Classic Films · Comedies

Paper Moon

Image credit: Paper Moon, 1973

If your summer plans include a road trip on a budget, then I’ve got just the movie for you. Paper Moon (Disc/Download) travels a long, hilarious path through the small towns of the American Midwest, fueled by hot dogs, whiskey, and get-rich-quick schemes. Forget baseball; grifting may as well be the national pastime of the good ole’ US-of-A.

Starring real-life father and daughter Ryan and Tatum O’Neal, Paper Moon is yet another Peter Bogdanovich classic that wouldn’t be nearly as special without the input of his ex-wife Polly Platt. Thanks to her, we have the precocious, stunningly good Tatum in the role of newly orphaned Addie, and it’s because of her performance the movie succeeds as well as it does. The way this little girl spars with her off-screen (and maybe onscreen??) dad is electric, and it’s a shame only Tatum won the Academy Award for this because Ryan turned in some amazing work too. If you like road movies set in 1930s rural America, such as O’ Brother Where Art Thou?, Sullivan’s Travels, and It Happened One Night, you’ll find a lot to love about Paper Moon. It’s a portrait of Americana, of people doing whatever they had to do to survive, yet not losing their heart along the way. In fact, I’d go as far as to say that Addie and Moses Pray (that name!!!) find their hearts, and it’s the big payoff neither of them expected.

Tatum O’Neal’s record of being the youngest competitive Oscar winner in history still stands, and if you haven’t seen pictures of this little girl in a mini tuxedo, I urge you to look it up. It’s even more remarkable that she was only eight years old when the movie began filming, especially considering she’d never acted before. She smokes cigarettes and spars with prostitutes like she’d been doing it her whole life (maybe she had… I still need to read her memoir). Anyway, let’s toast young Tatum with this Prohibition-era cocktail, the Ward 8.

Ward 8

2 oz Rye Whiskey

1/2 oz fresh-squeezed Orange Juice

1/2 oz fresh-squeezed Lemon Juice

2 tsp Grenadine

Maraschino cherries (garnish)

Shake whiskey, orange juice, lemon juice, and grenadine in a shaker with ice until chilled. Strain into a coupe or Nick & Nora glass. Garnish with cherries.

The production design, locations, and costumes of the film are all stunning, but of course they were with Polly Platt in charge. The movie is timeless because she made it so, placing it in a very specific era and place that would never show its age. To watch Paper Moon is to feel like you’re watching a movie made in the 1930s, when the scripts were sparkling, the stars were dazzling, and the road of cinema seemed to stretch on forever. Cheers!

Comedies · Uncategorized

Broadcast News

Broadcast News
Image credit: Broadcast News, 1987.

I just finished the stellar new season of one of my favorite podcasts, You Must Remember This, which takes listeners on a journey through the career of one of the great unsung heroes of Hollywood, Production Designer/Screenwriter/Producer Polly Platt. I knew of Polly before Karina Longworth’s deep dive, having seen her name in the credits of so many of my favorite films, but the show has opened me up to even more great flicks, like this week’s Cinema Sips pick, Broadcast News (Disc/Download).

I’ve seen Broadcast News classified as a rom-com before, but I have to say, I disagree with that label. Yes, there’s a love triangle set within the world of television news, and there’s certainly comedy (thanks in large part to scene stealer Albert Brooks), but I wouldn’t say the film leaves me with a happy, buoyant feeling. Perhaps that’s because so much of the script is a warning of what’s to come in the world of journalism; a doomsday prediction that has actually come true. It warns of a distrust of information, brought about by flashy salesmen instead of real, credible journalists. The news as entertainment instead of vital public service. Albert Brooks’ character Aaron has the smarts and dedication for the job of newscaster, but lacks the right packaging. And then there’s William Hurt’s Tom, who has the looks but not the brains, or any shred of journalistic ethics. Naturally, he’s given prime screen time. Placed in the middle is Holly Hunter’s Jane, a thinly-veiled Polly Platt stand-in, the producer who’s smarter than all the men in her life, but will never get the recognition or personal happiness she deserves. To be a woman in this industry is to make sacrifices, and nobody knew that better than Polly. If you’ve ever allowed yourself the five-minute cry (*raises hand*) you get it. So much of this film is funny and relatable, but sadly it’s all things you wish you didn‘t relate to.

My favorite scene in Broadcast News is one where Albert Brooks is home alone on his day off, drinking and haunting the sofa in a ragged pair of sweats. He’s slightly inebriated, yelling at the news, wondering when the hell everyone got so stupid. Been there, buddy. Let’s join Aaron in his ennui with this Journalist cocktail!

Journalist

2 oz Gin

¼ oz Cointreau

½ oz Dry Vermouth

½ oz Sweet Vermouth

¼ oz Lemon Juice

2 dashes Angostura Bitters

Luxardo Cherry and citrus wheel for garnish

Combine ingredients in a shaker with ice. Shake until chilled, then strain into a chilled coupe glass. Drop in a Luxardo Maraschino cherry and garnish with a dried citrus wheel.

Journalist

If you’re looking for answers as to how we got where we’re at right now in America, look no further than Broadcast News. The question now is, where do we go from here? Can journalism be saved? It’s a question the film fails to answer definitively, and maybe it’s because the answer is up to us. It’s up to all of us to demand that substance win out over style. Cheers!