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Tag Archives: 1970s

Network

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Image credit: Network, 1976

If you live in America, you’re more than likely mad as hell right now. The question is whether you can take it anymore. As the mad prophet of UBS instructs us in this week’s 1976 classic Network (Disc/Download), open the window and scream. Listen to the screams of others.

If I had to pick one word to describe Network, that adjective would be ‘angry’. All the characters are angry about something (ratings, the general state of the world, market shares, etc.), and they do a lot of shouting about it. But the interesting thing is that these characters were angry about many of the same things in 1976 as we are today. News as entertainment is a problem we were warned about forty-six years ago, and now we’re seeing it play out in real time. Unfortunately, we no longer have a Howard Beale (Peter Finch) on the airwaves to get up from behind his desk and shine a spotlight on the corporate greed that fuels the television networks. Now we have something scarier—a whole generation of anchors whose only job is to shock, enrage, inflame, and pretend they’re doing the opposite. Diana Christensen would be so proud.

Veteran newsman Howard Beale and his colleague Max Schumacher (played terrifically by William Holden) start out the movie getting roaring drunk, before becoming passionate critics of a changing industry. For this week’s pairing, I used spicy Habanero peppers to infuse some Añejo tequila, resulting in the angriest of cocktails. While watching Network, I recommend drinking a Mad Prophet.

Mad Prophet

2 oz Habanero-infused Añejo tequila (let tequila soak with peppers for at least 1 hr, then strain pepper out)

1 oz Orange Juice

1 oz Lime Juice

1 oz Passion Fruit Syrup 

Combine tequila, orange juice, lime juice, and passion fruit syrup in a shaker with ice. Shake until chilled, then strain into a glass filled with fresh ice. Garnish with a pepper slice.

Network is a dark satire of television journalism that only gets darker as time drags on, letting us see the effects that pandering to our most racist, sexist, darkest tendencies can have on a group of people. And if that doesn’t make you mad as hell, then you’re not paying attention.

Logan’s Run

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Image credit: Logan’s Run, 1976

I’m stepping out of my comfort zone this week with a science fiction classic, a genre I rarely cover on Cinema Sips. But in 1976, there was a massively popular film that appealed to both miniature enthusiasts and future Plato’s Retreat patrons—Logan’s Run (Disc/Download). How could I resist?

Dubbed “the sexiest movie ever” by Friends’ Ross Geller, Logan’s Run is a pure escapist fantasy that practically screams disco era. From caftans to holograms, from Farrah Fawcett’s shag haircut to a domed city model straight out of Epcot, this movie relies on practical effects almost as much as it relies on our ability to be distracted by shiny objects. The central theme of a futuristic society where nobody is allowed to live past the age of thirty is almost overshadowed by the impressive visual achievements, which garnered the film a special Academy Award. Why is Logan running? Because he’s been forced to infiltrate and destroy a sanctuary for “olds”. If he’d asked me, I could have pointed him in the direction of Palm Springs. But instead, he goes to Washington DC, where the buildings are crumbling and Congress is basically an abandoned litter box. Sounds about right.

One truly bizarre scene (and there are a lot of truly bizarre scenes in this movie) involves a gold robot called Box that captures and freezes food from outside the domed city for use by the privileged young’uns. It also captures… PEOPLE. Cue the Soylent Green comparisons. While watching Logan’s Run, take a fun trip around the Carrousel with this futuristic frozen cocktail, the Saturn.

Saturn

 1 ¼ oz Gin

½ oz Lemon Juice

½ oz Passion Fruit Syrup

¼ oz Falernum

¼ oz Orgeat

2 cups crushed ice

Orange Twist

Add gin, lemon juice, passion fruit syrup, falernum, and orgeat to a blender filled with crushed ice. Blend until smooth, then pour into a hurricane glass. Garnish with an orange twist.

Is America really headed for a Logan’s Run-type existence? I guess we’ve got about two hundred and fifty years left to either fix all the problems or sentence ourselves to a version of doom that looks like a Florida theme park. But if feral cats really do take control of Congress, and somehow our society reverts back to being centered around shopping malls, I have one request: feathered Farrah Fawcett hair and a glittery tunic for all. Cheers!

Taxi Driver

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Image credit: Taxi Driver, 1976

Continuing through the year 1976, I can’t not make a stop at Taxi Driver (Disc/Download). In addition to serving as a fantastic time capsule of the period, Martin Scorsese’s magnum opus forever changed filmmaking, as well as our perception of the hero/antihero.

