Dramas

There Will Be Blood

There are some movies, no matter how many times I try to watch them, and how many people encourage me to “give it another chance,” I will never enjoy watching. Apocalypse Now is one, Down With Love is another. Before this week, I would have put There Will Be Blood (Disc/Download) on that list. That’s how much I disliked it the first time around. Seventeen years later (eight of them spent watching a self-serving, spray-tanned false prophet rise to political power), and I’m ready to revise my opinion. Turns out, There Will Be Blood is a great movie.

I can’t even explain how much of a relief it is to feel this way. For years, I’ve had to qualify my adoration of Paul Thomas Anderson’s movies with, “They’re all perfect! Well… except for There Will Be Blood.” At long last, there is no caveat; I finally “get” this movie. Maybe I had to fall in love with Daniel Day-Lewis as Reynolds Woodcock: fussy couturier of The Phantom Thread before I could love him as Daniel Plainview: prospector, oilman, and all-around greedy sonofabitch. Whatever the reason, I simply can’t get enough of his performance. The voice, the movements, the intensity; I’m all in. I particularly love the moment when Daniel realizes his nemesis, small-town preacher Eli Sunday (Paul Dano), is just as much of an opportunist and performance artist as he is. In the span of a few seconds, you see his expression change from one of boredom, to skepticism, to recognition. There can be only one liar-in-chief on these oil fields, and it’s almost inevitable that the other one is drained dry before he even knows what happened.

Speaking of draining, most people are familiar with the famous line, “I drink your milkshake!!!”, spoken to illustrate the point that the land below an untapped oil field has already been drained. You could certainly mix up a boozy milkshake for this movie, but I prefer to make a drink that speaks to a rough, bloody life on the California oil fields at the turn of the 20th century. I use Liber & Co.’s Blood Orange Cordial in so many cocktails, and it’s perfectly on-theme here. While watching There Will Be Blood, I recommend drinking a Blood Sacrifice.

Blood Sacrifice

2 oz Bourbon

1 oz Lemon Juice

½ oz Blood Orange Cordial

¼ oz Apricot Liqueur

¼ oz Cinnamon Syrup

2 dashes Angostura Bitters

Combine all ingredients in a shaker with ice. Shake to combine and chill, then strain into a glass filled with fresh ice. Garnish with a dried citrus wheel.

My only lingering complaint with There Will Be Blood is the lack of female characters, especially because Anderson has an incredible skill for writing complex women into his films. However, in viewing this movie through the lens of the last eight years, it’s easy to understand why. Any woman in Daniel Plainview’s life would be a mere accessory. He’s not capable of thinking about women as actual human beings; he’d only turn some lucky lady into a show piece or pawn, allowing her no agency of her own. Frankly, I’d rather watch no woman than that woman. But to sum it up, if There Will Be Blood was low on your Paul Thomas Anderson list before today, I urge you to give it another chance. I’m certainly glad I did. Cheers!

Comedies

Little Miss Sunshine

Little Miss Sunshine
Image Credit: Little Miss Sunshine, 2006.

When Little Miss Sunshine (Disc/Download) came out almost fifteen years ago, I related most to Olive- the little girl who would always be different and hadn’t yet realized this was a good thing. But now, I find myself identifying with Olive’s grandpa (Alan Arkin) and his end-of-life wisdom. He’s seen a lot, he’s lived to tell the tales, and he’s tired of the bullshit. Or, maybe he’s just plain tired.

Little Miss Sunshine is a multi-generational comedy about a family road trip and the tensions erupting along their journey. Young Olive makes it into the Little Miss Sunshine beauty pageant, so her weary mom, desperate dad, silent brother, depressed uncle, and heroin-addict grandpa pile into the VW bus. The vehicle itself becomes a character, breaking down along the way, forcing the family to work together to push-start it, mocking them with its broken horn. This is a comedy, but it’s equally balanced by tragedy. Death, suicide, and failure stand right alongside the hilarity of child beauty queens, with their capped teeth and miniature stripper outfits. There are sequins and hospitals, ice cream and Proust. And at the center of it all, a charming super-freak.

This sunshine-colored bus hides a lot of bitterness inside, so I think it’s appropriate to make a cocktail that’s both sweet and sour. While watching Little Miss Sunshine, I recommend drinking this Sunbeam.

Sunbeam

1 ½ oz Irish Whiskey

¾ oz Dry Vermouth

½ oz Lemon Juice

¾ oz Grapefruit Juice

¾ oz Simple Syrup

2 oz Club Soda

Grapefruit Bitters

White grapefruit or lemon twist

Combine first five ingredients in a shaker over ice. Shake until chilled, then pour into a Collins glass filled with ice. Top with club soda and a few dashes of grapefruit bitters. Stir gently, and garnish with a twist of lemon or white grapefruit.

Sunbeam

Maybe, like me, you’ve spent time believing you’re a loser. Watching other people who just seem to fit, be it with their career, or looks, or friendships, and feeling like you’d always be on the outside looking in.  But as grandpa says, “Losers are people who are so afraid of not winning, they don’t even try.” Rest assured, this super-freak is still trying like hell, with help from a talented supporting cast of friends and family. Cheers!

Dramas

Love & Mercy

Love & Mercy
Image credit: Love & Mercy, 2014.

The above photo says it all. I cannot resist 1960’s California modern architecture and will watch literally any movie that features it. Lucky for me, Brian Wilson apparently owned a seriously cool house, straight out of Blake Edward’s The Party. Wilson also wrote some great songs with The Beach Boys, but let’s be clear- I’m here for his swimming pool. Grab your sunblock and antidepressants—we’re watching Love & Mercy (Disc/Download).

As far as music biopics go, this one doesn’t follow the standard formula. Switching back and forth between 1960’s and 1980’s Brian Wilson, the film stars Paul Dano and John Cusack as two versions of the same complicated man. In the heyday of The Beach Boys, he was the mad genius behind so many of their hits, crying out for help in his lyrics, with a family unwilling and/or unable to see that he needed serious medical attention. By the time the 1980’s hit, he’d lost a brother, spent a decade in bed, and hooked up with crooked doctor Eugene Landy (played by a villainous Paul Giamatti). Shuffling through life like a sad, lonely child, he’s trapped in a haze of pharmaceuticals until he meets Cadillac saleswoman Melinda Ledbetter (played by Elizabeth Banks), who helps him find a way out from under Landy’s control. While Paul Dano gets the splashier role of young Brian, mixing it up in the studio and harmonizing over Pet Sounds, John Cusack’s performance is so quiet and lovely you almost miss it. The romance he shares with Melinda makes you feel like this is what he’d been singing about all that time– he just didn’t know it yet. God only knows what he’d be without her.

Although I love the ‘60s aesthetic in half of the movie, I also adore Elizabeth Banks going full-on ‘80s with her hot-rolled hair and pastel sweaters. If this lady were a cocktail, she would be something light, refreshing, and sweet. She would be a Sea Breeze.

Sea Breeze

1 ½ oz Vodka

4 oz Cranberry Juice

1 oz grapefruit juice

Lime Wedge

Combine vodka, cranberry, and grapefruit juices in a shaker with ice.  Shake until well mixed, then dump entire contents of shaker into a glass. Garnish with a lime wedge.

The real Brian Wilson is still touring the country, packing venues full of middle-aged men in Hawaiian shirts and one very nostalgic Liz Locke. And good for him! Between this film, his records, and those concerts, I’m left with nothing but Good Vibrations, and a Smile. Cheers!