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Tag Archives: movie cocktails

Barton Fink

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Image credit: Barton Fink, 1991

Here we are again, with another “writer in a hotel” movie. I promise, Jack Nicholson does not pop out with an ax this time, though the bathrooms are decided less glamorous at the Hotel Earle. Barton Fink (Disc/Download) was a new-to-me Coen Brothers movie prior to this week, but it’s quickly risen up the ranks to Hail, Caesar! levels of adoration. A movie about a neurotic writer in the Golden Age of Hollywood? Definitely my catnip.

John Turturro plays our titular character Barton Fink, a rising New York playwright who gets chewed up and spit out by the Hollywood studio system. He heeds the siren call of Los Angeles, accepting the assignment of writing a wrestling movie that’s completely out of his wheelhouse, but something he’s powerless to decline. Once in town, he moves into a creepy rundown hotel next to a fascist serial killer and soon begins an affair with the assistant to his liquored-up literary hero. I’ll just say right now, John Mahoney as the Falkner-esque W.P. Mayhew is one of my favorite things about this film, and I wish he’d had more screen time. But I digress. One of my other favorite elements is the production design, which looks straight out of classics like Casablanca or Heaven Can Wait. Barton’s apartment might be a nightmare, but the rest of Tinseltown never looked better.

Barton has a lot of meetings over drinks (as any good writer would), so this seems like a great movie to watch with a cocktail. Let’s honor the wordsmiths of the world, toiling away on projects they may or may not ever finish, with this tasty concoction, the Last Word.

Last Word

1 oz Gin

1 oz Maraschino Liqueur

1 oz Green Chartreuse

1 oz Lime Juice

Luxardo Maraschino cherry

Combine gin, liqueurs, and lime juice in a shaker with ice. Shake until chilled, then strain into a coupe glass. Garnish with a cherry.

I already know Barton Fink will be a movie I’ll want to watch again and again, in an effort to catch all the tiny details and nods to Hollywood’s golden era. Like that painting on Barton’s sweating wall, I can’t help but think there’s even more to this picture than meets the eye. Cheers!

The Shining

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Image credit: The Shining, 1980

I always thought the scariest place a person could be is in The Overlook Hotel with a murderous Jack Nicholson and a whole bunch of angry ghosts. Not to mention, those hallways of hypnotic carpet patterns! But that was until I made the decision to renovate my home. A decision which has forced me to become trapped, in increasingly smaller spaces, as the days and weeks bleed into one another. Suddenly, this quote from The Shining (Disc/Download) makes so much sense: “A kind of claustrophobic reaction which can occur when people are shut in together over long periods of time.” Let’s just say, I’m looking increasingly vacant-eyed over my keyboard. The dog is calling out to Scatman Crothers.

Directed by Stanley Kubrick, The Shining is based on the Stephen King novel of the same name, inspired by his own stay at a Colorado resort (the Estes Park Hotel, which I can personally say is quite lovely… in the summer). Jack Torrance (Nicholson) moves his wife and son to a remote hotel for the winter, accepting the job of caretaker. As a writer, he thinks an empty resort will be the perfect spot to work on his novel. However, the ghosts of the hotel have other plans for the Torrance family. Slowly, Jack begins to go mad, while his telekinetic son senses the presence of the hotel’s previous dead occupants. Little Danny has a touch of “the shining”, just as the hotel itself “shines”. There are a lot of hallucination scenes in this, several times involving a bathroom. I too have been hallucinating a bathroom during long stretches of isolation, so this part of the film makes sense to me. When Jack and I dream, we dream of a beautiful, spacious retreat fit for a luxury hotel. My nightmare is that I’m as old as the decaying woman in Room 237 by the time my soaking tub gets installed, but that’s probably just the claustrophobia talking. Surely, my contractor will get his act together by then.

