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Tag Archives: Ethan Hawke

Before Sunrise

Image credit: Before Sunrise, 1995

I have to apologize. There’s just no excuse for the bizarre oversight of excluding Before Sunrise (Disc/Download) from this blog for so many years. Sure, I’ve mentioned the trilogy as a whole. I’ve written about it in my favorite film zine Moviejawn. I’ve recorded a podcast episode about it (releasing in a few days from the folks who brought you Dazed and Confused 33 1/3!). I even wrote a novel inspired by the concept of two lovers meeting in a faraway place, never knowing how or when they’ll see each other again (Follow the Sun, coming out June 6th 2023 from Random House Canada). In short, I love this movie. I’m obsessed with this movie. And finally, at long last, I’m ready to talk about it over a cocktail!

In looking at the Before trilogy as a whole, my current favorite film out of the three is Before Sunset. I say “current” because I believe these films grow and change as their viewers do. That’s what’s so magical about them. Now that I’m smack dab in the middle of my life’s journey, some triumphs and setbacks under my belt, but still a vast unknown up ahead, it feels comforting to watch a film about a writer who’s still trying to make sense of the past while figuring out how he wants to move forward into the future. Boy, do I get that. But back when I was seventeen, watching Before Sunrise for the first time, there was no “past” to reckon with; there was only anticipation. It was all in front of me: love, career, passion, a home. Watching Jesse (Ethan Hawke) meet Céline (Julie Delpy) on a train to Vienna felt like the answer to life’s great puzzle. Connection was the root of happiness, even more so than love. We connect with cities and occupations just as we do with people. I connected with this movie because it conveyed so much of what I was feeling at the time, and I connect with it still because of the memories of what those “firsts” felt like. The first time you felt a mutual attraction. The first time you kissed someone new. The first time you understood how big a role fate and timing play in our lives. The first time you truly didn’t want the sun to rise after one perfect night. Maybe I’ll never have some of those “firsts” again, but this movie reminds me that I did, once. And I’ll have other ones, in time.

If you’re going to spend all night walking around a foreign city, talking about philosophical theories and encountering a random collection of poets, palm readers, and players (I still want to know how things ended up for Wilmington’s cow!), then you’re going to need some caffeine. While watching Before Sunrise, I recommend drinking the popular Viennese sipper, the Café Maria Theresia.

Café Maria Theresia

1 Tbsp. Sugar

3 Tbsp. Cointreau

8 oz Fresh-brewed Coffee

Whipped cream

Orange Zest

Combine sugar and Cointreau in a cup, stirring until sugar is dissolved. Add coffee and stir gently to combine. Top with whipped cream and orange zest.

If you’d asked me prior to 2004 whether Jesse and Céline really met up again in Vienna six months after they said goodbye, I would have said yes. Unequivocally, yes. You see, I believe in happily ever after’s, and I don’t want to live in a world where these two people can’t make it work. We may have come to the end of their onscreen journey with Before Midnight (unless Linklater decides to pull another rabbit out of his hat), but my views on this couple are unchanged. They may find themselves separated over and over again by fate and circumstance, but in my mind they will always make their way back to each other.

On that note, I’d like to give a quick plug once again for Follow the Sun because if you like the anticipation and romance of Before Sunrise, you’ll probably enjoy these elements in my book. To read an early copy, be sure and sign up to receive the Cinema Sips weekly posts via email before March 1st 2023 (you’ll find the sign-up field on the right-hand side of the screen on the Cinemasips.com desktop site, and if you’re a mobile user, scroll up/down until the “Follow” button appears at the bottom). My publisher has graciously agreed to send NetGalley links for an advance copy of the e-book to my loyal followers since so many of you have told me how excited you are to read it. Of course, if you’d rather wait and throw the final print version in your beach bag this summer, pre-orders are always an option, and deeply appreciated!! Cheers, and thanks to all my current and future readers for getting off the train with me 😊.

Dead Poets Society

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Image credit: Dead Poets Society, 1989

If nothing else, the horror-show that is 2020 has proven once and for all that teachers are goddamn heroes. Often putting their lives and personal sanity at risk, they’ve had to work three times as hard this year to ensure that kids are not only educated, but comforted during these unprecedented, uncertain times. Even when faced with a laptop screen full of tiny faces, it’s up to them to make every child feel safe, and above all, seen. No movie has communicated the truth of this better than Dead Poet’s Society (Disc/Download).

