Comedies

The Big Chill

If you ever get nostalgic for 1960s music and political ideology, then definitely check out this movie… set in the 1980s? This week, Cinema Sips is diving into The Big Chill (Disc/Download), which is unfortunately not about frozen cocktails. Rather, it’s about recapturing the joy and camaraderie of youth, and rocking out to classic Motown hits. Sign me up!

I’ll admit, when I first watched The Big Chill as a teenager, I didn’t get it. All these whiny middle-aged people having affairs and trying to make jogging a thing—not my cup of tea. But as an adult who is now squarely in the age range of these characters, I enjoy it a lot more. I don’t think you can really “get” The Big Chill until you’ve experienced grief, and/or drifted away from the friends you had in college. You have to have lost something before you can find it in this movie. Jeff Goldblum is the standout in an ensemble cast of college buddies reuniting at a funeral, and if you thought he was charismatic in Jurassic Park, you will enjoy him even more in this. They gave his character all the best lines, and the best drugs. 

This group of mourners seem to go through an awful lot of white wine, which is understandable given all the issues they’re still working out. Impotence, loneliness, infidelity, depression- pass the Sauvignon Blanc. You could certainly keep it simple with a bottle of wine, or you could mix it into something perfect for long conversations around the coffee table. While watching The Big Chill, I recommend drinking a Heard It Through the Grapevine cocktail.

Heard It Through the Grapevine

3 oz Dry White Wine

1 oz Ginger Liqueur

1 oz Lemon Juice

3 dashes Orange Bitters

2 oz Ginger Beer

Lemon/Basil Garnish

Combine wine, ginger liqueur, lemon juice, and orange bitters in a shaker with ice. Stir to combine, then strain into a glass filled with a large ice cube. Top with ginger beer, and garnish with a lemon wheel and sprig of basil.

There’s something that happens when you reach your thirties and forties, when you start losing people at a rate you never could have fathomed ten years earlier. Suddenly it’s parents, grandparents, friends, aunts, uncles, etc. The wedding circuit is replaced with the funeral circuit. We start gathering and taking stock, wondering when it will be us in that box, and what will people say about the life we’ve led? Wondering if this will be the last time we see any of these fellow mourners again. Maybe a movie about frozen cocktails would have been a little more uplifting, but The Big Chill gives me the community, and the perspective, I didn’t know I needed. Cheers!

Comedies · Uncategorized

Broadcast News

Broadcast News
Image credit: Broadcast News, 1987.

I just finished the stellar new season of one of my favorite podcasts, You Must Remember This, which takes listeners on a journey through the career of one of the great unsung heroes of Hollywood, Production Designer/Screenwriter/Producer Polly Platt. I knew of Polly before Karina Longworth’s deep dive, having seen her name in the credits of so many of my favorite films, but the show has opened me up to even more great flicks, like this week’s Cinema Sips pick, Broadcast News (Disc/Download).

I’ve seen Broadcast News classified as a rom-com before, but I have to say, I disagree with that label. Yes, there’s a love triangle set within the world of television news, and there’s certainly comedy (thanks in large part to scene stealer Albert Brooks), but I wouldn’t say the film leaves me with a happy, buoyant feeling. Perhaps that’s because so much of the script is a warning of what’s to come in the world of journalism; a doomsday prediction that has actually come true. It warns of a distrust of information, brought about by flashy salesmen instead of real, credible journalists. The news as entertainment instead of vital public service. Albert Brooks’ character Aaron has the smarts and dedication for the job of newscaster, but lacks the right packaging. And then there’s William Hurt’s Tom, who has the looks but not the brains, or any shred of journalistic ethics. Naturally, he’s given prime screen time. Placed in the middle is Holly Hunter’s Jane, a thinly-veiled Polly Platt stand-in, the producer who’s smarter than all the men in her life, but will never get the recognition or personal happiness she deserves. To be a woman in this industry is to make sacrifices, and nobody knew that better than Polly. If you’ve ever allowed yourself the five-minute cry (*raises hand*) you get it. So much of this film is funny and relatable, but sadly it’s all things you wish you didn‘t relate to.

My favorite scene in Broadcast News is one where Albert Brooks is home alone on his day off, drinking and haunting the sofa in a ragged pair of sweats. He’s slightly inebriated, yelling at the news, wondering when the hell everyone got so stupid. Been there, buddy. Let’s join Aaron in his ennui with this Journalist cocktail!

Journalist

2 oz Gin

¼ oz Cointreau

½ oz Dry Vermouth

½ oz Sweet Vermouth

¼ oz Lemon Juice

2 dashes Angostura Bitters

Luxardo Cherry and citrus wheel for garnish

Combine ingredients in a shaker with ice. Shake until chilled, then strain into a chilled coupe glass. Drop in a Luxardo Maraschino cherry and garnish with a dried citrus wheel.

Journalist

If you’re looking for answers as to how we got where we’re at right now in America, look no further than Broadcast News. The question now is, where do we go from here? Can journalism be saved? It’s a question the film fails to answer definitively, and maybe it’s because the answer is up to us. It’s up to all of us to demand that substance win out over style. Cheers!