Another dream sequence involves one of my favorite movie bars, host to many glamorous parties throughout The Overlook’s storied history. Lloyd the bartender may have served up a mean Bourbon and Advocaat, but I prefer to take my cocktail cue from Danny. While watching The Shining, I recommend drinking this variation on the Negroni, a Redrum cocktail.

Redrum

1 oz Dark Spiced Rum

1 oz Campari

1 oz Sweet Vermouth

Blood orange slice

Combine rum, Campari, and vermouth in a mixing tin with ice. Stir until chilled, then strain into a glass over a large ice cube. Garnish with a slice of blood orange.

If you’re not typically a Negroni drinker, this may change your mind. Rum gives the cocktail a sweeter, spicier edge, and I actually prefer this to its gin-based cousin. It’s the perfect drink to toast five miserable months of home renovation, and the irreparable harm it has caused me. Cheers!

What Ever Happened to Baby Jane?

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Image credit: What Ever Happened to Baby Jane? 1962

When I start to feel fatigued by feel-good sibling stories, I turn to movies that show us the darker side of familial bonds. After all, sisters don’t always perform cute song-and-dance numbers like Rosemary Clooney and Vera-Ellen in White Christmas.  Sometimes, sisters are merely two women who share some DNA and nothing else. And then there’s a darker sub-category, exclusively reserved for the Hudson sisters in What Ever Happened to Baby Jane? (Disc/Download).

This film had been on my watch list for a long time, and I finally took the plunge last summer after watching Ryan Murphy’s Feud miniseries. Surely, I thought, the movie isn’t nearly as bonkers as the making of the movie. Oh, how wrong I was. With over-the-top performances from Bette Davis and Joan Crawford, this tale of an aging child actress imprisoning (and torturing) her paraplegic sister in a Hollywood mansion is equal parts scary and campy. With a perfect blend of horror and suspense, the audience is taken on Baby Jane’s journey into madness, as resentment turns to homicidal rage. Davis’s clown makeup is truly terrifying, and she’s absolutely brilliant in the role of a washed-up vaudeville star. Crawford provides the melodrama, as intense as those trademark eyebrows. I’m sure Blanche was probably wishing she’d invested in an elevator before her little sister went crazy, however after a recent viewing of Olivia De Havilland in Lady in a Cage, I’m rethinking that idea. Baby Jane looks like the type to cut the power.

As many people are aware, Joan Crawford was not just an actress, but also a cola executive! Through her marriage to Pepsi-Cola’s president and CEO, she held a seat on the board of directors and often shilled the beverage in print ads and appearances. This week, I’m making a drink in honor of “Miss Pepsi” herself. While watching What Ever Happened to Baby Jane?, I recommend drinking this Paralyzer cocktail.

Paralyzer

4 oz Pepsi

1 oz Coffee Liqueur

1 oz Vanilla Vodka

2 oz Milk

1 Maraschino cherry

Fill a glass with ice, and pour in the Pepsi. In a shaker, combine coffee liqueur, vodka, and milk. Gently pour over the Pepsi slowly. Garnish with a maraschino cherry.

This drink definitely seems like something Jane would’ve enjoyed while posing next to her lookalike doll, or perhaps carried on a silver tray for her big sis. I don’t know how well it pairs with “dead rat”, but if you’re #teamCoke like me, you’ll still get a good scream. Cheers!

Beetlejuice

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Image credit: Beetlejuice, 1988

This week, I’m proud to say I conquered a major fear. In re-watching Beetlejuice (Disc/Download), I confronted one of my life’s main recurring nightmares, in which I’m walking through a Caligari-esque hallway of doors, not sure what’s on the other side. Is it a sandworm? Is it a room full of ugly post-modern Michael Graves furniture? Is it Michael Keaton in racoon clown makeup? I can’t even tell you how many times I’ve woken up screaming in the last thirty years.

