Classic Films · Dramas

Blow-up

Image credit: Blow-up, 1966

In my 1960s-set novel Follow the Sun, there’s one movie that gets mentioned more than any other: Antonioni’s Blow-up (Disc/Download). This is no accident. For a book that celebrates the style, fashion, photography, and sexual freedoms of the era, this film captures those themes better than any other. It’s a movie about looking without seeing, and one that feels as revelatory now as it probably did then. Movies, and audiences, would never be the same again.

Like an art-house Hitchcock film, Blow-up follows a successful London photographer who inadvertently witnesses a murder in the park, capturing the minutes just before and after the crime with his camera lens. Thomas (David Hemmings) thinks he’s photographing two people in the midst of an afternoon tryst, but after the woman (Vanessa Redgrave) harasses him and then tries to seduce him to get the film back, and a strange man is seen walking around his car, he gets suspicious. Blowing up the negatives, he begins to see what his eyes failed to register in the moment: there was another person there; a person with a gun. After that, Thomas starts to unravel. He doesn’t know what to do with this information, or if it’s even real. He may be witness to a potential murder, but London is still swingin’ all around him. Pencil-thin models are parading around in their colorful, sculptural clothes, Jeff Beck is smashing his guitar, and Jane Birkin shows up for an audition and a three-way tryst amid his purple seamless backdrop. The scenes of Thomas examining his photos are such a contrast to the debauchery of the rest of the film that it creates an incredible tension. Only by standing still can he (and we) start to see what was right in front of him.

Purple is such a prominent color in this movie that I naturally had to make a purple cocktail. This drink is made with one of my favorite British botanical gins (Plymouth), along with violet liqueur to give it a nice coloring. You could also use Empress 1908 Gin if you want to go full purple. While watching Blow-up, I recommend drinking an Aperture cocktail.

Aperture

2 oz Plymouth Gin

1/2 oz Velvet Falernum

1/2 oz Creme de Violette

3/4 oz Pink Lemon Juice

Lemon Twist (for garnish)

Mint (for garnish)

Combine all ingredients in a shaker with ice. Shake until chilled, then strain into a coupe glass. Garnish with a lemon twist and mint.

If you appreciate sixties fashion, then you’ll love this film as much as I do. Watching Verushka slide across the screen in her slinky sequined black dress that leaves almost nothing to the imagination captures the sexual freedom of the era every bit as much as later scenes that were much more explicit in nature. When I decided to make one of my Follow the Sun characters a minor player in this cinematic masterpiece, it was done with reverence for both the film and the beautiful women populating it. Part of the fun of writing a book set in another time period is imagining what it was like to exist in that era. Blow-up, with its mod clothes, strange, dreamlike plot, and haunting jazz score by Herbie Hancock, is a movie that lets the imagination run wild. Cheers!

Foreign

Purple Noon

Image Credit: Purple Noon, 1960

We’re traveling back to good ole’ Mongibello this week with the original Tom Ripley, 1960s French sex symbol Alain Delon. Purple Noon (Disc/Download), née Plein Soleil, is a striking adaptation of Patricia Highsmith’s The Talented Mr. Ripley, which was adapted once again by Anthony Minghella in 1999 to become one of my top ten films of all time. I’m a sucker for beautiful people in beautiful places, and it doesn’t get much more beautiful than these two movies.

If you’ve seen The Talented Mr. Ripley, much of Purple Noon will appear familiar. Tom and “Philippe” cavorting around Rome while Marge sits at home and waits for her man to get his act together. Tom forging signatures, impersonating voices, acting almost too agreeable, too charming. Brash American Freddie Miles showing up to ruin all of Tom’s fun, before meeting his doom at the butt end of an ugly sculpture. Gorgeous Italian vistas, sailboats, and the sparkling Mediterranean. If you like Minghella’s Ripley because of the visuals, then I can guarantee you’ll love Purple Noon even more. The film is a little more poetic, lingering longer on the beauty of the coastline as well as the beauty of Delon. Like a young Jared Leto who actually cares about how he looks on-screen, Delon is all suntan, six-pack, and cheekbones, and director René Clément certainly knew what he had in this then-unknown actor, giving him ample opportunity to strut around shirtless. Thank you René. Thank you very much.

A lot of what I love about this story hinges on the idea of American decadence, so it seems like the perfect opportunity to indulge in a beautiful niche liqueur, Creme de Violette. Let’s be clear- this stuff exists only so we can have purple cocktails. Like Midori or Blue Curacao, you’re buying this for the color. But hey- nothing wrong with that! Sometimes it’s all about the visuals. While watching Purple Noon, I recommend drinking this Twilight Martini.

Twilight Martini

2 oz Gin

1/2 oz Dry Vermouth

1/2 oz Creme de Violette

1/4 oz St. Germain

Combine all ingredients in a shaker over ice. Shake until chilled, then strain into a coupe glass. Garnish with a slice of dried blood orange.

Ultimately, I think I still prefer the 1999 version of The Talented Mr. Ripley to the 1960 version. A lot of that has to do with the ending, and without spoiling Purple Noon too much, I’ll just say that I like a world where Tom Ripley gets away with it. We never see him hauled away in handcuffs in either adaptation, but Purple Noon gives him a more limited chance of escape. If you ask me, that pretty face just doesn’t belong in prison. Cheers!

Action/Adventure/Heist

Batman

Joker with cocktail
Image Credit: Batman, 1989

If we’re still looking at gender as being a binary concept, then I guess Cinema Sips has always had a bit of a female bias (yes, yes, I like pink drinks and rom-coms- what a crime). However this month, I’ll be shaking things up by watching movies with “man” in the title.  They may include films I’ve rolled my eyes at, checked my phone during, and thought, God there needs to be more women in this. But maybe with a cocktail, I’ll feel more generous. Kicking things off is the classic superhero film Batman (DVD/Download).

Although my heart actually belongs to Batman Returns (don’t get me started on how much I adore Michelle Pfeiffer’s Catwoman), I think it’s important to go back to where the modern superhero film began. Sure, there were some cheesy caped crusader films and TV shows of the 60’s and 70’s, but Tim Burton’s Batman ushered in a new era of artistry. Suddenly, the audience was seeing dark, mesmerizing cinematography, lavish production design, and genuinely good acting in place of all the onomatopoeias. Michael Keaton brings a level of humanity to an iconic character that has never been matched since, and Jack Nicholson’s manic Joker performance manages to be fun and frightening all at once. And by frightening, I’m referring of course to his purple satin chef’s hat.

Speaking of the Joker, his nefarious plot to poison the citizens of Gotham through make-up and hairstyling products is pretty genius. Funniest scene: news anchors, afraid to use any products, showing up on the air looking like they were just on a 3-day bender. In tribute to the Joker and his crazy style, I recommend drinking a Smilex Surprise.

Smilex Surprise

1 ½ oz Smirnoff Grape Vodka

½ tsp grape Kool-Aid (for color)

½ oz lime juice

Club Soda

Fresh Limes

Build drink over ice, stirring gently to combine and dissolve Kool-Aid powder. Garnish with fresh lime slices.

Smilex

I’ve always found Batman to be the most fascinating of superheroes because at the end of the day, he’s simply a rich guy with gadgets and extensive martial arts training. He’s a human being who struggles with the same dichotomy that most of us feel from time to time, like we’re one person to the world at large, and someone totally different to ourselves and those close to us.  Michael Keaton really makes you feel this struggle, with nary a nipple in sight.  Many Batmen have come and gone, but if you’re like me, you never forget your first. Cheers!