A perfect pick for Fall viewing, Peter Weir’s film opens on a bucolic New England boarding school just as the leaves are starting to change. The boys who inhabit these drafty buildings want so badly to be men, and it isn’t until they meet their new English professor Mr. Keating (Robin Williams) that they start to learn what that truly means. You see, Mr. Keating doesn’t just teach them poetry. He teaches them to be brave, to inhabit the world with honor, and that feelings and emotions matter. To me, this shows what an important role a great teacher can play in one’s life. At the end of it all, you might not remember what a quadratic equation is, or who wrote the words, “O Captain! My Captain!” but you’re damn sure going to remember the person who encouraged you to be curious about the world, and fearless in the face of adversity.

Because this movie gives me all the cozy New England vibes, I’ll be drinking a nice, warming apple brandy cocktail, perfect for poetry readings in caves. While watching Dead Poet’s Society, I recommend drinking this Captain’s Mule.

Captain’s Mule

1 ½ oz Calvados Apple Brandy

½ oz Lime Juice

3 dashes Angostura Bitters

6 oz Ginger Beer

Dried Apple for garnish

Place first three ingredients in a shaker with ice. Shake until chilled, then strain into a copper mug filled with fresh ice. Top with ginger beer, and garnish with dried apple.

There have been a lot of great teachers in cinema, but out of all of them, John Keating is the one I most wish I’d had the pleasure of knowing. Someone to tell me that words are important, and to not be so afraid that my thoughts are worthless or embarrassing. If Cinema Sips is my barbaric YAWP!, then let it be heard. Cheers!

Juliet, Naked

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juliet naked

Image credit: Juliet, Naked, 2018

I did a horrible thing. When making my Top Five Films of 2018 list a few months ago, I neglected to include the sweetly perfect rom-com Juliet, Naked (Disc/Download). My only excuse is that I simply didn’t get a chance to see it in 2018.   However I seem to be making up for lost time because I’m on viewing #3 so far, and like a fine wine, it just keeps getting better with age.

Speaking of things getting better with age, I can’t watch this movie and not imagine that Tucker Crowe is Troy Dyer all grown up and regretting his younger Reality Bites shenanigans. A slacker alt-rocker who treats women like crap but is soooo beautiful in all the vintage gig photos? I mean, come on.  Did Ethan Hawke choose this part on purpose, as a meta nod to his iconic role? His casting seems to reinforce an important principle of the movie—that, “Art is not for the artist, any more than water is to a plumber.”  Honestly, as a Reality Bites fan, I want to see what became of Troy Dyer.  Is he still stealing Snickers Bars?  Did he ever get a chance to buy everyone a Coke? Maybe, like Chris O’Dowd’s obsessed character Duncan, I’m reading too much into all of this. Maybe Ethan Hawke just wanted a fun part where he got to sing a Kinks song. Maybe he really liked the Nick Hornby novel this movie was based on. But whatever the truth may be, I still consider Juliet, Naked to be a delightful wink to the members of the TroyDyer4Ever club (if this is not yet a fan club, I’m thinking of starting it).

Ethan Hawke’s endurance as an heartthrob aside, the film’s soul truly lies with beautiful, shy Annie, played by the lovely Rose Byrne.  Annie finds herself stuck in a rut, realizing that she let life carry her along without making any big decisions. But then she meets Tucker, comes out of her shell, and realizes that her story is just beginning. Let’s toast this wonderful performance with a Blossoming Rosé cocktail.

Blossoming Rosé

5 oz Rosé cider

1.5 oz Reposado tequila

1.5 oz Grapefruit Juice

.5 oz Lime Juice

.5 oz Mint-infused simple syrup

Grapefruit Wedge for garnish

Combine tequila, grapefruit juice, lime juice, and simple syrup in a shaker with ice. Shake until chilled, then pour into a glass filled with fresh ice. Top with cider, and garnish with a grapefruit wedge.

Blossoming Rose

Ultimately, Juliet, Naked is about taking chances. Taking a chance that you’re going to make the wrong decisions, that you’re going to mess up a little bit, but that nothing good will ever happen if you don’t seize the opportunities life throws at you. If Tucker is my cautionary tale, then Annie is my inspiration. And Duncan, well—he’s just Stevie F*ckin’ Wonder. Cheers!

Waking Life

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Waking Life

Image credit: Waking Life, 2001

Living in Austin, it’s hard not to be a fan of Richard Linklater. So many of his films capture that unique brand of relatable intellectualism  that made me fall in love with my adopted home town. As my husband would say, “It’s just a bunch of people walking and talking.” Yep- and I love it! High up on my list of favorite films is this week’s animation pick Waking Life (DVD/Download).