It’s hard to say what my opinion of this movie would have been if I hadn’t already been confronted with the concept of mass shooting from the age of sixteen, well before I ever saw DeNiro turn to the mirror and ask, “You talkin’ to me?” For by the time I got to college and actually watched this, it was too late. The image of a disturbed individual (or two, in the case of Columbine), walking into a crowded area, armed with hidden guns under a baggy coat, had already been implanted by news reports. So you’ll forgive me if I don’t find this scenario entertaining in a movie, even when it’s the phenomenal Robert DeNiro playing the tortured white male who just can’t deal. Maybe we’re supposed to relate to his character of Travis Bickle, a man who came home from Vietnam to a crumbling New York City, its sidewalks piled high with trash and sin, who feels out of place and aimless. Maybe we’re supposed to understand why he’d basically stalk Cybill Shepherd, then a teenaged Jodi Foster, as though he’s the one man who can save them from the big bad city. Sure, the climax and the night rides are beautifully shot, sometimes achingly so, but I can’t get over the simple fact that this guy who feels powerless thinks the solution is to take away power from others by any violent means necessary. That doesn’t make him a hero in my book, despite how good his abs look.

A common refrain from Travis is that he wants someone to come in and clean up the city. He drives through the streets of Manhattan, and all he sees is literal and figurative garbage. So while you’re watching Taxi Driver, lean into the theme with this Dirty Manhattan.

Dirty Manhattan

2 oz Rye Whiskey

1 oz Dry Vermouth

A few dashes Angostura Bitters

Green Olive

Stir together rye, vermouth, and bitters over ice until chilled. Strain into a martini glass, and garnish with a green olive.

Taxi Driver is one of those movies I think everyone should see, but only once. I personally don’t need the reminder that the world is a burning trash fire with no hope of anybody actually doing anything to change it; all I have to do is read the latest headlines. But nevertheless, I still feel the need to toast Marty Scorsese—he put his heart, and his beard into this one. Cheers!

Avanti!

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Image credit: Avanti!, 1972

I’ve got a bad case of wanderlust, and it’s all Jack Lemmon’s fault. He makes the Italian island of Ischia look purely magical in this week’s film Avanti! (Disc/Download), an underrated Billy Wilder gem from the 1970s. Though Ischia and it’s highly Instagrammable Mezzatorre Hotel have long held a place on my travel bucket list, this film has moved it straight to the top. What I wouldn’t give to have a room with a view of the sea, thick coffee, an attentive concierge, and a waiter who will ply you with pasta until you forget all about your pesky diet back home. When swimming naked in the Mediterranean is an option, who cares how you look in a bathing suit?

Of course, it’s not all skinny dipping and afternoon prosecco. Jack Lemmon’s character Wendell Armbruster arrives on the island to claim the body of his father, who died in a car crash with his mistress in the passenger seat. The daughter of this mistress is played by Juliet Mills (sister of Hayley), and though Wendell and Ms. Piggott start the film as strangers, they eventually pick up where their parents left off. I watched this film at a weird time in my life, having just spent six weeks dealing with my father’s death and all the legal headaches accompanying it. To say that I identify with Wendell’s frustration about how long and complicated the processes of body transport, death certificates, and funeral arrangements are would be an understatement (and similar to Ischia, nobody works weekends in Florida either). But what I loved about this movie is that by the end, Wendell is able to move past the minutia of death to truly celebrate the life his father lived, in the place where he was happiest. That is how we honor the dead, by experiencing the joy they would have wanted for us.

My one quibble with this fabulous movie is the unfortunate body dysmorphia and fat shaming experienced by Ms. Piggott (even the name is like an underhanded dig at the character). I’m not sure why we’re supposed to believe that the gorgeous Juliet Mills is overweight, but let’s just say by 2021 standards she is not. Luckily, after a couple Bacardi cocktails al fresco, she’s able to loosen up and enjoy herself without counting every calorie. Let’s join in the fun with this rum-based cocktail. While watching Avanti!, I recommend drinking a Daffodil.

Daffodil

1 1/2 oz Bacardi White Rum

1 oz Cocchi Americano

1 1/4 oz Orgeat

1 oz Lime Juice

2 dashes Orange Bitters

Dried Orange slice for garnish

Combine all ingredients in a shaker with ice, and shake until chilled. Fill a tumbler with crushed ice, then strain cocktail into prepared glass. Garnish with a dried orange slice (or twist of orange).

There’s a moment in Avanti! where Juliet Mills says, “Italy is not a country- it’s an emotion.” What this film captures so well are the complex emotions of love, loss, humor, frustration, and longing. After living through a year where it seems everything came to a complete stop, what a relief it is to hear the word avanti. In English, it means move forward. Proceed with living. Cheers!

