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Psycho

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Image credit: Psycho, 1960.

There’s a fine line between the kind of horror movie I can handle, and the kind I can’t. A great example of a “Liz Locke-approved Scary Movie” is this week’s pick Psycho (Disc/Download). Even though Alfred Hitchcock’s masterpiece makes me anxious about taking a shower ever again, the psychological suspense is so well crafted that I almost welcome the terror. Plus, you know I love any movie set in a hotel ;-).

Although this film would later be remade shot-for-shot in color by Gus Van Sant, I’ll always prefer the original black-and-white version. It removes the viewer from the action a little bit, reminding us that this is fiction, and Norman Bates is not peering at me through a peephole or waiting behind a curtain with a knife in his hand. The noise I heard halfway through shampooing my hair was just the dog.

IT’S JUST THE DOG.

In his performance as a disturbed serial killer, Anthony Perkins is equal parts creepy and likeable, similar to all those other famous murderers we’ve heard about in podcasts and documentaries. You know the type: average guy next door; he wouldn’t hurt a fly. And as one of his victims, Janet Leigh’s character Marion isn’t exactly innocent, but she’s so sweet and unsuspecting of what’s about to happen to her that the viewer almost forgets she’s a “bad girl” on the run. This is what I love about Psycho– you think you understand who the criminal is in the first ten minutes, only to realize you had no idea what level of depraved criminal you’re soon about to meet.

When Marion Crane checks into the Bates Motel, she’s probably expecting to relax with her suitcase full of money and a nice cold cocktail (I know that’s what I like to do on vacation, anyway). Instead, she’s stuck talking to a sad loner about his taxidermy collection, over a pile of white bread and pitcher of water. Is this the hospitality industry or prison?? Let’s bring some fun to this lobby party with a cocktail inspired by the upcoming shower scene. While watching Psycho, I recommend drinking this 12 Cabins, 12 Vacancies cocktail.

12 Cabins, 12 Vacancies

2 oz Red Wine

1 oz Pineapple Juice

¾ oz Simple Syrup

¾ oz Lime Juice

Club Soda

Add the red wine, pineapple juice, simple syrup, and lime juice to a highball glass over ice. Top with soda water, and stir well to combine. Garnish with a dehydrated blood orange.

As blood circles the drain in one of the most artistic murder scenes ever filmed, notice how it looks remarkably like the red wine in your cocktail. Apparently Hitch used chocolate syrup, but personally I prefer a boozier option. This is a refreshing drink that’s easy to refill as you watch Norman descend deeper and deeper into madness. But then again, don’t we all go a little mad sometimes? Especially after a few tipples? Cheers and Happy Halloween!