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Apollo 13

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Image credit: Apollo 13, 1995

If you’ve been looking for an excuse to use up that jar of Tang you’ve had sitting in the back of your pantry, then today’s your lucky day because Cinema Sips is headed to the moon with Apollo 13 (Disc/Download)!  Part disaster flick, part character drama, part ode to late 1960s patterned wallpaper, this movie is about working the problem, one roll of duct tape at a time.

I remember watching this as a tween, right around the time that our school took a field trip to the National Air and Space Museum. Very quickly, I became obsessed with all things astronaut. The freeze-dried ice cream! The Corvette Stingrays! The crew cuts! The tape decks populated by Norman Greenbaum and Jefferson Airplane! What a time to be alive. Modern spaceflight feels almost dull; a status symbol for aging bald men and their billions of dollars. But back in the sixties, it was brave test pilots up above the atmosphere, trying to stay alive in broken down hunks of metal with heat shields held on by an old belt. The Apollo 13 disaster will always be a riveting story because it’s about humans trying to stay alive under impossible conditions. Everything that could have gone wrong did go wrong, but somehow, this ship made it home. We didn’t have the internet, we didn’t have fancy gadgets, and back then, computers took up an entire room. But we didn’t need any of that- all it took was good old engineering and a whole lot of courage.

Although it existed before the Gemini missions, Tang became popular after it was marketed as the astronaut’s drink-of-choice. A powdered mix, it gave a semblance of orange juice up in space where supplies (and fresh produce stands) were limited. I think it works quite well in a margarita, so while you’re watching Apollo 13, I recommend drinking a Moonshot Margarita.

Moonshot Margarita

2 oz Reposado Tequila

1 oz Cointreau

1 oz Lime Juice

1 Tsp Tang

Orange garnish

Combine all ingredients in a shaker with ice. Shake to chill, then strain into a glass filled with ice. Garnish with a dehydrated orange.

The cast of this movie is great, and it certainly cemented Tom Hanks as the actor you’d most like to have with you in a crisis. But for me, the unsung hero of Apollo 13 is Bill Paxton as Fred Haise. Suffering from a UTI, eating frozen hot dogs, listening to his Hank Williams tape slowly die—you really feel the misery of space travel through his performance. I shall think of him every time I gaze upon the constellation Urinus. Cheers!

American Graffiti

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American Graffiti

Image credit: American Graffiti, 1973.

If we’re to see anything positive come out of the Coronavirus pandemic, please let it be the return of attractive automobiles. For someone like me, who spends most of her time watching films of the 1950s and ‘60s, it can be a huge letdown to leave the house and see nothing but ugly, insect-like vehicles on the road. Give me fins, bench seats, and rounded, impractical bodies. Give me the sort of adorable European car Audrey Hepburn would drive. Give me the pastel beasts of this week’s Cinema Sips pick, American Graffiti (Disc/Download).

As I explained in a recent Moviejawn article about drive-ins and dating during the time of COVID-19, our cars will be the solution to loneliness. Truly, with only half the U.S. population wearing a mask (on a good day), the only safe place we have outside the house is inside an automobile. One thing that struck me about American Graffiti, George Lucas’s ode to cruisin’ in the 1960s, was that these teens could flirt and have entire relationships without ever leaving their vehicles. Taking place over the span of one night, four teen boys come-of-age to the sounds of Wolfman Jack and the revving of engines. Relationships are broken and mended, futures are decided, and Harrison Ford finally gets his chance to shine under a cowboy hat and devastating smile. But the thing is, this movie only works with gorgeous classic cars. Copping a feel from the front seat of a Toyota Corolla? Yeah right. Luring a girl into your Mercedes sedan for a night of innocent fun? Heated seats or not, I’m still unimpressed.

Completing the film’s early 1960s tableau is the soda shop as gathering place. There are roller-skating waitresses, doo-wop records on the jukebox, and car-loads of teens ordering fried foods. Let’s get this party rolling with a boozy cocktail that goes down smooth. While watching American Graffiti, I recommend drinking this High-Octane Cherry Coke.

High-Octane Cherry Coke

1 oz Bourbon

½ oz Cherry Heering

¼ oz Amaretto

8 oz Coca-Cola

Luxardo cherry (for garnish)

Build drink over ice, stirring to combine. Garnish with a Luxardo cherry.

High Octane Cherry Coke

It’s heartbreaking to me that George Lucas never made another small film like American Graffiti, preferring instead to devote much of his career to blockbuster special effects extravaganzas. To each their own, but this beautiful work of art is proof that there’s an incredible storyteller under all those light-sabers and Ewok costumes. This movie isn’t just about cars, but about human relationships and the way we can’t help but call out to each other, from behind our moving temples of glass and steel. And if any auto manufacturers happen to stumble across this little blog post, let me take the opportunity to plead my case for a retro-styled hybrid white T-bird. I’m in the market for a new car, and I hear blondes look bitchin’ in them. Cheers!