Saturday Night Fever

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Image credit: Saturday Night Fever, 1977

Sometimes, when the days are dark and the world is falling apart, you just want to forget it all for a night and dance. Cue Saturday Night Fever (Disc/Download). This picture returned to my radar after watching a fantastic documentary about the Bee Gees, whose soundtrack was perhaps more influential and long-lasting than the film itself. However, watching it now, I’m once again blown away by how complex and interesting this “little disco movie” really is.

As we get our first glimpse of John Travolta walking down his Brooklyn street carrying a can of paint, the viewer gets an immediate sense of this character before he even says a word. Tony Manero is confident, slick, knows how to move to the beat of a song, yet seems to be seeking the approval of every person around him. We expect him to be the stereotypical male bimbo, but it’s a credit to the writers and Travolta that Tony is so nuanced. He’s horribly misogynist, yet shows genuine remorse when called out on it. He throws out racial slurs, yet gets mad when the Hispanic couple in his dance competition doesn’t get a fair shot. He’s the king of Brooklyn, but knows he’s wasting his life as a big fish in a small pond. It’s interesting to watch this in 2021 because here is a white male who has been brought up in a culture which inherently disrespects minorities and women, but gives hints he might have the courage and willingness to change. That’s just not something we see from a lot of men nowadays, on screen or in person. Do we need disco to make a comeback? Because on that dance floor, with the lights spinning all around, everyone is equal. Either you can dance or you can’t, and one’s value is completely based in how hard they’ve worked to perfect the steps. Rich, poor, black, white, brown, male, female, gay, straight—none of it matters. Music is everything.

To celebrate the outer borough Tony and his lady friend Stephanie so desperately want to escape, I’ll be drinking this variation on the Manhattan. It’s looks similar, but has more bitter notes (it’s probably just sick of crossing that bridge every day). While watching Saturday Night Fever, I recommend drinking a classic Brooklyn cocktail.

Brooklyn

1 ½ oz Rye Whiskey

½ oz Dry Vermouth

¼ oz Orange Bitters

¼ oz Maraschino Liqueur

Luxardo Maraschino cherry for garnish

Combine whiskey, vermouth, bitters, and maraschino liqueur in a shaker with ice. Shake until chilled, then strain into a chilled martini glass.  Drop in a Luxardo cherry.

It’s surprising to me that this movie is sometimes labeled a romance on streaming platforms. Although it concludes with Tony and Stephanie sharing a soulful moment set to “How Deep is Your Love”, and it has some sexy dance scenes, that’s as much of a love story as we’re given. If anything, the romance is between Tony and disco. So that’s why, every time I’m combing through a stack of vinyl and see that familiar cover of John Travolta in his white suit (because every vinyl stack has one), I find myself smiling. In the end, Tony and disco had their happily ever after; it endures on my turntable. Cheers!

Klute

Klute

Image credit: Klute, 1971

Cinema Sips is exploring a set of films over the coming weeks which feature some incredible female performances.  The subject of sex workers is a complex one, but for the purposes of this blog, we’ll just be talking about the movie portrayals (while enjoying copious cocktails of course).  Kicking things off is Klute (Disc/Download), a 1970s thriller starring Jane Fonda and Donald Sutherland.

Something I’ll never understand is the popularity of Fonda’s 70s haircut.  It’s almost as though her character Bree thinks this unflattering shag can protect her from even further mistreatment by the men in her life.  There’s the pimp, played by Roy Scheider, plying her with drugs and lies.  There’s the cop, played by Sutherland, who could maybe be a love interest, if he had any kind of personality or charm whatsoever. There’s the stalker, who likes to play tape recordings of their “session” and creep on her throughout the film. Honestly the only decent guy in this is the little old man who wants her to dress in a sparkly evening gown and drink wine.  Klute is an interesting time capsule of Manhattan in the 1970s, and you really feel Bree’s struggle as an actress and model, professions where success seems largely arbitrary.  At least with her other job, she has some control.

But let’s go back for a second to that scene with the sparkly evening gown.  In sequins poured over her body like a second glove, Jane Fonda looks fierce, formidable, and sexy as hell.  This is a woman of power.  Let’s celebrate her with this Ruby Manhattan.

Ruby Manhattan

2 oz Bourbon

3/4 oz Ruby Port

1 bar spoon Maple Syrup

Dash of Angostura Bitters

Luxardo Maraschino cherry

Combine first four ingredients in a mixing shaker with ice.  Stir until chilled and combined, then strain into a glass. Garnish with Luxardo Maraschino cherry.