Speaking of Michael Keaton, I don’t even want to admit how old I was before I realized that the same actor played Mr. Mom, Batman, AND aggressive bio-exorcist Beetlejuice. The man is a chameleon. Revisiting this movie as an adult, it’s amazing to see the high-caliber cast director Tim Burton pulled together. Alec Baldwin and Geena Davis play ghosts trying to force a brash New York family (Jeffrey Jones and Catherine O’Hara giving MAJOR Moira Rose vibes) out of their charming Connecticut home. Winona Ryder plays the goth daughter of the interlopers, with stellar lines such as “My whole life is a dark room.” Same, girl. Eventually getting more and more desperate, the ghosts call on Beetlejuice to help them drive the city slickers away for good, which causes more problems than they’d bargained on. The special effects and makeup are pretty impressive, and a big part of what makes this movie so fun for kids (unless you were a scaredy-cat like me). But as an adult, I’m still terrified of the afterlife’s waiting room. It’s more of an existential fear than a jump scare, but still just as effective.

My favorite scenes include some delightful Harry Belafonte calypso tracks, so we may as well “Jump in the Line” with this Caribbean-inspired cocktail. With a green tint that matches Beetlejuice’s hair, this will definitely put you in the mood for Halloween hijinks. While watching Beetlejuice, I recommend drinking this Day-O the Dead cocktail.

Day-O the Dead

1 ½ oz Rhum Agricole (or silver rum)

1 oz Midori

1 oz Lime Juice

1 ½ oz Pineapple Juice

¼ oz Coconut Cream

Gummi worms for garnish

Combine Rhum, Midori, lime and pineapple juices, and coconut cream in a shaker with ice. Shake until chilled, then strain into a glass filled with crushed ice. Garnish with a gummi worm.

Although the live action Beetlejuice scared the bejeezus out of me as a small child, I had a standing date with the animated series for many years. I guess cartoon poltergeists are just less threatening. And Lydia, oh Lydia—you have my dark heart forever. Cheers!

Lover Come Back

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Image Credit: Lover Come Back, 1961

When life is busy and stressful, I find myself yearning to seize the Day. Doris Day that is. Because no problem is too great that it can’t be solved by making a date with my favorite Classic Hollywood gal pal and her coordinating pastel outfits. In Doris’s world, I don’t have to think about my endless home renovations or work demands—I can just relax and enjoy the familiar tropes of mistaken identities and enemies-to-lovers. She’s basically a classic Shakespearean comedy wrapped up in a pillbox hat.

If you’ve seen Pillow Talk, then you’ve essentially seen this week’s film Lover Come Back (Disc/Download). Doris and Rock follow largely the same formula where she’s a competent career woman (this time it’s advertising instead of interior design), and he’s a playboy rival determined to take her down while simultaneously taking her to bed. Even Tony Randall pops up again as Rock’s wealthy best friend/boss, who inadvertently sets the madcap plot in motion by putting fake commercials for a fake account on the air. Suddenly, everybody’s wild to see the mysterious new product model Rebel Davis is selling, known only as “VIP”. Rock has to find a scientist to invent it, Doris mistakes Rock for the scientist, and by the end he’s got her trying to convince him to give her his formula, and his virginity. We’re missing the dreamy Rex Stetson accent in this, but we do get Rock with a beard, so I’ll take that tradeoff.

Lover Come Back is a great movie to watch with your favorite cocktail because VIP turns out to be an alcoholic wafer cookie that’s equal to a triple martini and comes in a rainbow of colors. Apparently it tastes like an after-dinner mint, and you know what that means—time to break out the Crème de Menthe! For everyone who has ever been stuck with this green bottle in their bar after making one lousy Grasshopper, here’s another drink to make you feel like it wasn’t a totally wasted purchase. While watching Lover Come Back, I recommend drinking this VIP Martini.

VIP Martini

1 oz Chocolate Vodka

2 oz RumChata

½ oz Green Crème de Menthe Liqueur

Combine all ingredients in a shaker with ice, and shake until chilled. Strain into a chilled martini glass.

If you want to crank up the fun, take a drink every time Doris shows up in a new hat, or every time a VIP commercial plays. By the end, I kind of want to try it in every color. Guess that makes me the target audience—a ten-cent drunk. Cheers!

