Classic Films

Heaven Knows, Mr. Allison

Image: Heaven Knows, Mr. Allison, 1957

The latest issue of MovieJawn has just hit my mailbox, and praise the lord, it’s all about nuns! Inside, you’ll find my cocktail pairing for The Trouble with Angels, but here on Cinema Sips, I wanted to celebrate one of my other favorite nun pictures: Heaven Knows, Mr. Allison (Disc/Download).

Thanks to its WWII South Pacific setting, this movie lends itself perfectly to a Tiki cocktail. Robert Mitchum plays Marine Corporal Allison, who washes up on a deserted island after being separated from his unit. Turns out, the island isn’t completely deserted because Sister Angela (Deborah Kerr) got there days before on a failed rescue mission. Her accompanying priest died, and now the marine and the nun are all alone. Just like Adam and Eve, as Mr. Allison drunkenly points out. There’s something about Deborah Kerr in a nun’s habit that tends to drive men wild (see also: Black Narcissus), and it doesn’t take long for Mr. Allison to fall hard. He professes his love for her, while she professes her love for Jesus. The kicker: she hasn’t even taken her final vows! She could chuck that purity ring off and get busy in the cave with Mitchum whenever she wants. I’m not religious (which perhaps makes me a biased heathen), but to me, there is no contest: I’d choose Mitchum, every time.

Watching Heaven Knows, Mr. Allison means getting swept up in all the “will they/won’t they” tension. Will Mr. Allison be this missionary’s downfall? Or will she resist? If you think it’s getting hot in that cave, better cool off with this Don the Beachcomber original, the Missionary’s Downfall.

Missionary’s Downfall

1 oz light rum

½ oz peach schnapps

½ oz fresh lime juice

1 oz honey syrup

¼ cup diced pineapple (I used frozen)

¼ cup fresh mint leaves, packed

¾ cup crushed ice

Combine all the ingredients in a blender. Blend until smooth, then pour into a coupe. Top with more fresh mint.

MovieJawn Spring 2026 issue w/ Missionary’s Downfall

Shot in Technicolor with a jaunty soundtrack, this John Huston picture would make a great double feature with Father Goose. It takes a heavy topic like war and shows us it’s possible to find love, friendship, and connection amid untold atrocities. I laugh when Mitchum keeps calling Sister Angela “ma’am”, but I also clutch my heart when he risks death to steal a few cans of food from the Japanese. Heaven Knows, Mr. Allison is exactly the kind of movie I want for a Tiki pairing because there’s nothing better than a frosty cocktail and a hot man on this mid-century version of Temptation Island. Cheers!

*To find out more about MovieJawn, including subscription and Patreon options, visit: MovieJawn.com

Dramas

Chaplin

Image credit: Chaplin, 1992

When times are tough, something that keeps me going is my connection to fellow cinephiles. One way I’ve made these connections is through the terrific film zine Moviejawn, where I’ve been a contributor for the past eight years. The latest issue is all about silent cinema, and in it, I confess my secret shame: until recently, I’d never watched a Chaplin film all the way through. How is this possible, you ask? Well, turns out you can fake it pretty well if you’ve watched this week’s Cinema Sips pick, Richard Attenborough’s Chaplin (Disc/Download).

Biopics are one of my favorite film genres, and having recently eschewed political podcasts in favor of dishy celebrity memoirs, I find myself craving more insight about how great films were made, and in particular, what was happening in a star’s personal life during the process. Chaplin ticks all the boxes: talented actor who sort of looks like the celebrity he’s playing (Robert Downey Jr.), recreation of classic film sets (The Gold Rush, The Great Dictator, etc.), outside forces trying to squash the star’s light (ugh, HUAC), terrific supporting cast playing real icons (Kevin Kline as Douglas Fairbanks!!!), and laughably bad old-age makeup and hair. The best biopics understand they’re not going to squeeze everything in, so instead they attempt to paint the broad strokes of a person’s life, getting to the essence of what made them so successful. Attenborough does this incredibly well, taking us from Chaplin’s Dickensian roots in a British work house, to the vaudeville stage, to America, to California, to his exile in Switzerland, and finally, to his triumphant return at the 1972 Academy Awards ceremony. Some scenes are sped up to mimic the frame rate of the silent films they pay homage to, and this helps the movie move at a satisfying clip. We don’t need to see everything; just the highlights and a few Keystone Cops bits.

The film I discuss in the most recent issue of Moviejawn is City Lights, and given it’s my first foray into the world of Charlie Chaplin, it feels appropriate to celebrate him with the classic cocktail that bears his name. I’ll share it here for my Cinema Sips readers, because it’s also a great one to try while you’re watching Attenborough’s Chaplin.

Chaplin

1 oz Sloe Gin

1 oz Apricot Liqueur

1 oz Lime Juice

Dried lime wheel (garnish)

Combine first three ingredients in a shaker with ice. Shake to chill, then strain into a coupe glass. Garnish with dried lime wheel.

I was surprised by how relevant Charlie Chaplin’s story continues to be today, along with his films. The silent comedian tackled themes of income inequality, authoritarianism, automation, immigration, xenophobia, etc., so it’s no wonder he was a target for a government hell bent on squashing anybody who dared speak out against America’s rotten core. Even more than a story of a flawed man, Chaplin is the story of a flawed country. But the one thing he knew, and the thing that Moviejawn continues to prove again and again, is how wonderfully films can unite us. Even in silence, we can hear each other calling out. Cheers!

*If you’re interested in subscribing to Moviejawn, details can be found here. I also highly recommend the spring issue’s accompanying Silence Please! vinyl record, perfect for immersing yourself in the silent cinema experience!