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Tag Archives: Cointreau

Victor/Victoria

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Victor Victoria

Image credit: Victor/Victoria, 1982.

From Breakfast at Tiffany’s, to The Party, to the Pink Panther films, I am devoted to the comic genius of Blake Edwards. The man does party scenes like nobody else, giving us a blend of style and cheekiness that all but defines 1960s cinema. Victor/Victoria (Disc/Download) may fit squarely in the 1980s (blame Robert Preston’s hair), but I still put it alongside those other classic ‘60s gems. It’s got flair, whit, and above all, it pushes boundaries.

Starring Edwards’ wife Julie Andrews as a hungry soprano masquerading as a female impersonator in 1930s Paris, this film broke a lot of social barriers. Mary Poppins playing a woman, playing a man, who’s playing a woman is something I never thought I’d see, but this role was unexpectedly perfect for Andrews. She struts about the nightclub stage with confidence, making her audience forget about pedestrian concepts like gender and sexuality. Svengali/Manager Toddy (a role originally intended for Peter Sellers before his sudden death) provides witty banter and one-liners for days, their friendship serving as the true heart of the movie. Sure, we’re meant to root for love interest James Garner, the Chicago mobster who can’t figure out why he’s in love with a man (until realizing “he’s” a “she”), but by the end I don’t even care if James and Julie run off into the Pre-World War II sunset. I just want her to drink champagne in bed with Toddy forever.

Speaking of champagne, these characters drink a lot of it. There’s even one impressive number done by an acrobat balancing on a champagne bottle (CLASSIC Edwards physical comedy). Let’s join these liberal, sophisticated Parisians by drinking a Shady Dame.

Shady Dame

4 oz champagne

½ oz Lillet Blanc

½ oz Cointreau

½ oz Lemon Juice

Lemon Twist

Combine Lillet, Cointreau, and Lemon Juice in a shaker over ice. Shake until chilled, then strain into a coupe glass. Top with champagne, and a twist of lemon.

Shady Lady

In a lot of ways, this film is a snapshot of “before” (before WWII, before the Nazi occupation of Paris), and yet, also a preview of “after”. After we learn to give up our arbitrary rules regarding gender and sexuality and just let people be who they are. After we say it’s okay for anybody, male, female, or non-binary, to wear flamenco dresses, drink champagne, and laugh. Cheers!

Belle de Jour

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belledejour

Image credit: Belle de Jour, 1967

It is one of my greatest sorrows that I missed being alive during the 1960’s. Sure it was a turbulent time in many ways, but the fashions- oh, the fashions. I’ve done my best to channel what I’ve seen on screen into my current wardrobe (thanks Boden!) but I despair that I’ll never have the style of Catherine Deneuve in Belle de Jour (DVD/Download). Everything, from her rain coat to her underwear, is perfection. Prostitution never looked so glamorous.

Directed by Luis Bunuel, Belle de Jour is a surprisingly modern film about sexual desire, marriage, and the secrets we keep locked away. Catherine Deneuve is stunning as Severine, the perfect French housewife who gives into her depraved yearnings by working at a brothel. Each day, before the clock strikes 5:00, she satisfies her baser fantasies with men of all types. Eventually she meets a gangster named Marcel, who has all the swagger of a young Mick Jaggar, and despite knowing her time with him is essentially make-believe, Severine finally comes alive. Her debasement is both elegant and sad, as though her perfect outward appearance is just an elaborate mask for the turmoil happening behind those impossibly pretty eyes.

It wouldn’t be a movie about prostitution without bottles of champagne, and Belle de Jour does not disappoint. Glamorous Madam Anais serves it up freely (though warm). Add some French liqueur, and you’ve got a cocktail with style.  While watching Belle de Jour, I recommend drinking a Boisson du Jour.

Boisson du Jour

4 oz French champagne

1 oz Cointreau

2 dashes grapefruit bitters

Orange twist

Combine ingredients in a coupe glass, stirring gently to combine. Garnish with an orange twist.

Time is a strong motif in Belle de Jour, even down to the title. Severine is the Daytime Beauty, only emerging while the sun is up. We hear the ticking clock at Madam Anais’, and we know that her time is slowly running out. When the clock strikes 5, she’ll take her impeccably tailored raincoat, pillbox hat, and cute buckled shoes and go home to a life that doesn’t quite fit. But then again, perhaps it was all a daydream. Cheers!