I am not here to debate the merits of this week’s Cinema Sips pick, Showgirls (Disc). Entire dissertations have been written on the subject, and the entertaining documentary You Don’t Nomi covered it pretty well. What I am here to say is this: if you’re looking for a fun, champagne-filled movie to say goodbye to the doggie chow-flavored year that was 2020, then grab your glitter and your nail kits and take a New Year’s trip to Las Vegas with me.
In this All About Eve-inspired tale of female ambition, Elizabeth Berkley plays Nomi Malone, a down-on-her-luck dancer who dreams of seeing her name in lights. Hitching a ride to Vegas, she somehow manages to land a free couch in a costume designer’s trailer while working her way up from stripper to classy burlesque artist. Most of the initial ridicule for this film stems from Berkley’s acting, which is absurdly aggressive. However, based on how campy the dialogue is, I have to think she was encouraged to play it over-the-top. Gina Gershon and Kyle MacLachlan lend a bit of respectability to the cast… but only a bit. I have to say though, as ridiculous as this movie is, I’ve seen a lot worse this year. My opinion? Look past the boobs, look past the bad acting, and what you’re left with is a story about a powerful woman who will stop at nothing to get to the top. The fact that she does it covered in glitter only makes me love her more.
Showgirls is a great film for New Year’s Eve because there is champagne in almost every scene. For my drink pairing, I decided to do a twist on the traditional Porn Star cocktail (which typically comes with a shot of champagne on the side) in favor of this simpler concoction. While watching Showgirls, I recommend drinking this Lap Dance cocktail.
1 1/2 oz Vanilla Vodka
3/4 oz Lime Juice
3/4 oz Passion Fruit Syrup
Pinch of Edible Glitter
2-3 oz Prosecco
Combine vodka, lime juice, passion fruit syrup, and glitter in a cocktail shaker with ice. Shake until chilled, then strain into a martini or coupe glass. Top with prosecco and garnish with a lime wheel.
Even though the drink is probably better than the movie, Showgirls tends to get more enjoyable with every viewing. I suppose once I stopped expecting it to make sense, and just took it for what it was always intended to be– a cheap thrill– I started to appreciate what director Paul Verhoeven was trying to do. Like the year 2020, Showgirls might not be something we ever look back on with warm, nostalgic fondness, but if nothing else, it’s unforgettable. Cheers!