Although Linklater didn’t invent the concept of rotoscoping (the process of animating over film footage), this was the first computer-aided version I’d ever seen. Waking Life felt so fresh in 2001, and still does today. Even though we’ve come a long way with ambitious animation projects (ie. Loving Vincent), the way Linklater uses all these different visual styles to describe a series of dreams is incredibly unique.  The picturesque realism used for Jesse and Celine’s pillow talk is so different from the crude lines of the angry guy in the bar, which is so different than the Picasso-esque tango orchestra, that you really feel the emotion in every scene.

What I love most about rotoscoped films is the interplay between light and shadow.  Particularly in the scene with Ethan Hawke and Julie Delpy (giving us a little tease of their Before Sunrise characters’ fates), the light coming through their window gives the whole scene such a romantic glow.  Wouldn’t it be great to capture this same feeling with a classic cocktail?  While watching Waking Life, I recommend drinking a Golden Dream.

Golden Dream

1 ½ oz Galliano

1 ½ oz Cointreau

1 ½ oz Orange Juice

¾ oz cream

Orange twist for garnish

Combine all ingredients in a shaker filled with ice. Shake well, and strain into a chilled cocktail glass.  Garnish with an orange twist.

Golden Dream

If someone were to make a movie of my dreams, it would no doubt feature me walking up an endless set of stairs while simultaneously fretting that I’ve forgotten my locker combination.  Riveting, no?  Thank heavens Richard Linklater has enough interesting dreams in his arsenal to make up for all of my mundane ones. Cheers!

Gattaca

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gattaca

Image credit: Gattaca, 1997

I am well aware that Cinema Sips is severely lacking in the sci-fi genre, but this is largely because so few good ones get made. Robots, hovercrafts, bad makeup- ugh. However this week, I’m excited to watch a futuristic film that is one of my long time favorites.  Gattaca (DVD/Download) features rockets, gadgets, and gene selection, yet somehow manages to remain an intelligent, thought-provoking drama.  Finally- sci-fi I can get behind!

In addition to beautiful art deco-meets-postmodernist sets, lead actors Ethan Hawke, Jude Law, and a vacant Uma Thurman round out the eye candy quota. It’s actually no coincidence that this film stars two ridiculously good looking men. Hawke’s character Vincent buys the identity of Jude Law’s character Jerome, in an effort to qualify as a genetically superior candidate for the space program. This entitles him to blood, urine, skin samples, hair samples, and endless pithy quips from a drunken, wheelchair bound Law. In essence, it’s the inVALid with the INvalid, in a hot Odd Couple-esque pairing.

In Gattaca, Hawke and Law are like vodka and gin. They look the same, but beneath the surface are wildly different. Therefore my cocktail this week combines these two spirits, with a dash of Lillet thrown in to balance it out (the Thurman of the drink, if you will). While watching Gattaca, I recommend drinking a Vesper.

Vesper

½ oz Vodka

2 oz Gin

¼ oz Lillet Blonde

Lemon twist (for garnish)

Shake vodka, gin, and Lillet over ice until well chilled. Strain into a martini glass, and garnish with a lemon twist.

vesper

While the Vesper is more well-known for being the drink of James Bond, I think this classic cocktail is equally at home in Gattaca. While certain parts are very futuristic, there are many stylistic elements which make the viewer feel transported to the Golden Age of Hollywood cinema. Is Gattaca a sci-fi film masquerading as chic poetic drama? Or the other way around? Either way, it’s even better with a cocktail. Cheers!

Great Expectations

great expecatations dinsmore

Image credit: Great Expectations, 1998

I’ve thus far featured a couple of films during Literary Adaptation Month that have stayed pretty close to the source material.  This week however, I’ll be watching an adaptation that uses the original book as inspiration, but then veers wildly, excitingly off course.  A long-time favorite film of mine is Alfonso Cuarón’s 1998 version of Great Expectations (DVD/Download). Based on the novel by Charles Dickens, this film captures the classic Dickensian struggles of wealth vs. poverty and good vs. evil, while updating it for the modern era.

In the Cuarón version of Great Expectations, Pip is renamed Finn, and played by Ethan Hawke. A very bored Gwyneth Paltrow plays Estella, the focus of his unrequited love. Robert DeNiro’s portrayal of convict Lustig (Magwitch) is still a career highlight to me, and Anne Bancroft shines as Ms. Dinsmoor (aka Miss Havisham). I absolutely want to be Ms. Dinsmoor when I get old, sitting in a Florida mansion, drinking martinis, wearing crazy wigs and listening to Bossa Nova records. Strike that- can I just start that life now?? In this version, Finn becomes an artist (side note: I’m madly in love with the Francesco Clemente paintings and drawings done for the film), and Lustig’s secret patronage lures him to New York, and Estella. Great Expectations relies on visuals a great deal, and it’s this beauty (and the lovely words written by David Mamet in the voiceover narrations) that keep me coming back time and again.