Sex and the City (the movie)

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Image credit: Sex and the City, 2008

Look, I know, we’re all extremely disappointed/fatigued by the Sex and the City franchise at this point. And Just Like That… ruined it beyond repair, shining a spotlight on all the problems of the original series, while failing to distract us with witty jokes and fabulous clothes (they weren’t that witty, or that fabulous this time around). There was also a very, very bad movie sequel Sex and the City 2, which we will not talk about. But when it comes to the first Sex and the City movie (Disc/Download), I’m not ashamed to admit- I actually like it!

Here’s the absolute truth: if you enjoyed the television show, you’ll enjoy this movie. And back in my early-twenties, I adored the show. Back then, it felt like my only real responsibility was being home in time to watch it each week. But as Carrie astutely points out in this film, your twenties are for having fun, thirties are for learning the lessons, and forties are for paying for the drinks. Now that I’m pushing forty, I’m working hard to pay for the drinks and simply don’t have time to care about trivial things such as how large Carrie’s closet is. I’m building my own large closet now, thank you very much. And it’s super stressful!!!! So while I may not have the energy for a weekly date with Carrie, Miranda, Charlotte, and Samantha, I don’t mind them swooping in on their cloud of privilege to distract me for a couple hours in the form of a movie.

I recently came across a cocktail in one of my favorite recipe books Experimental Cocktail Club that’s a surprising and delicious take on Carrie’s signature Cosmopolitan. This one keeps the pretty pink color, but has a much more interesting flavor profile. While watching Sex and the City, I recommend drinking this Big (Cosmo) is Dead.

Big (Cosmo) is Dead

1/2 oz Velvet Falernum

1 oz Aperol

1 oz Lime Juice

1 oz Vodka

2 dashes orange bitters

Combine all ingredients in a shaker with ice. Shake until chilled, then strain into a martini glass.

*Adapted from Big Cosmo is Dead recipe in Experimental Cocktail Club by Mitchell Beazley.

I may have had my quibbles with these characters over the years (STEVE- YOU ARE FAR TOO GOOD FOR MIRANDA!!!), but they’ll always have a fond place in my heart. We grew up together, found love together, drank cocktails together. Sometimes, it’s nice to pay a visit to your old friends, even after you’ve gone your separate ways. Because when something is really, really funny, you’ll always find time to laugh. Cheers!

Bringing Up Baby

Image credit: Bringing Up Baby, 1938

So a leopard, a dog, and a paleontologist walk into a bar… Not really, but this week’s film Bringing Up Baby (Disc/Download) definitely feels like one long, preposterous joke you tell after a few strong drinks.  From Cary Grant in a frilly bathrobe, to Katharine Hepburn hanging off the edge of a Brontosaurus skeleton, the hits just keep on coming.

Directed by Howard Hawks, this fast-talking screwball comedy shows what happens when a buttoned-up paleontologist (Grant) meets his match in a flighty, chaotic socialite (Hepburn). She steals his golf ball and his car, he laments the cruel twist of fate that sent this #hotmessexpress careening into his ordered life, and before you know it, they’re ripping each other’s clothes off. Things get really crazy when a “tame” leopard gets delivered to Hepburn’s mansion, the family dog buries a priceless dinosaur bone, and the circus comes to town. I love any movie with a fast-paced plot and rapid dialogue, and it doesn’t get faster (or zanier) than this. Having been a longtime fan of the Grant/Hepburn pairing in The Philadelphia Story, it’s fun to see them in the meet-cute stage of a relationship, as opposed to bickering divorcees. Almost as though Bringing Up Baby is the prequel to their later film, back when this onscreen couple was just figuring out how to be “yar”.

