Anyone who knows me (or really anyone who’s ever read this blog) knows I have a thing for the 1960s. But where did this obsession come from? I blame the following: endless Nick at Night marathons in the ’90s, and this week’s movie, That Thing You Do! (Disc/Download).
Having been raised on the Pittsburgh oldies station in my dad’s car, I knew this era’s music inside and out. So when Tom Hanks “the director” burst onto the scene with his ode to ’60s pop, I was instantly hooked. Add to that Liv Tyler’s cigarette pants and high ponytails, Tom Everett Scott’s electronics shop wonderland (THOSE VINTAGE RADIOS!!!), and all those references to forgotten stars like Gina Lollobrigida and Suzanne Pleshette, and I was officially a goner. I’d found my pop culture home, and the mid-1960s was it. I wanted to live in this world where the One-ders could rise to superstardom on the strength of one hit song, and not flashy boy-band dance moves. This world where rock bands got to pretend-perform in movies as Capt. Geech and the Shrimp Shack Shooters. This world where jazz and rock & roll was still somewhat interconnected, and a talented musician like Guy Patterson could perform in front of screaming teenage girls one minute, and studio icons the next. Maybe, at the end of it all, I just wanted to imagine a world where I could leave Pennsylvania and follow my dreams—wearing those cigarette pants, of course.
It’s still incredibly odd to me that Tom Hanks hasn’t found more projects like this to direct, because clearly the guy’s got skills. He made a perfect gem of a movie that captures a specific moment in time, pulling together exceptionally talented people to realize his vision. Let’s celebrate this maestro of ’60s nostalgia with one of my favorite cocktails, the classic Tom Collins.
2 oz Gin
1 oz lemon juice
½ oz simple syrup
Combine gin, lemon juice, and simple syrup in a shaker with ice. Shake until chilled, then strain into a Collins glass with fresh ice. Top with Club Soda, and stir gently to combine. Garnish with lemon.
I did a thing I pretty much never do, which was to watch an unedited version of this movie one lazy Friday night. I know a lot of people enjoy Special Features and Extended Cuts, but to me, theatrical cuts exist for a reason. In most cases, it’s the best version everyone could agree on. But I got curious, wondering what was tossed from my perfect film, and WOW it was a lot. For example, poor Charlize took the biggest hit, and now that strange Spartacus line finally makes more sense. Sort of. Also- Tom Hanks’ manager character was actually gay?? That’s actually something I wish they’d left in. Aside for some great dresses that ended up on the cutting room floor, most of the edits were necessary. Would I watch the extended version again? Probably not—it was extremely long and slow-moving. But as a lesson in how all the parts have to come together in just the right way to tell the best story possible, it was invaluable. Like the difference between the Oneders vs. The Wonders, simple is usually better. Cheers!