Tag: Judy Garland

Classic Films · Musicals

A Star is Born

LizLockeLeave a comment
Image: A Star is Born, 1954

Because I’m in the middle of an editing project right now (fiction, not film), I thought it might be fun to look at a movie that’s had its share of editing drama. George Cukor’s 1954 version of A Star is Born (Disc/Download) was famously trimmed down by Warner Bros. to accommodate additional screenings, then later restored with some of the missing footage, plus audio and film stills. The resulting three-hour epic is certainly iconic, but it makes me wonder: was it worth it?

This cautionary Hollywood tale has been produced four times so far (the most recent being the Bradley Cooper/Lady Gaga version), and by now, we’re all familiar with the general plot of A Star is Born. In this version, a talented but undiscovered singer/actress named Esther Blodgett (Judy Garland) gets plucked out of obscurity by movie star Norman Maine (James Mason), resulting in a doomed love affair as her career takes off and his gradually recedes due to uncontrolled alcoholism. Cukor takes his time telling this story, adding musical numbers that don’t do much to advance the plot, though they definitely showcase the star power of Garland. Her best moments are when she’s stripped down, not in costume, singing in a tiny jazz club, or in her own Malibu living room, with no orchestra or soundstage in sight. It makes me wonder if Warner’s wasn’t onto something when they cut a couple of those splashy numbers. Just because you can add more razzle-dazzle doesn’t mean you should. The quiet scenes between Garland and Mason are what make me fall in love with this movie—everything else feels like a distraction.

Sadly, alcohol is the main villain of this story, no matter the era or version. Norman is so charming and wonderful when he’s sober, but when he’s drinking… look out. However, if you’re inclined to moderation, there’s no reason you can’t enjoy a tipple with this. While watching A Star is Born (1954), I recommend drinking this Maine Squeeze cocktail.

Maine Squeeze

2 oz gin

1 oz Cointreau

1 oz fresh orange juice

½ oz lemon juice

Orange twist or dried orange slice

Combine all ingredients in a shaker with ice, and shake to chill. Strain into a coupe glass, and garnish with a twist of orange or dried orange slice.

Although I love the music and pacing of the 2018 A Star is Born the most, this 1954 version is miles ahead when it comes to style. The gowns are incredible, the CinemaScope colors burst off the screen, and it’s fun to watch my favorite era of the Hollywood studio system come alive, with all its glamour and backstage machinations. Maybe, if you’re a supreme Judy Garland fan, you’ll love the restored musical numbers. As for me, however, I think a little editing can make even the biggest stars shine brighter. Cheers!

Classic Films · Musicals

The Wizard of Oz

LizLocke2 Comments
Image Credit: The Wizard of Oz, 1939

When it comes to Halloween, Disney and Marvel usually get all the attention. True, I loved being Belle from Beauty and the Beast, and of course Ariel from The Little Mermaid (even though I had to wear a cardigan over my seashell bra), but the costume I still look back on with the most fondness was that of a warbling, bubblegum pink Glenda the Good Witch. MGM’s The Wizard of Oz (Disc/Download) is a movie I’d seen small parts of throughout the years, but rarely all the way through. Watching it again from beginning to end, I was shocked to realize A) how short it is without all the commercial breaks, and B) that I am still unable to keep my eyes open after the drowsy poppy scene. Talk about an immersive experience!

I think we can all agree that without the talent of Judy Garland, this movie would have ended up in the dustbin of history. Color film is no longer a novelty, costumes and special effects have become more realistic over time, and musical numbers have gotten more impressive. But there’s something about Judy’s innocent yet accomplished voice that gets me every time. The way she utters lines that have become classic in our lexicon (There’s no place like home…) evokes a feeling of magic that has nothing to do with munchkins, witches, or fantastical scarecrows and lions. The Wizard of Oz contains so much earnestness, you get the sense you’re watching a production made by people who truly believe in the power of movies. The silver-painted tin man didn’t need to look within himself or search for a powerful man behind the curtain—all he had to do was look around at the key grips, lighting technicians, costumers, and camera operators to see real wizardry and heart.