Fans of The Thin Man will probably recognize doggie star “Skippy”, who achieved even greater fame as Nick and Nora Charles’s pooch Asta. Here he plays George, a pampered scoundrel who likes to steal bones and hide them all over his owner’s sprawling estate. One such bone is the missing piece to Cary Grant’s prized Brontosaurus skeleton, so while you’re watching Bringing Up Baby, I recommend joining the fun with this Skeleton Key cocktail.

Skeleton Key

1 ½ oz Bourbon

¾ oz Elderflower Liqueur

½ oz Lemon Juice

4 oz Ginger Beer

8 dashes Angostura Bitters

Combine bourbon, elderflower liqueur, and lemon juice with ice in a Collins glass. Stir to combine and chill, then top with more ice, and ginger beer. Stir, and top with eight dashes of Angostura Bitters.

Fizzy and sweet, the drink also has a bit of a bite to it, mirroring the sharp tongues of our hero and heroine. For witty banter, hilarious physical comedy, and chemistry that’s off the charts, give these screwballs a watch. Cheers!

All That Jazz

Image credit: All That Jazz, 1979

I don’t know what it is about my personality that makes me compatible with people who love musical theater, but somehow, the universe keeps throwing them my way. I’m left smiling awkwardly when my new friends gush about Hamilton, or the latest Funny Girl revival, pretending the very notion of a live song-and-dance routine doesn’t make me shudder internally. However, there’s one thing that helps me cross the entertainment chasm, and that’s movies about live theater. Now those, I love!! From The Goodbye Girl to Waiting for Guffman to Center Stage, to this week’s Cinema Sips pick All That Jazz (Disc), I can’t get enough backstage drama and tights. Finally, common ground with the Playbill crowd!

I love a good “puttin’ on a show” plot as much as the next person, but All That Jazz takes the trope to a new and exciting level. In this gritty, sexy, Dexedrine-fueled world of stage and screen, director/choreographer Joe Gideon (Roy Scheider) struggles to balance his turbulent love life, a new Broadway show, and feature film editing without dropping dead of a heart attack. The fact that he’s seen talking to the Angel of Death (played by a luminous Jessica Lange) in various dream sequences tells us he’s already on his way. This semi-autobiographical film from director/choreographer Bob Fosse asks us to consider how much can be piled on a person’s plate before they collapse under the weight of responsibility. This movie gets me thinking a lot about the inevitability of death, and how we humans have to balance making the most of our time here while ensuring we have that time in the first place. Joe slogs along, shooting that Visine in his eyes, taking that morning shower, popping that pill, announcing “It’s showtime, folks!” because to do the alternative is unthinkable. His body will give up before his mind or his will, and rest comes only to the dead.

Leave it to Joe Gideon to imagine that Death comes in the form of a beautiful woman in a nightclub. I’m still not sure about the frothy white getup she’s wearing (I might have opted for something more “Halston”), but I’m willing to go along with the surrealist costume because it inspires this week’s cocktail. While watching All That Jazz, I recommend drinking a classic White Lady.

White Lady

2 oz Plymouth gin

½ oz Cointreau

¾ oz lemon juice

¼ oz simple syrup

1 egg white

Combine all ingredients in a shaker without ice. Dry shake for about thirty seconds, add ice, then shake again for an additional thirty seconds. Strain into a chilled coupe glass, and garnish with a lemon twist.

In case I haven’t fully sold this movie yet, All That Jazz’s fictional play NY/LA has one of the sexiest dance sequences ever committed to film. A big part of that is the lighting and cinematography, and frankly, I just don’t see it working from the cheap seats in the back. The camera enables us to be up close and personal with these bodies, both strong and fragile at the same time, putting it all into perspective. There’s no business like show business to make you realize that every day you’re still alive, putting on that performance, is a miracle. Cheers!

Garden State

Image credit: Garden State, 2004

A movie soundtrack is a very powerful tool. It can turn the mundane into profound, the simple into lyrical. Such is true for Garden State (Disc/Download), a film I championed and saw multiple times in the theater the summer of 2004, but with hindsight, can finally acknowledge it for what it actually is—a phenomenal collection of songs layered over a totally average collection of scenes.