Ruby Manhattan

Jane Fonda’s research with actual sex workers comes through in this Academy Award-winning performance, one full of both vulnerability and strength.  I’m still not sure why the film was called Klute; clearly it should have been Bree.  After all, it’s her world– the rest of us are just lucky to visit. Cheers!

Dazed and Confused

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Dazed and Confused

Image credit: Dazed and Confused, 1993.

It’s time to talk about a movie I’ve snoozed on for too long with this blog.  As any Austinite can attest, you really can’t go two feet without bumping into Dazed and Confused (Disc/Download) at the end of May.  Maybe part of my reluctance is that it’s more of a beer movie than a cocktail movie, but nevertheless, nothing says IT’S FINALLY SUMMER!!! like this wild ride through the last day of school, circa 1976.

Something director Richard Linklater excels at is showing us how one single, ordinary day can be life changing.  He did it with the Before movies, he did it in Slacker, and he does it so well with Dazed and Confused.  Following a group of students on the cusp of summer vacation, the movie feels intimate and big at the same time.  There are important philosophies up for debate (Ginger or Mary Ann), words like “Neo-McCarthyism” batted around, and deep discussions about George and Martha Washington’s colonial weed business. We’re observers to this moment in time when everything seems possible for these kids; to a night when social cliques and freshmen hazing are temporarily cast aside under the light of a moontower. This is American Graffiti for the 1970s, and like that masterpiece, made twenty years after the time period it depicts.  I guess we’re overdue for a version taking place in the ’90s.

As I’ve said, this is really a beer movie.  If you want to be authentic, head to your local convenience store and grab a sixer. Bonus points if it’s a Texas beer. While I watch Dazed and Confused, I’ll be working my way through a favorite local brew, Zilker Brewing Parks & Rec.  It really brings back memories of the Zilker Park moontower, grackles in the trees, and that distinctly Austin eau de Dillo Dirt.

Sixer

Although this is the movie that enabled drunk frat guys to quote Matthew “Alright alright alright” McConnahey until the end of time, it’s also a movie full of sweet, subtle moments like the exhilaration of a girl’s first kiss, or the excitement/terror of sitting in the backseat of a popular kid’s car, wondering how the hell you got there. It’s a film that encourages us to look around and give a hand to the people who might need a little help socially.  And (most importantly) it encourages us to just keep L-I-V-I-N. Cheers!

The Rocky Horror Picture Show

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Rocky Horror

Image credit: The Rocky Horror Picture Show, 1975.

You know what time it is….. Time to do the Time Warp again!!! Truly, that’s what The Rocky Horror Picture Show (DVD/Download) has come to feel like. It takes me right back to being a weird teenager, the kind who hung out in the art room and read Nabokov, dreaming of a place to belong. But then this film came along and changed everything. Suddenly, it was cool to be a freak. It was cool to get excited about watching a movie with a theater full of other freaks, who threw rice and yelled “Say it!” It was cool to be different.

The Rocky Horror Picture Show isn’t just a musical, or a horror film, or even a spoof of a sci-fi/horror film. It’s all those things, and more. It’s a communal film experience that brings people together. It’s an excuse to be silly, to laugh and sing and ogle Dr. Frank N. Furter’s “monster” Rocky in his gold lamé hotpants. It’s a movie that makes you feel free to talk about sexuality, because seriously, everybody’s touching everybody. And even though it’s set in a spooky mansion on a rainy night, and even though Meat Loaf is eaten (the singer, not the beefy entree), there’s nothing scary about Rocky Horror. It’s campy, it’s funny, and it’s the perfect movie to celebrate Halloween.

Since this is such a party movie, I’m making a really fun punch perfect for all your Halloween shindigs. It takes its color from Dr. Frank N. Furter’s eye makeup, and the flavor is sweet, boozy, and effervescent. While watching The Rocky Horror Picture Show, I recommend making Transylvanian Punch.

Transylvanian Punch

3 cups Blueberry Juice

2 cups Dark Rum

1/3 cup lime juice

2 cups Topo Chico

Gummi Eye Ball Ice Cubes

1 Tbsp Activated Charcoal Powder

Combine all ingredients in a punch bowl, stirring gently until well mixed.

Transylvanian punch

I love the dress-up component of Halloween, and what’s great about this film is that it celebrates the art of costuming, and the idea that if you can dream it, you can be it. Rocky Horror meant a lot to this weird teenager, and it still means a lot to this weird adult. Nothing… will ever be the same. Cheers!