As mentioned before, I always fall asleep right after the poppy scene. Sorry Dorothy- your script drags a little there. To keep myself awake, I need to mix a caffeinated cocktail and wait patiently for the flying monkeys to pick the action up again. While watching The Wizard of Oz, I recommend drinking this Black Emerald cocktail, adapted from the book Celebrity Cocktails by Brian van Flandern.

Black Emerald

1 1/2 oz Vodka

1 Black Tea Bag

1 oz St. Germain Elderflower Liqueur

1/2 oz Lemon Juice

2 oz Club Soda

Fresh Mint Leaves

Steep tea bag in club soda for about five minutes. Add all other ingredients to a cocktail shaker with ice, and shake vigorously. Add tea-infused club soda, tumble roll back and forth once, then double strain into a glass filled with fresh ice. Garnish with mint.

Sometimes I wonder if Disney just couldn’t handle its main Halloween competitor and was always lurking in the shadows, waiting for a revenge opportunity. It took seventy years, but they finally had the last word as Disney World execs shut down the Great Movie Ride, robbing future generations of the opportunity to visit Munchkinland IRL. With its fake plastic flowers, colorful glitter sets, and bright yellow brick road, for five glorious minutes a group of tourists got to feel like Dorothy and Toto, dropped into a strange and magical world. Disney can keep their new Star Wars Land or Toy Story Land, or whatever lame substitution they’ve dreamed up—my home is forever with Dorothy, her ruby slippers, and a glistening pink ball coming down from the sky. Cheers!

Classic Films · Holiday Films · Musicals

Meet Me in St. Louis

LizLocke4 Comments

Meet Me In St. Louis
Image credit: Meet Me in St. Louis, 1944.

After three weeks of black-and-white Christmas films, the technicolor explosion of Meet Me in St. Louis (Disc/Download) is quite a shock for the eyes. Visually stunning, this Judy Garland classic screams Hollywood Studio System, while signaling a modern auteur-driven type of storytelling still to come. With a creepy Victorian snow family, a night of trick-or-treating straight out of Stranger Things, and a horrifying platter of corned beef and cabbage, this movie is one crazy trolley ride.

Set in St. Louis at the turn of the century, the film is about the mundane lives of a large middle-class family, the Smiths (lord, even their name is boring).  The daughters are chasing after boys, the dad is rolling his eyes, and everyone’s all atwitter about the upcoming World’s Fair. Though the plot of Meet Me in St. Louis holds little interest for me,  the visual pop of Vincente Minnelli’s directorial style is what truly makes this film a classic. The vibrant costumes, unusual lighting, and ahead-of-its-time Halloween horror sequence—these are the elements I keep coming back to.

This film tends to get lumped into holiday movies due to Judy Garland’s heartbreakingly lovely rendition of “Have Yourself a Merry Little Christmas”, and the red velvet dress she wears. This was the moment the world sat up and took note of Garland, child actress no more. She’s beautiful and sexy, like something out of a John Singer Sargent painting. While watching Meet Me in St. Louis, celebrate Judy with this Red Velvet Martini.

Red Velvet Martini

2 oz Cake vodka

1 oz White Crème de Cacao

3/4 oz Grenadine

1/4 oz Simple syrup

2-3 dashes Aztec bitters

Chocolate drop for garnish

Mix liquid ingredients in a shaker filled with ice. Shake vigoriously, then strain into a martini glass. Garnish with a chocolate drop.

Red Velvet Martini

Because this film is full of iconic costumes, it makes me eager to learn more about the stories behind them. Until the Academy Museum of Motion Pictures opens in Los Angeles, whet your appetite with the book Hollywood Costume. And for anyone interested in the scary underbelly of a World’s Fair, I highly recommend Erik Larson’s The Devil in the White City. Chronicling the true story of a serial killer targeting visitors to the Chicago World’s Fair, this book will have you wondering if the Smith family home is really as boring as it seems. Cheers, and happy reading!