in the original, and it’s to her credit the stakes feel so much higher. Seeing her devolve into hysterics when she realizes her son is missing, then watching her steely resolve take over when she faces an incompetent police force is a wonderful arc. In the end, it’s Doris who saves the day, because terrorism is no match for a woman with a strong, powerful voice.

When The Man Who Knew Too Much opens, Jimmy, Doris, and their little boy are on a bus to Marrakesh. There are some great scenes filmed in a Moroccan bazaar (in fact, Doris insisted on better care for the background animals, refusing to shoot until every camel, horse, stray dog, and cat had food and water), before the plot takes them all to London. Doris and Jimmy end up throwing an impromptu party in their hotel room, and one wonders just how many gin & tonics their friends put back while waiting on these two to foil an international assassination plot and find their son. This time of year, I love the flavor of cardamom in my drinks, so I’ll be infusing some Old Tom gin with a handful of cardamom pods. Leave it to soak overnight, then strain the pods out. While watching The Man Who Knew Too Much, I recommend drinking this Ambrose Chapel Gin & Tonic.

Ambrose Chapel Gin & Tonic

2 oz Cardamom-infused Old Tom Gin

5 oz Indian tonic water

Orange wheel (dried)

Star Anise

Build drink over ice, and garnish with a dried orange wheel and star anise.

It’s ironic that Doris hated the song “Que Sera, Sera” when she first heard it, thinking it too cutesy and saccharine, because even by her own account, she lived her life by its lyrics. She didn’t know what the future held, but she never lost faith in herself. Her world wasn’t rainbows day after day, and she couldn’t have known prior to each marriage how the men in her life would let her down. But after every disappointment, betrayal, and setback, she got up, dusted herself off, and put one foot in front of the other. Her voice was her gift, and for the rest of her life, she used it to help the people and causes that mattered to her. Just as I’ll try my best to do now, one Day at a time. Cheers!

Comedies

Notting Hill

Julia Roberts & Hugh GrantNotting Hill

©Universal Studios
Image credit: Notting Hill, 1999

It’s been twenty years since Julia Roberts walked into Hugh Grant’s travel bookshop in Notting Hill (Disc/Download), but to me it feels like yesterday.  Everything seems to be right where I left it—the house with the blue door, the inedible guinea fowl, the “fruitarian”— and it’s all still as endearing as it once was.  Hugh may have lost the stutter and floppy hair IRL, but thankfully, William Thacker is immortal.

In this script written by the master of rom-coms Richard Curtis, average guy Will meets-cute with movie star Anna on the colorful streets of London’s Notting Hill.  He plays it cool while selling books, then gets adorably flummoxed after spilling orange juice on her.  Hugh Grant is the perfect blend of respectful and starstruck, with a dash of charm he just can’t turn off, and Julia Roberts is at her best, making us believe she really is just a girl, standing in front of a boy, asking him to love her.  She makes us understand that to her,  fame doesn’t matter, and if she had it her way, she’d get to hang out at quirky dinner parties with normal folks and act, without having to choose between the two.  Given her gradual real-life retreat from the big screen, I have to think maybe Julia took some lessons from Anna Scott.

My favorite way to spend an afternoon is watching Hugh Grant stutter his way through a love scene. Notting Hill, Four Weddings and a Funeral, and Sense and Sensibility are the trifecta of Grant awkwardness, and in Notting Hill, this results in the famous Apricot & Honey scene. Personally, I don’t need apricots soaked in honey, but I wouldn’t say no to some apricots soaked in brandy! While watching Notting Hill, I recommend drinking this Low Point cocktail.

Low Point

1 1/2 oz Apricot Brandy

3/4 oz Orange Juice

4 dashes Orange Bitters

Apricot Sparkling Water

Champagne

Dried apricot for garnish

Combine Apricot brandy, orange juice, and bitters in a shaker with ice.  Shake until chilled, then top with sparkling water.  Stir gently to combine, then strain into a coupe glass.  Top with champagne, and garnish with a dried apricot.

Low Point

You certainly don’t need a fizzy cocktail to enjoy this film, but it doesn’t hurt.  And if you spill some orange juice on your t-shirt, take a cue from Anna and put your couture on instead.  Notting Hill—I’ve missed you. I promise I won’t stay away so long next time.  Cheers!