Tag: Robert Altman

Dramas

Gosford Park

LizLocke3 Comments
Image: Gosford Park, 2001

As autumn finally starts to creep into my neck of the woods, I’m inspired to watch a film that celebrates rainy weather, tweed, and strong cocktails. If you’re a Downton Abbey fan, then you’ll be particularly interested in this week’s pick: Gosford Park (Disc/Download). One of the late-career masterpieces from Robert Altman, this Julian Fellowes-penned film predates the popular television show and kickstarted my love of Maggie Smith as the sassy Dowager Countess.

The 1930s British class system might seem like an unusual topic for an iconic American director to tackle, but when you watch Gosford Park, it makes total sense. Like most of Altman’s other films, it’s got a large ensemble, with scenes unfolding naturally as though the camera is just a lucky observer. What is happening in the background is just as important as whatever’s happening in the foreground, and watching the intersection of Upstairs, Downstairs, and Interloper is like a crash course in British society. Add to that an Agatha Christie-style murder mystery, and you’ve got what is probably my favorite Robert Altman film of all time.

If you’ve seen Downton Abbey, then you know what Gosford Park looks like. Women in beautiful 1930s gowns seated around a candlelit dinner table. Men in tweed suits toting their hunting rifles out into the English countryside. Cocktails and revelry among visiting American film producers and nervous social climbers. Maggie Smith yelling at a servant from the back of her Rolls Royce. It’s in ode to the beginning shots of her car traveling down a rainy country road, soft piano music playing in the background, that I selected this week’s tipple. While watching Gosford Park, I recommend drinking a classic cocktail from the Prohibition era, the Rolls Royce.

Rolls Royce

1 ½ oz London Dry gin

½ oz dry vermouth

½ oz sweet vermouth

¼ oz Bénédictine

Stir all ingredients with ice, and strain into a Nick & Nora glass.

I’m not usually a fan of Agatha Christie mysteries, however this film offers something a little different than the typical whodonit. The first half is entirely devoted to understanding the specific societal roles these characters inhabit, and how their paths intersect. By the time someone turns up with a knife in their back, you’re less interested in who than why. Gosford Park is the perfect film for a cozy night in, as you picture yourself sitting in the parlor of an English country estate, watching the drama unfold. Cheers!

Comedies

The Player

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Image credit: The Player, 1992

With the historic 2023 Hollywood writer’s strike thankfully coming to an end, it seems fitting to watch a movie where a screenwriter comes to an “arrangement” with a Hollywood studio exec, and in effect gets the final word. Robert Altman’s The Player (Disc/Download) is a fun satire of the industry, where pitches get made on the fly, stars wander in and out of the frame, and power is fleeting. What did it take to get a movie greenlit in 1992? Apparently, Julia Roberts and a happy ending.

I always love movies and television shows where stars play a version of themselves, and The Player is chock full of cameos from people like Burt Reynolds, Cher, Jack Lemmon, and Buck Henry (just to name a few of the 60+ celebrities parading through, both major and minor). This speaks to the idea that Los Angeles is a “company town”, and even though the Classic Hollywood studio system may be long gone, there’s still a lingering hierarchy in place. Actors are close to the top of the food chain, while screenwriters are unfortunately down at the bottom. Producers and execs? They’re at the very top. Tim Robbins is fantastic as hotshot studio exec Griffin Mill, playing the role with a pitch-perfect note of smarmy insincerity. The plot transitions into a comedic noir when Griffin inadvertently murders a screenwriter he thinks has been sending him death threats (a twist straight out of the classic film posters lining his office walls), and he quickly has to pivot from a man who has everything, to a man who has everything to lose.

With so many Hollywood locations used in the filming of this, it shocked me that The Ivy wasn’t one of them. Growing up in the ’90s, I thought this restaurant behind the white picket fence was where all the big deals happened. At least, that’s what People magazine led me to believe! Altman may have skipped it, but that doesn’t mean we have to. While watching The Player, I recommend drinking The Ivy Gimlet.

The Ivy Gimlet

3 oz Vodka

1 oz Lime Juice

1 oz Simple Syrup

6-8 fresh mint leaves

Lime Wheel

Prepare glass by rubbing a lime wheel around the rim, then dip in sugar. Fill with crushed ice, then set aside. In a metal shaker, muddle mint with lime juice and simple syrup. Add vodka and a few ice cubes, and shake until chilled. Pour entire contents of shaker into prepared glass. Garnish with lime wheel and more fresh mint.

When Griffin says at one point, “I was just thinking what an interesting concept it is to eliminate the writer from the artistic process,” one wonders if today’s execs saw this film as a roadmap to where the industry might be headed next. As ludicrous as some of these pitches in The Player are, I’d give anything to see these types of original movies on offer at the local cineplex. Without existing IP, how does anything get greenlit now? The sad fact is, most of the time, it doesn’t. Movies: now, more than ever… a repackaging of something you’ve already seen before.

Classic Films

McCabe & Mrs. Miller

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Image credit: McCabe & Mrs. Miller, 1971

How do you make a Western that a pink-loving, romance-obsessed millennial female like me will actually enjoy? Easy.

  1. Fill it with gorgeous Leonard Cohen songs.
  2. Cast two of the most beautiful humans alive in 1971: Warren Beatty and Julie Christie.
  3. Make bath time fun again.
  4. Tell the costume department to invest in a really big fur coat. I’m talking massive. Make him look like a very fancy bear.

This week on Cinema Sips, I’m featuring the Robert Altman classic, McCabe & Mrs. Miller (Disc/Download). You won’t find a lot of Westerns on Cinema Sips because I’ve never been a fan of dust and dirt and long, lonely vistas; however, there’s something about McCabe & Mrs. Miller that hooks me. The modern music is certainly part of it, but I think it’s also the way ordinary realities are depicted. The characters speak like normal people, instead of holdovers from the Victorian era. They talk about real issues, like same-sex attraction, and menstruation, and what it is that humans really want on the edge of a barren frontier. It’s not sex and it’s not religion (despite the proliferation of brothels and churches); it’s comfort. In many cases, power.

I’m going to warn you, McCabe has truly heinous cocktail preferences. He enjoys a double whiskey with a raw egg, and frankly, seeing that yolk drop into the glass makes me want to vomit. Let’s make a tastier egg-white version instead, adding a little marmalade in honor of Mrs. Miller’s cockney roots. While watching McCabe & Mrs. Miller, I recommend drinking a Marmalade Whiskey Sour.

Marmalade Whiskey Sour

2 oz Bourbon

1 oz Lemon Juice

½ oz Simple Syrup

½ oz Orange Marmalade

1 egg white

Combine ingredients in a shaker without ice first. Shake vigorously for thirty seconds, then add ice. Shake for another thirty seconds until chilled and frothy. Strain into a glass filled with fresh ice.

I’ll have to remember this movie when I’m sweltering through a Texas summer because one look at the snow-covered mining town makes the room feel ten degrees cooler. But even when the snow is falling outside, and the wind is howling, it’s still fun to snuggle up under a furry blanket, pour a drink, and contemplate whether any Western hero was ever as cool as John McCabe, before or since. Certainly, he was the best-dressed. Cheers!