Classic Films · Holiday Films · Musicals

The Umbrellas of Cherbourg

During a recent conversation with a friend, the subject of 1960s Christmas movies came up. Trying to list my favorites, I quickly hit a wall. Seems the 1940s and the 1990s pretty much cornered the market on holiday flicks. Maybe that’s why I wrote such a lengthy Christmas section into my novel Follow the Sun—I wanted to create a stylish world of silver tinsel trees, Shiny Brite ornaments, and elaborate teased updos. A world of Henry Mancini albums on the hi-fi, fondue on the buffet table, and structured Saint Laurent evening gowns. Like my novel, Jacques Demy’s The Umbrellas of Cherbourg (Disc/Download) only has a brief stopover at Christmas, but it’s memorable enough for me to consider this a holiday film. And not just any holiday film, but the most glamorous one in existence.

Presented in operatic form, The Umbrellas of Cherbourg has a straightforward (albeit tragic) plot. Geneviève (Catherine Deneuve) and Guy (Nino Castelnuovo) are young, gorgeous, and madly in love. They consummate the relationship shortly before Guy leaves for war, and although Geneviève promises she’ll wait for him, her meddling mother forces her to doubt he’s ever coming back. Pregnant and alone, she marries someone else, leaving the father of her child heartbroken upon his return. Eventually, he moves on too, and years later they share a sad reunion under the backdrop of a snowy gas station. With stunning production design and more color than I’ve ever seen in a movie, Umbrellas manages to make a world papered in pink and orange damask impossibly sad and beautiful. As Catherine Deneueve trudges back to her car on that cold Christmas Eve, your heart just breaks for her. This is the definition of a Blue Christmas.

I covered this movie years ago for Moviejawn with a Crème de Violette cocktail, however this was before Empress 1908 gin came into my life. Distilled with butterfly pea flower, this gin has lately given rise to many colorful cocktail experiments. One of my favorite gin botanicals is cinnamon, so I’ll be using it for a holiday twist on a French ’75. While watching The Umbrellas of Cherbourg, I recommend drinking a Cinnamon ‘75*.

Cinnamon ‘75

1 ½ oz Empress 1908 Gin

¾ oz Lemon Juice

½ oz Cinnamon Syrup

1 tsp. Maple Syrup

Champagne, to top

Cinnamon stick garnish

Combine gin, lemon juice, cinnamon syrup, and maple syrup in a shaker with ice. Shake until chilled, then strain into a coupe glass. Top with champagne, and garnish with a cinnamon stick.

*Recipe adapted from Empress Gin website

I like to think the characters of Follow the Sun would have seen this movie upon its release in 1964, and maybe Caroline, drawn to the emotional music score, would have returned more than once. Perhaps Daphne narrowly missed out on the Catherine Deneuve role because of her lackluster singing voice, and she still holds a grudge against Jacques Demy. Maybe it caused them to realize (as it caused me to realize) that the holidays might be painful as we think about those we’ve loved and lost, but nevertheless, there’s still beauty and glamour all around. Joyeux Noël!

Classic Films · Foreign

I Am Cuba

Image credit:  I Am Cuba (Soy Cuba), 1964
Image credit: I Am Cuba (Soy Cuba), 1964

To close out Foreign Cinema Month on Cinema Sips, I’m featuring a film that is maybe the epitome of esoteric international art-house fare. Black-and-White photography? Check. No discernable plot? Check. Long stretches of time with no dialogue and beautiful tracking shots? Check. Gorgeous peasants who look like they stepped off the pages of an old Life magazine? Check!

I Am Cuba (DVD) is a Cuban/Soviet collaboration directed by Mikhail Kalatozov depicting the persecution and eventual rebellion of the communist Cuban party. I know- a laugh a minute, right? What draws me in to this film right away is the exquisite cinematography, which begins on a jungle cruise and continues onto a rooftop pool with the Havana La Dolce Vita crowd. Later, we’re transported to a smoky nightclub where a mournful singer croons `Loco Amor’, and depressed prostitutes nurse cocktails at the bar. The whole movie feels like a dream, or perhaps a nightmare that haunts you long after it’s over. My Laserdisc (yes, it is the dream of the 90’s at my house) of the film is subtitled in English, I think the characters are speaking Spanish, and there’s also Russian dubbing thrown in for fun. The American characters are either dubbed badly by someone with a Russian accent, or the Russian (or Cuban?) actors couldn’t quite grasp English before making this- I can’t tell which. Talk about foreign cinema!

I’ve featured variations on the Mojito several times on Cinema Sips, but with such an authentic Cuban movie, I think it’s time to make the real thing. I’ve been saving the mojito for either I Am Cuba or Dirty Dancing: Havana Nights, and Kalatozov beat Swayze by a nose. According to the bartender at San Antonio’s Hotel Havana, the key to an excellent mojito is to roll the mint leaves against the palm of your hand to release the oils. I’m not sure if it’s true, but I had fun testing the theory. While watching I Am Cuba, I recommend drinking a Mojito.

Mojito

1 ½ oz White Rum

6 leaves of Mint

1 oz fresh lime juice

2 tsp. sugar

Soda Water

Muddle mint leaves in the bottom of a glass with sugar and lime juice. Add the rum, ice, and top with soda water. Garnish with a sprig of mint.

mojito

I have had such a great time re-discovering international cinema this month. Watching any of these films always gives me a bit of wanderlust. There were a few that didn’t make the cut that I’d still like to mention- I’m So Excited (or really anything by Pedro Almodóvar), Y Tu Mamá También, Umbrellas of Cherbourg, Blue is the Warmest Color, Jules et Jim, and The Blue Angel.  I urge you readers to check out one or two of the movies I’ve featured, and let me know if you have any other favorites. There really is a whole world of cinema out there waiting to be explored. Cheers!