I just finished the stellar new season of one of my favorite podcasts, You Must Remember This, which takes listeners on a journey through the career of one of the great unsung heroes of Hollywood, Production Designer/Screenwriter/Producer Polly Platt. I knew of Polly before Karina Longworth’s deep dive, having seen her name in the credits of so many of my favorite films, but the show has opened me up to even more great flicks, like this week’s Cinema Sips pick, Broadcast News (Disc/Download).
I’ve seen Broadcast News classified as a rom-com before, but I have to say, I disagree with that label. Yes, there’s a love triangle set within the world of television news, and there’s certainly comedy (thanks in large part to scene stealer Albert Brooks), but I wouldn’t say the film leaves me with a happy, buoyant feeling. Perhaps that’s because so much of the script is a warning of what’s to come in the world of journalism; a doomsday prediction that has actually come true. It warns of a distrust of information, brought about by flashy salesmen instead of real, credible journalists. The news as entertainment instead of vital public service. Albert Brooks’ character Aaron has the smarts and dedication for the job of newscaster, but lacks the right packaging. And then there’s William Hurt’s Tom, who has the looks but not the brains, or any shred of journalistic ethics. Naturally, he’s given prime screen time. Placed in the middle is Holly Hunter’s Jane, a thinly-veiled Polly Platt stand-in, the producer who’s smarter than all the men in her life, but will never get the recognition or personal happiness she deserves. To be a woman in this industry is to make sacrifices, and nobody knew that better than Polly. If you’ve ever allowed yourself the five-minute cry (*raises hand*) you get it. So much of this film is funny and relatable, but sadly it’s all things you wish you didn‘t relate to.
My favorite scene in Broadcast News is one where Albert Brooks is home alone on his day off, drinking and haunting the sofa in a ragged pair of sweats. He’s slightly inebriated, yelling at the news, wondering when the hell everyone got so stupid. Been there, buddy. Let’s join Aaron in his ennui with this Journalist cocktail!
2 oz Gin
¼ oz Cointreau
½ oz Dry Vermouth
½ oz Sweet Vermouth
¼ oz Lemon Juice
2 dashes Angostura Bitters
Luxardo Cherry and citrus wheel for garnish
Combine ingredients in a shaker with ice. Shake until chilled, then strain into a chilled coupe glass. Drop in a Luxardo Maraschino cherry and garnish with a dried citrus wheel.
If you’re looking for answers as to how we got where we’re at right now in America, look no further than Broadcast News. The question now is, where do we go from here? Can journalism be saved? It’s a question the film fails to answer definitively, and maybe it’s because the answer is up to us. It’s up to all of us to demand that substance win out over style. Cheers!