First, I blame my youth. On the cusp of my senior year of college, with no idea what I wanted to do afterward, this coming-of-age story about a fully grown adult who still didn’t know what he wanted from life really spoke to me. As in The Graduate, we see Andrew Largeman (Zach Braff) return to the hometown he’d left years ago, and even though it’s not right, it’s easy. When he sinks into the couch of a long-forgotten high school acquaintance, high on ecstasy, moody Zero 7 song playing in the background, and just lets the world spin around him for one night, you feel it in your soul. However, he then makes the mistake of falling for Natalie Portman’s truly annoying “quirky ingenue”, and that’s where I lose all respect. Large, you’re not in love with the girl with the epilepsy helmet and dead hamster. I promise, this is the depression talking.

There are two things every coming-of-age story must have, and that is a flirty swimming pool scene, and a cool or unusual vehicle. In Large’s case, it’s his grandfather’s old motorcycle with a sidecar. Let’s celebrate it with a variation on the traditional brandy-based cocktail, a Rum Sidecar.

Rum Sidecar

2 oz Kraken Dark Spiced Rum

1 oz Cointreau

1 oz Lemon Juice

Orange Peel Garnish

Combine all ingredients in a shaker with ice. Shake until chilled, then strain into a coupe glass. Garnish with a twist of orange.

I may not love this movie in the way I once did, but I can confidently say the soundtrack still holds up. I remember being in New York City the week it came out, standing in line at the Times Square Tower Records, staying up all night in my parents’ hotel suite listening to it on a plastic Discman. Instead of exploring the infinite abyss of Garden State, I’d much rather reach for “Such Great Heights”. Cheers!

Inside Llewyn Davis

Image credit: Inside Llewyn Davis, 2013

I’ve never been much of a “cat person”, but Inside Llewyn Davis (Disc/Download) has definitely made me a “folk singer with a cat” person. If you look at my record collection, you’ll see a lot of 1960s folk/singer/songwriter albums, but leave it to the Coen Brothers to make me fall in love with my favorite music genre all over again. I guess that’s the thing about folk music, as they say. It was never new, and it never gets old.

When we talk about unsympathetic characters in movies and fiction, we may as well have a poster of Llewyn Davis hanging up as an example. This incredibly talented, perpetually broke singer bums couches and meals from his gullible friends, impregnates a married woman (though, to be fair, it does take two to tango, Jean), and insults his fellow Gaslight performers with no regard to the frequently sensitive nature of artists.  In short, he’s an ass. And yet, his talent makes him someone you still want to root for. Surely, if the whole world could just hear him sing “Fare Thee Well”, he’d finally get the recognition he deserves, get his life together, and become a more thoughtful person. But since the movie itself is like a folk song, we see him make the same mistakes over and over, caught in a loop of reacting (badly) to crisis after crisis.

Perhaps Llewyn’s biggest mistake made is letting a pet cat escape from the apartment where he’s been crashing. He’s then forced to carry it around New York City, in the dead of winter, and we all know how cats just love to be toted like a handbag. While watching Inside Llewyn Davis, toast his feline friend with this Tomcat cocktail. Working with an animal may have been misery for the filmmakers, but it was magic for us.

Tomcat

2 oz Old Tom Gin

1 oz Sweet Vermouth

2 dashes Orange Bitters

Luxardo Maraschino cherry

Orange Twist

Combine gin, vermouth, and bitters in a shaker with ice. Stir to combine and chill, then strain into a glass with a large ice cube. Garnish with a cherry and orange twist.

Oscar Isaac carries this movie so well, but let’s not forget about the stellar supporting cast. Adam Driver makes a fun appearance as one third of a trio singing a gimmicky song about astronauts, and even Justin Timberlake does a great rendition of “Five Hundred Miles” with Carey Mulligan. As ever, the Coen Brothers have created a world that’s very specific, and at the same time universal– much like the music they so lovingly celebrate. Cheers!