A common visual motif in several of Alfonso Cuarón’s films is the color green. It’s been characterized as the color of hope, and in this film that could not be more true. Finn is always hopeful, even when he shouldn’t be. Cuarón seamlessly weaves the color into nearly every scene, through the lush tropical backdrops, Finn’s paintings, the costumes, and most notably in Gwyneth Paltrow’s TO DIE FOR Donna Karan dress. It’s so fabulous, I just have to share:

Great Expecations donna karan

For my drink this week, I’m picking up on that green motif and mixing up a martini that Ms. Dinsmore would surely be sipping in her gilded bedroom. While watching Great Expectations, I recommend drinking a Paradiso Perduto.

Paradiso Perduto

1 oz Midori

1 oz vodka

1 oz lemon juice

¼ oz simple syrup

Mix all ingredients in a cocktail shaker filled with ice. Shake until chilled. Strain into a chilled martini glass. 

Paradiso Perduto

I’m not usually one for radioactive-looking cocktails, but this one is actually quite tasty.  And with such a visually-focused film, why not match it?  There have been other Great Expectations adaptations, and I expect there will be several more in the future, but this one will always be special to me.  Modern art, martinis, and Donna Karan-  what’s not to love?  Chicka-boom!

Reality Bites

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Image Credit: Reality Bites, 1994

Image Credit: Reality Bites, 1994

Because my day job involves working at a major university, I am naturally attuned to seasonal student population shifts. Today marks the first week of final exams, which in turn means that I can actually find parking on campus again. Not that I don’t love students (there wouldn’t be a university, or a job for me, without them) but oh how happy I am to see them graduate and go away each year. I hope they move on to bigger and better things, things that don’t involve fast food or basement living, but I’m sure many of them will fall victim to a mild case of Reality Bites depression. This is of course in reference to the film Reality Bites (DVD/Download), an incredibly accurate portrait of post-college life. Even 20 years (!!!) later, the same stereotypes still hold true- the smart, creative superstar of academia who fails to find actual real-world employment, her friend who “temporarily” works at The Gap (maybe forever), the gorgeous slacker who uses his charm to mooch off everyone around him, and the “yuppie head cheese ball” who means well, but is still a sell-out to The Man and unabashedly listens to Peter Frampton. I definitely fell into the Winona Ryder subgenre, astounded that nobody in the real world cared that I aced my Genres of Film final 3 years prior. I didn’t make a psychic friend, but it was close.

Reality Bites follows four friends in Houston as they navigate the tricky waters of adulthood. Winona Ryder plays Lelaina Pierce, valedictorian of her college class, and struggling television producer. After failed attempts at finding a job in her field, she resorts to scamming her dad’s gas card (a GENIUS move) before finally meeting a corporate big-wig (played by the film’s director Ben Stiller), who wants to turn her short film about her friends into a Real World-esque TV show. The movie’s supporting cast is incredible, with hilarious and heartfelt performances by Janeane Garofalo, Steve Zahn, and above all Ethan Hawke, who plays the sexiest slacker in the history of slackers. I don’t care how much acclaim he receives for Boyhood and Before Sunrise/Sunset/Midnight, to me he’ll always be Troy Dyer 4EVER.

My beverage pairing this week is a tribute to anyone who’s ever been hungover, late to class, and just needs a sugar rush to get through the day. Enter- the Big Gulp. Winona Ryder extolls the virtue of this 7-Eleven beverage on a first date, while sipping from a container that is about 4 times the circumference of her arm. While watching Reality Bites, I recommend drinking an Adult Slurpee.

Adult Slurpee

2 cups cold club soda

½ cup sugar

1/2 teaspoon cherry extract

1/2 teaspoon cherry Kool-Aid

3/4 cup vodka

3 cups crushed ice

Pour 1 cup of the club soda into a blender. Add the sugar, cherry extract, and Kool-Aid and blend until the sugar is dissolved. Add the crushed ice and blend on high speed until the drink becomes slushy with a smooth consistency. Add the vodka and remaining club soda and blend briefly until mixed. Pour into glasses and drink with a straw, or spoon straw if you feel like raiding your nearest 7-Eleven. (Note:  It’s easy to make this one non-alcoholic-  just leave out the vodka.  Still delicious!)

big gulp

My favorite quote from this movie is when Ethan Hawke says, “All you have to be by the time you’re 23 is yourself.” I wish I had paid more attention to that line when I was 23, instead of freaking out that I wasn’t “living up to my potential”, or worrying that I’d be asked to define irony at a job interview. So what if the only thing I really learned in college was my social security number? (TRUTH). I still managed to land on my feet, without having to sell fruit at an intersection. Cheers!