Tag: Montgomery Clift

Classic Films · Dramas

A Place in the Sun

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Image credit: A Place in the Sun, 1951

This week, I’m in the mood for beautiful gowns, retro bathing suits, a Tiki dinner party at the lake, and maybe a little murder. A Place in the Sun (Disc/Download) satisfies all these cravings, making it my perfect summer watch.

You’ve probably seen the dress designed by Edith Head and worn by Elizabeth Taylor—the one with the dozens of tiny white flowers covering the bust.

You may have also seen the funny gif of Elizabeth collapsing into a heap on her bedroom floor (director George Stevens must have had a thing about her suddenly fainting because he made her do it again in Giant). But what you might not already be familiar with is the nuanced performance turned in by Montgomery Clift, who makes us question our own ideas of right and wrong; of guilt and innocence.

George Eastman starts out with a menial job at his uncle’s bathing suit factory, determined to work hard and earn a promotion one day. But when he begins an empty affair with his poor, vulnerable co-worker (Shelley Winters) while secretly pining for wealthy socialite Angela Vickers (Elizabeth Taylor), he loses a bit of our sympathy. And yet… there’s a part of me that just wants Shelley to go away so he can be with the dazzling one. And boy, does Elizabeth dazzle, with her eyelashes and her gowns and her speedboats. The director often shoots her in close-up, and it has a hypnotizing effect on the audience. We would do anything to see more of her; of course George would feel the same.

I knew this was probably a champagne movie, and definitely a martini movie, but I didn’t realize it’s also a Tiki movie! It makes perfect sense the wealthy family in this would throw a Polynesian-inspired dinner party, as the film was made during the height of the South Seas craze. Complete with leis and pineapple serving bowls and a live steel guitar player, it’s like the characters all decamped to Trader Vic’s for the night. Let’s celebrate this fabulous turn with a Tiki variation on the Vesper martini. While watching A Place in the Sun, I recommend drinking a Loon.

Loon

2 oz London Dry Gin

¼ oz Cocchi Americano

¼ oz PAMA Pomegranate Liqueur

Stir all ingredients together in a shaker with ice, and strain into a coupe glass. Garnish with a twist of lemon and a flower.

The novel this film is based on is titled An American Tragedy, and indeed the film is a tragedy, despite its wistful title change. It declares that the one making the bathing suits will never be the one wearing the bathing suits; that the American Dream is a myth for so many. Seventy-four years later, we’re still following the same old script.

Classic Films · Dramas

The Misfits

LizLocke2 Comments
Image Credit: The Misfits, 1961

They had me at Thelma Ritter. I knew going into The Misfits (Disc/Download) that it would be the most depressing corner of Reno Divorce Month, but I pushed through for Thelma. A pure delight in every picture she graced, this character actress could make even the most difficult watch something to look forward to. She was the shining star who guided us home.

John Huston’s film about the decaying mythology of the west is a tough but important film. It was the last one for both Clark Gable and Marilyn Monroe, and knowing this fact makes every scene seem like a race against the clock. Those mythological creatures, the biggest box office stars of their day, just… gone. The sixties ushered in a period of revolution in cinema, where “dream factories” shuttered their doors and an actor or actress was only as popular as their last role. But then there was Thelma, like a bridge between worlds. She could exist in movies like All About Eve as well as Technicolor confections like Pillow Talk and A New Kind of Love without missing a beat. It made sense that she would be cast in the role of Isabelle Steers, the owner of a Reno boardinghouse, because Thelma was an actress who rolled with the times. Her character was there for the quickie marriages and quickie divorces, just as the actress was there for the rise and demise of the Hollywood studio system. A dependable presence in a world of fleeting dreams.

I love the scene where Thelma calls Nevada the “Leave It” state. As in, “Ya got money you want to gamble? Leave it here. You got a wife you want to get rid of? Get rid of her here. Extra Atom bomb you don’t need? Blow it up here. Nobody’s gonna mind in the slightest.” Taking inspiration from this quote, and the scent of sage as she and Marilyn are rolling through the desert, while watching The Misfits, I recommend drinking a “Leaf-it” State.

“Leaf-it” State

2 oz Blood Orange Juice

2-3 Fresh Sage Leaves

2 oz Bourbon

¾ oz Lime Juice

¾ oz Simple Syrup

1 Egg White

Muddle sage leaves with lime juice and simple syrup in a shaker. Add bourbon, blood orange juice, and egg white. Dry shake (without ice) for 30 seconds. Add ice to the shaker, and shake again until well-chilled. Strain into a cocktail glass, and garnish with a sage leaf.

“Leaf-It” State

I can’t let this post go by without mentioning Eli Wallach, my favorite scroodily-doo, who is equal parts sweet and horrible in this movie. Out of the three men Marilyn accompanies on a mustang-hunting expedition, he’s the one I kind of want to rope up and leave in the desert by the end. Montgomery Clift, I just want to hug, and Clark—well, I guess I’d want to ask why his character was sweet on Marilyn when Thelma was there the whole time. Cheers!

Classic Films · Dramas

From Here to Eternity

LizLocke1 Comment
Image credit: From Here to Eternity, 1953

We’ve all seen this shot. Deborah Kerr locked in a passionate embrace with Burt Lancaster on a Hawaiian beach, waves crashing around them as they kiss in the sand. You’d think this would be indicative of the romance in the movie as a whole, but if you’ve ever sat down and actually watched From Here to Eternity (Disc/Download), then you know- there are no happy endings to be found. I see the image, and I just want to scream: “False advertising!!!”

In fact, the love story subplots of this classic film only receive the bare minimum of screentime. This is a movie about military power trips, not trips down the aisle. I’d equate it more to Cool Hand Luke than Casablanca. Burt Lancaster, Montgomery Clift, and Frank Sinatra are terrific in their roles as three conflicted army soldiers on the eve of the Pearl Harbor attack, while Deborah Kerr and Donna Reed are magnetic as their love interests. Where the plot drags and meanders, the actors soar. It’s funny to me that the famous beach scene gets vaulted as one of the most romantic movie images because the truth of that scene is far different. Burt Lancaster wants to see how far his boss’s wife will go with him, believing she’s already been “loose” with soldiers in the past. When he mentions her reputation, it’s like a needle scrape across the record. Suddenly, that beach gets very, very cold. It’s a great moment, and there’s certainly a lot of drama when she explains her situation, but… “romantic” it is not. I guess we were all too mesmerized by Burt’s muscles to notice. By “we”, I mean myself.

One thing these characters do frequently is drink. Clearly, the army is a very stressful environment, even in paradise. Legend has it, one of Frank Sinatra’s favorite cocktails was the Navy Grog, a delicious tiki concoction that’s fallen by the wayside due to its complicated preparation. The drink was meant to be garnished and sipped through an ice cone, which required a special mold to make, and… yeah. I’m not doing that. So let’s keep the drink recipe and alter the prep for the modern home bar enthusiast. While watching From Here to Eternity, I recommend drinking an Army Grog.

Army Grog

1 oz Dark Rum

1 oz Gold Rum

1 oz White Rum (I used Koloa Rum, in a nod to Hawaii!)

1 oz Honey Syrup (1:1 ratio honey to water)

¾ oz Club Soda

¾ oz Grapefruit Juice

¾ oz Lime Juice

Lime Wheel garnish

Combine rums, honey syrup, club soda, grapefruit, and lime juices in a shaker with ice. Shake until chilled, then strain into a glass filled with crushed ice. Garnish with a lime wheel.

With a slew of Oscars to its credit (including one for Ol’ Blue Eyes), From Here to Eternity manages the tricky task of being a war picture with mass appeal. Maybe the key is that there’s very little actual war depicted. We all know it’s coming, which provides even more tension for the fate of these characters, but we’re not bogged down with fighter jets and explosions. So go ahead, call it a great movie. Just don’t call it a romance. Cheers!